Bleak House

C >> Charles Dickens >> Bleak House

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79

Tony again entreats that the subject may be no longer pursued,
saying emphatically, "William Guppy, drop it!" Mr. Guppy
acquiesces, with the reply, "I never should have taken it up, Tony,
of my own accord."

"And now," says Tony, stirring the fire, "touching this same bundle
of letters. Isn't it an extraordinary thing of Krook to have
appointed twelve o'clock to-night to hand 'em over to me?"

"Very. What did he do it for?"

"What does he do anything for? HE don't know. Said to-day was his
birthday and he'd hand 'em over to-night at twelve o'clock. He'll
have drunk himself blind by that time. He has been at it all day."

"He hasn't forgotten the appointment, I hope?"

"Forgotten? Trust him for that. He never forgets anything. I saw
him to-night, about eight--helped him to shut up his shop--and he
had got the letters then in his hairy cap. He pulled it off and
showed 'em me. When the shop was closed, he took them out of his
cap, hung his cap on the chair-back, and stood turning them over
before the fire. I heard him a little while afterwards, through
the floor here, humming like the wind, the only song he knows--
about Bibo, and old Charon, and Bibo being drunk when he died, or
something or other. He has been as quiet since as an old rat
asleep in his hole."

"And you are to go down at twelve?"

"At twelve. And as I tell you, when you came it seemed to me a
hundred."

"Tony," says Mr. Guppy after considering a little with his legs
crossed, "he can't read yet, can he?"

"Read! He'll never read. He can make all the letters separately,
and he knows most of them separately when he sees them; he has got
on that much, under me; but he can't put them together. He's too
old to acquire the knack of it now--and too drunk."

"Tony," says Mr. Guppy, uncrossing and recrossing his legs, "how do
you suppose he spelt out that name of Hawdon?"

"He never spelt it out. You know what a curious power of eye he
has and how he has been used to employ himself in copying things by
eye alone. He imitated it, evidently from the direction of a
letter, and asked me what it meant."

"Tony," says Mr. Guppy, uncrossing and recrossing his legs again,
"should you say that the original was a man's writing or a
woman's?"

"A woman's. Fifty to one a lady's--slopes a good deal, and the end
of the letter 'n,' long and hasty."

Mr. Guppy has been biting his thumb-nail during this dialogue,
generally changing the thumb when he has changed the cross leg. As
he is going to do so again, he happens to look at his coat-sleeve.
It takes his attention. He stares at it, aghast.

"Why, Tony, what on earth is going on in this house to-night? Is
there a chimney on fire?"

"Chimney on fire!"

"Ah!" returns Mr. Guppy. "See how the soot's falling. See here,
on my arm! See again, on the table here! Confound the stuff, it
won't blow off--smears like black fat!"

They look at one another, and Tony goes listening to the door, and
a little way upstairs, and a little way downstairs. Comes back and
says it's all right and all quiet, and quotes the remark he lately
made to Mr. Snagsby about their cooking chops at the Sol's Arms.

"And it was then," resumes Mr. Guppy, still glancing with
remarkable aversion at the coat-sleeve, as they pursue their
conversation before the fire, leaning on opposite sides of the
table, with their heads very near together, "that he told you of
his having taken the bundle of letters from his lodger's
portmanteau?"

"That was the time, sir," answers Tony, faintly adjusting his
whiskers. "Whereupon I wrote a line to my dear boy, the Honourable
William Guppy, informing him of the appointment for to-night and
advising him not to call before, Boguey being a slyboots."

The light vivacious tone of fashionable life which is usually
assumed by Mr. Weevle sits so ill upon him to-night that he
abandons that and his whiskers together, and after looking over his
shoulder, appears to yield himself up a prey to the horrors again.

"You are to bring the letters to your room to read and compare, and
to get yourself into a position to tell him all about them. That's
the arrangement, isn't it, Tony?" asks Mr. Guppy, anxiously biting
his thumb-nail.

"You can't speak too low. Yes. That's what he and I agreed."

"I tell you what, Tony--"

"You can't speak too low," says Tony once more. Mr. Guppy nods his
sagacious head, advances it yet closer, and drops into a whisper.

"I tell you what. The first thing to be done is to make another
packet like the real one so that if he should ask to see the real
one while it's in my possession, you can show him the dummy."

"And suppose he detects the dummy as soon as he sees it, which with
his biting screw of an eye is about five hundred times more likely
than not," suggests Tony.

"Then we'll face it out. They don't belong to him, and they never
did. You found that, and you placed them in my hands--a legal
friend of yours--for security. If he forces us to it, they'll be
producible, won't they?"

"Ye-es," is Mr. Weevle's reluctant admission.

"Why, Tony," remonstrates his friend, "how you look! You don't
doubt William Guppy? You don't suspect any harm?"

"I don't suspect anything more than I know, William," returns the
other gravely.

"And what do you know?" urges Mr. Guppy, raising his voice a
little; but on his friend's once more warning him, "I tell you, you
can't speak too low," he repeats his question without any sound at
all, forming with his lips only the words, "What do you know?"

"I know three things. First, I know that here we are whispering in
secrecy, a pair of conspirators."

"Well!" says Mr. Guppy. "And we had better be that than a pair of
noodles, which we should be if we were doing anything else, for
it's the only way of doing what we want to do. Secondly?"

"Secondly, it's not made out to me how it's likely to be
profitable, after all."

Mr. Guppy casts up his eyes at the portrait of Lady Dedlock over
the mantelshelf and replies, "Tony, you are asked to leave that to
the honour of your friend. Besides its being calculated to serve
that friend in those chords of the human mind which--which need not
be called into agonizing vibration on the present occasion--your
friend is no fool. What's that?"

"It's eleven o'clock striking by the bell of Saint Paul's. Listen
and you'll hear all the bells in the city jangling."

Both sit silent, listening to the metal voices, near and distant,
resounding from towers of various heights, in tones more various
than their situations. When these at length cease, all seems more
mysterious and quiet than before. One disagreeable result of
whispering is that it seems to evoke an atmosphere of silence,
haunted by the ghosts of sound--strange cracks and tickings, the
rustling of garments that have no substance in them, and the tread
of dreadful feet that would leave no mark on the sea-sand or the
winter snow. So sensitive the two friends happen to be that the
air is full of these phantoms, and the two look over their
shoulders by one consent to see that the door is shut.

"Yes, Tony?" says Mr. Guppy, drawing nearer to the fire and biting
his unsteady thumb-nail. "You were going to say, thirdly?"

"It's far from a pleasant thing to be plotting about a dead man in
the room where he died, especially when you happen to live in it."

"But we are plotting nothing against him, Tony."

"May be not, still I don't like it. Live here by yourself and see
how YOU like it."

"As to dead men, Tony," proceeds Mr. Guppy, evading this proposal,
"there have been dead men in most rooms."

"I know there have, but in most rooms you let them alone, and--and
they let you alone," Tony answers.

The two look at each other again. Mr. Guppy makes a hurried remark
to the effect that they may be doing the deceased a service, that
he hopes so. There is an oppressive blank until Mr. Weevle, by
stirring the fire suddenly, makes Mr. Guppy start as if his heart
had been stirred instead.

"Fah! Here's more of this hateful soot hanging about," says he.
"Let us open the window a bit and get a mouthful of air. It's too
close."

He raises the sash, and they both rest on the window-sill, half in
and half out of the room. The neighbouring houses are too near to
admit of their seeing any sky without craning their necks and
looking up, but lights in frowsy windows here and there, and the
rolling of distant carriages, and the new expression that there is
of the stir of men, they find to be comfortable. Mr. Guppy,
noiselessly tapping on the window-sill, resumes his whisperirig in
quite a light-comedy tone.

"By the by, Tony, don't forget old Smallweed," meaning the younger
of that name. "I have not let him into this, you know. That
grandfather of his is too keen by half. It runs in the family."

"I remember," says Tony. "I am up to all that."

"And as to Krook," resumes Mr. Guppy. "Now, do you suppose he
really has got hold of any other papers of importance, as he has
boasted to you, since you have been such allies?"

Tony shakes his head. "I don't know. Can't Imagine. If we get
through this business without rousing his suspicions, I shall be
better informed, no doubt. How can I know without seeing them,
when he don't know himself? He is always spelling out words from
them, and chalking them over the table and the shop-wall, and
asking what this is and what that is; but his whole stock from
beginning to end may easily be the waste-paper he bought it as, for
anything I can say. It's a monomania with him to think he is
possessed of documents. He has been going to learn to read them
this last quarter of a century, I should judge, from what he tells
me."

"How did he first come by that idea, though? That's the question,"
Mr. Guppy suggests with one eye shut, after a little forensic
meditation. "He may have found papers in something he bought,
where papers were not supposed to be, and may have got it into his
shrewd head from the manner and place of their concealment that
they are worth something."

"Or he may have been taken in, in some pretended bargain. Or he
may have been muddled altogether by long staring at whatever he HAS
got, and by drink, and by hanging about the Lord Chancellor's Court
and hearing of documents for ever," returns Mr. Weevle.

Mr. Guppy sitting on the window-sill, nodding his head and
balancing all these possibilities in his mind, continues
thoughtfully to tap it, and clasp it, and measure it with his hand,
until he hastily draws his hand away.

"What, in the devil's name," he says, "is this! Look at my
fingers!"

A thick, yellow liquor defiles them, which is offensive to the
touch and sight and more offensive to the smell. A stagnant,
sickening oil with some natural repulsion in it that makes them
both shudder.

"What have you been doing here? What have you been pouring out of
window?"

"I pouring out of window! Nothing, I swear! Never, since I have
been here!" cries the lodger.

And yet look here--and look here! When he brings the candle here,
from the corner of the window-sill, it slowly drips and creeps away
down the bricks, here lies in a little thick nauseous pool.

"This is a horrible house," says Mr. Guppy, shutting down the
window. "Give me some water or I shall cut my hand off."

He so washes, and rubs, and scrubs, and smells, and washes, that he
has not long restored himself with a glass of brandy and stood
silently before the fire when Saint Paul's bell strikes twelve and
all those other bells strike twelve from their towers of various
heights in the dark air, and in their many tones. When all is
quiet again, the lodger says, "It's the appointed time at last.
Shall I go?"

Mr. Guppy nods and gives him a "lucky touch" on the back, but not
with the washed hand, though it is his right hand.

He goes downstairs, and Mr. Guppy tries to compose himself before
the fire for waiting a long time. But in no more than a minute or
two the stairs creak and Tony comes swiftly back.

"Have you got them?"

"Got them! No. The old man's not there."

He has been so horribly frightened in the short interval that his
terror seizes the other, who makes a rush at him and asks loudly,
"What's the matter?"

"I couldn't make him hear, and I softly opened the door and looked
in. And the burning smell is there--and the soot is there, and the
oil is there--and he is not there!" Tony ends this with a groan.

Mr. Guppy takes the light. They go down, more dead than alive, and
holding one another, push open the door of the back shop. The cat
has retreated close to it and stands snarling, not at them, at
something on the ground before the fire. There is a very little
fire left in the grate, but there is a smouldering, suffocating
vapour in the room and a dark, greasy coating on the walls and
ceiling. The chairs and table, and the bottle so rarely absent
from the table, all stand as usual. On one chair-back hang the old
man's hairy cap and coat.

"Look!" whispers the lodger, pointing his friend's attention to
these objects with a trembling finger. "I told you so. When I saw
him last, he took his cap off, took out the little bundle of old
letters, hung his cap on the back of the chair--his coat was there
already, for he had pulled that off before he went to put the
shutters up--and I left him turning the letters over in his hand,
standing just where that crumbled black thing is upon the floor."

Is he hanging somewhere? They look up. No.

"See!" whispers Tony. "At the foot of the same chair there lies a
dirty bit of thin red cord that they tie up pens with. That went
round the letters. He undid it slowly, leering and laughing at me,
before he began to turn them over, and threw it there. I saw it
fall."

"What's the matter with the cat?" says Mr. Guppy. "Look at her!"

"Mad, I think. And no wonder in this evil place."

They advance slowly, looking at all these things. The cat remains
where they found her, still snarling at the something on the ground
before the fire and between the two chairs. What is it? Hold up
the light.

Here is a small burnt patch of flooring; here is the tinder from a
little bundle of burnt paper, but not so light as usual, seeming to
be steeped in something; and here is--is it the cinder of a small
charred and broken log of wood sprinkled with white ashes, or is it
coal? Oh, horror, he IS here! And this from which we run away,
striking out the light and overturning one another into the street,
is all that represents him.

Help, help, help! Come into this house for heaven's sake! Plenty
will come in, but none can help. The Lord Chancellor of that
court, true to his title in his last act, has died the death of all
lord chancellors in all courts and of all authorities in all places
under all names soever, where false pretences are made, and where
injustice is done. Call the death by any name your Highness will,
attribute it to whom you will, or say it might have been prevented
how you will, it is the same death eternally--inborn, inbred,
engendered in the corrupted humours of the vicious body itself, and
that only--spontaneous combustion, and none other of all the deaths
that can be died.

CHAPTER XXXIII

Interlopers

Now do those two gentlemen not very neat about the cuffs and
buttons who attended the last coroner's inquest at the Sol's Arms
reappear in the precincts with surprising swiftness (being, in
fact, breathlessly fetched by the active and intelligent beadle),
and institute perquisitions through the court, and dive into the
Sol's parlour, and write with ravenous little pens on tissue-paper.
Now do they note down, in the watches of the night, how the
neighbourhood of Chancery Lane was yesterday, at about midnight,
thrown into a state of the most intense agitation and excitement by
the following alarming and horrible discovery. Now do they set
forth how it will doubtless be remembered that some time back a
painful sensation was created in the public mind by a case of
mysterious death from opium occurring in the first floor of the
house occupied as a rag, bottle, and general marine store shop, by
an eccentric individual of intemperate habits, far advanced in
life, named Krook; and how, by a remarkable coincidence, Krook was
examined at the inquest, which it may be recollected was held on
that occasion at the Sol's Arms, a well-conducted tavern
immediately adjoining the premises in question on the west side and
licensed to a highly respectable landlord, Mr. James George Bogsby.
Now do they show (in as many words as possible) how during some
hours of yesterday evening a very peculiar smell was observed by
the inhabitants of the court, in which the tragical occurrence
which forms the subject of that present account transpired; and
which odour was at one time so powerful that Mr. Swills, a comic
vocalist professionally engaged by Mr. J. G. Bogsby, has himself
stated to our reporter that he mentioned to Miss M. Melvilleson, a
lady of some pretensions to musical ability, likewise engaged by
Mr. J. G. Bogsby to sing at a series of concerts called Harmonic
Assemblies, or Meetings, which it would appear are held at the
Sol's Arms under Mr. Bogsby's direction pursuant to the Act of
George the Second, that he (Mr. Swills) found his voice seriously
affected by the impure state of the atmosphere, his jocose
expression at the time being that he was like an empty post-office,
for he hadn't a single note in him. How this account of Mr. Swills
is entirely corroborated by two intelligent married females
residing in the same court and known respectively by the names of
Mrs. Piper and Mrs. Perkins, both of whom observed the foetid
effluvia and regarded them as being emitted from the premises in
the occupation of Krook, the unfortunate deceased. All this and a
great deal more the two gentlemen who have formed an amicable
partnership in the melancholy catastrophe write down on the spot;
and the boy population of the court (out of bed in a moment) swarm
up the shutters of the Sol's Arms parlour, to behold the tops of
their heads while they are about it.

The whole court, adult as well as boy, is sleepless for that night,
and can do nothing but wrap up its many heads, and talk of the ill-
fated house, and look at it. Miss Flite has been bravely rescued
from her chamber, as if it were in flames, and accommodated with a
bed at the Sol's Arms. The Sol neither turns off its gas nor shuts
its door all night, for any kind of public excitement makes good
for the Sol and causes the court to stand in need of comfort. The
house has not done so much in the stomachic article of cloves or in
brandy-and-water warm since the inquest. The moment the pot-boy
heard what had happened, he rolled up his shirt-sleeves tight to
his shoulders and said, "There'll be a run upon us!" In the first
outcry, young Piper dashed off for the fire-engines and returned in
triumph at a jolting gallop perched up aloft on the Phoenix and
holding on to that fabulous creature with all his might in the
midst of helmets and torches. One helmet remains behind after
careful investigation of all chinks and crannies and slowly paces
up and down before the house in company with one of the two
policemen who have likewise been left in charge thereof. To this
trio everybody in the court possessed of sixpence has an insatiate
desire to exhibit hospitality in a liquid form.

Mr. Weevle and his friend Mr. Guppy are within the bar at the Sol
and are worth anything to the Sol that the bar contains if they
will only stay there. "This is not a time, says Mr. Bogsby, "to
haggle about money," though he looks something sharply after it,
over the counter; "give your orders, you two gentlemen, and you're
welcome to whatever you put a name to."

Thus entreated, the two gentlemen (Mr. Weevle especially) put names
to so many things that in course of time they find it difficult to
put a name to anything quite distinctly, though they still relate
to all new-comers some version of the night they have had of it,
and of what they said, and what they thought, and what they saw.
Meanwhile, one or other of the policemen often flits about the
door, and pushing it open a little way at the full length of his
arm, looks in from outer gloom. Not that he has any suspicions,
but that he may as well know what they are up to in there.

Thus night pursues its leaden course, finding the court still out
of bed through the unwonted hours, still treating and being
treated, still conducting itself similarly to a court that has had
a little money left it unexpectedly. Thus night at length with
slow-retreating steps departs, and the lamp-lighter going his
rounds, like an executioner to a despotic king, strikes off the
little heads of fire that have aspired to lessen the darkness.
Thus the day cometh, whether or no.

And the day may discern, even with its dim London eye, that the
court has been up all night. Over and above the faces that have
fallen drowsily on tables and the heels that lie prone on hard
floors instead of beds, the brick and mortar physiognomy of the
very court itself looks worn and jaded. And now the neighbourhood,
waking up and beginning to hear of what has happened, comes
streaming in, half dressed, to ask questions; and the two policemen
and the helmet (who are far less impressible externally than the
court) have enough to do to keep the door.

"Good gracious, gentlemen!" says Mr. Snagsby, coming up. "What's
this I hear!"

"Why, it's true," returns one of the policemen. "That's what it
is. Now move on here, come!"

"Why, good gracious, gentlemen," says Mr. Snagsby, somewhat
promptly backed away, "I was at this door last night betwixt ten
and eleven o'clock in conversation with the young man who lodges
here."

"Indeed?" returns the policeman. "You will find the young man next
door then. Now move on here, some of you,"

"Not hurt, I hope?" says Mr. Snagsby.

"Hurt? No. What's to hurt him!"

Mr. Snagsby, wholly unable to answer this or any question in his
troubled mind, repairs to the Sol's Arms and finds Mr. Weevle
languishing over tea and toast with a considerable expression on
him of exhausted excitement and exhausted tobacco-smoke.

"And Mr. Guppy likewise!" quoth Mr. Snagsby. "Dear, dear, dear!
What a fate there seems in all this! And my lit--"

Mr. Snagsby's power of speech deserts him in the formation of the
words "my little woman." For to see that injured female walk into
the Sol's Arms at that hour of the morning and stand before the
beer-engine, with her eyes fixed upon him like an accusing spirit,
strikes him dumb.

"My dear," says Mr. Snagsby when his tongue is loosened, "will you
take anything? A little--not to put too fine a point upon it--drop
of shrub?"

"No," says Mrs. Snagsby.

"My love, you know these two gentlemen?"

"Yes!" says Mrs. Snagsby, and in a rigid manner acknowledges their
presence, still fixing Mr. Snagsby with her eye.

The devoted Mr. Snagsby cannot bear this treatment. He takes Mrs.
Snagsby by the hand and leads her aside to an adjacent cask.

"My little woman, why do you look at me in that way? Pray don't do
it."

"I can't help my looks," says Mrs. Snagsby, "and if I could I
wouldn't."

Mr. Snagsby, with his cough of meekness, rejoins, "Wouldn't you
really, my dear?" and meditates. Then coughs his cough of trouble
and says, "This is a dreadful mystery, my love!" still fearfully
disconcerted by Mrs. Snagsby's eye.

"It IS," returns Mrs. Snagsby, shaking her head, "a dreadful
mystery."

"My little woman," urges Mr. Snagsby in a piteous manner, "don't
for goodness' sake speak to me with that bitter expression and look
at me in that searching way! I beg and entreat of you not to do
it. Good Lord, you don't suppose that I would go spontaneously
combusting any person, my dear?"

"I can't say," returns Mrs. Snagsby.

On a hasty review of his unfortunate position, Mr. Snagsby "can't
say" either. He is not prepared positively to deny that he may
have had something to do with it. He has had something--he don't
know what--to do with so much in this connexion that is mysterious
that it is possible he may even be implicated, without knowing it,
in the present transaction. He faintly wipes his forehead with his
handkerchief and gasps.

"My life," says the unhappy stationer, "would you have any
objections to mention why, being in general so delicately
circumspect in your conduct, you come into a wine-vaults before
breakfast?"

"Why do YOU come here?" inquires Mrs. Snagsby.

"My dear, merely to know the rights of the fatal accident which has
happened to the venerable party who has been--combusted." Mr.
Snagsby has made a pause to suppress a groan. "I should then have
related them to you, my love, over your French roll."