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PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).

Little Dorrit

C >> Charles Dickens >> Little Dorrit

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'Nothing changed,' said the traveller, stopping to look round.
'Dark and miserable as ever. A light in my mother's window, which
seems never to have been extinguished since I came home twice a
year from school, and dragged my box over this pavement. Well,
well, well!'

He went up to the door, which had a projecting canopy in carved
work of festooned jack-towels and children's heads with water on
the brain, designed after a once-popular monumental pattern, and
knocked. A shuffling step was soon heard on the stone floor of the
hall, and the door was opened by an old man, bent and dried, but
with keen eyes.

He had a candle in his hand, and he held it up for a moment to
assist his keen eyes. 'Ah, Mr Arthur?' he said, without any
emotion, 'you are come at last? Step in.'

Mr Arthur stepped in and shut the door.

'Your figure is filled out, and set,' said the old man, turning to
look at him with the light raised again, and shaking his head; 'but
you don't come up to your father in my opinion. Nor yet your
mother.'

'How is my mother?'

'She is as she always is now. Keeps her room when not actually
bedridden, and hasn't been out of it fifteen times in as many
years, Arthur.' They had walked into a spare, meagre dining-room.
The old man had put the candlestick upon the table, and, supporting
his right elbow with his left hand, was smoothing his leathern jaws
while he looked at the visitor. The visitor offered his hand. The
old man took it coldly enough, and seemed to prefer his jaws, to
which he returned as soon as he could.

'I doubt if your mother will approve of your coming home on the
Sabbath, Arthur,' he said, shaking his head warily.

'You wouldn't have me go away again?'

'Oh! I? I? I am not the master. It's not what _I_ would have.
I have stood between your father and mother for a number of years.
I don't pretend to stand between your mother and you.'

'Will you tell her that I have come home?'

'Yes, Arthur, yes. Oh, to be sure! I'll tell her that you have
come home. Please to wait here. You won't find the room changed.'

He took another candle from a cupboard, lighted it, left the first
on the table, and went upon his errand. He was a short, bald old
man, in a high-shouldered black coat and waistcoat, drab breeches,
and long drab gaiters. He might, from his dress, have been either
clerk or servant, and in fact had long been both. There was
nothing about him in the way of decoration but a watch, which was
lowered into the depths of its proper pocket by an old black
ribbon, and had a tarnished copper key moored above it, to show
where it was sunk. His head was awry, and he had a one-sided,
crab-like way with him, as if his foundations had yielded at about
the same time as those of the house, and he ought to have been
propped up in a similar manner.

'How weak am I,' said Arthur Clennam, when he was gone, 'that I
could shed tears at this reception! I, who have never experienced
anything else; who have never expected anything else.' He not only
could, but did. It was the momentary yielding of a nature that had
been disappointed from the dawn of its perceptions, but had not
quite given up all its hopeful yearnings yet. He subdued it, took
up the candle, and examined the room. The old articles of
furniture were in their old places; the Plagues of Egypt, much the
dimmer for the fly and smoke plagues of London, were framed and
glazed upon the walls. There was the old cellaret with nothing in
it, lined with lead, like a sort of coffin in compartments; there
was the old dark closet, also with nothing in it, of which he had
been many a time the sole contents, in days of punishment, when he
had regarded it as the veritable entrance to that bourne to which
the tract had found him galloping. There was the large, hard-
featured clock on the sideboard, which he used to see bending its
figured brows upon him with a savage joy when he was behind-hand
with his lessons, and which, when it was wound up once a week with
an iron handle, used to sound as if it were growling in ferocious
anticipation of the miseries into which it would bring him. But
here was the old man come back, saying, 'Arthur, I'll go before and
light you.'

Arthur followed him up the staircase, which was panelled off into
spaces like so many mourning tablets, into a dim bed-chamber, the
floor of which had gradually so sunk and settled, that the fire-
place was in a dell. On a black bier-like sofa in this hollow,
propped up behind with one great angular black bolster like the
block at a state execution in the good old times, sat his mother in
a widow's dress.

She and his father had been at variance from his earliest
remembrance. To sit speechless himself in the midst of rigid
silence, glancing in dread from the one averted face to the other,
had been the peacefullest occupation of his childhood. She gave
him one glassy kiss, and four stiff fingers muffled in worsted.
This embrace concluded, he sat down on the opposite side of her
little table. There was a fire in the grate, as there had been
night and day for fifteen years. There was a kettle on the hob, as
there had been night and day for fifteen years. There was a little
mound of damped ashes on the top of the fire, and another little
mound swept together under the grate, as there had been night and
day for fifteen years. There was a smell of black dye in the
airless room, which the fire had been drawing out of the crape and
stuff of the widow's dress for fifteen months, and out of the bier-
like sofa for fifteen years.

'Mother, this is a change from your old active habits.'

'The world has narrowed to these dimensions, Arthur,' she rep lied,
glancing round the room. 'It is well for me that I never set my
heart upon its hollow vanities.'

The old influence of her presence and her stern strong voice, so
gathered about her son, that he felt conscious of a renewal of the
timid chill and reserve of his childhood.

'Do you never leave your room, mother?'

'What with my rheumatic affection, and what with its attendant
debility or nervous weakness--names are of no matter now--I have
lost the use of my limbs. I never leave my room. I have not been
outside this door for--tell him for how long,' she said, speaking
over her shoulder.

'A dozen year next Christmas,' returned a cracked voice out of the
dimness behind.

'Is that Affery?' said Arthur, looking towards it.

The cracked voice replied that it was Affery: and an old woman came
forward into what doubtful light there was, and kissed her hand
once; then subsided again into the dimness.

'I am able,' said Mrs Clennam, with a slight motion of her worsted-
muffled right hand toward a chair on wheels, standing before a tall
writing cabinet close shut up, 'I am able to attend to my business
duties, and I am thankful for the privilege. It is a great
privilege. But no more of business on this day. It is a bad
night, is it not?'

'Yes, mother.'

'Does it snow?'

'Snow, mother? And we only yet in September?'

'All seasons are alike to me,' she returned, with a grim kind of
luxuriousness. 'I know nothing of summer and winter, shut up here.

The Lord has been pleased to put me beyond all that.' With her
cold grey eyes and her cold grey hair, and her immovable face, as
stiff as the folds of her stony head-dress,--her being beyond the
reach of the seasons seemed but a fit sequence to her being beyond
the reach of all changing emotions.

On her little table lay two or three books, her handkerchief, a
pair of steel spectacles newly taken off, and an old-fashioned gold
watch in a heavy double case. Upon this last object her son's eyes
and her own now rested together.

'I see that you received the packet I sent you on my father's
death, safely, mother.'

'You see.'

'I never knew my father to show so much anxiety on any subject, as
that his watch should be sent straight to you.'

'I keep it here as a remembrance of your father.'

'It was not until the last, that he expressed the wish; when he
could only put his hand upon it, and very indistinctly say to me
"your mother." A moment before, I thought him wandering in his
mind, as he had been for many hours--I think he had no
consciousness of pain in his short illness--when I saw him turn
himself in his bed and try to open it.'

'Was your father, then, not wandering in his mind when he tried to
open it?'

'No. He was quite sensible at that time.'

Mrs Clennam shook her head; whether in dismissal of the deceased or
opposing herself to her son's opinion, was not clearly expressed.

'After my father's death I opened it myself, thinking there might
be, for anything I knew, some memorandum there. However, as I need
not tell you, mother, there was nothing but the old silk watch-
paper worked in beads, which you found (no doubt) in its place
between the cases, where I found and left it.'

Mrs Clennam signified assent; then added, 'No more of business on
this day,' and then added, 'Affery, it is nine o'clock.'

Upon this, the old woman cleared the little table, went out of the
room, and quickly returned with a tray on which was a dish of
little rusks and a small precise pat of butter, cool, symmetrical,
white, and plump. The old man who had been standing by the door in
one attitude during the whole interview, looking at the mother up-
stairs as he had looked at the son down-stairs, went out at the
same time, and, after a longer absence, returned with another tray
on which was the greater part of a bottle of port wine (which, to
judge by his panting, he had brought from the cellar), a lemon, a
sugar-basin, and a spice box. With these materials and the aid of
the kettle, he filled a tumbler with a hot and odorous mixture,
measured out and compounded with as much nicety as a physician's
prescription. Into this mixture Mrs Clennam dipped certain of the
rusks, and ate them; while the old woman buttered certain other of
the rusks, which were to be eaten alone. When the invalid had
eaten all the rusks and drunk all the mixture, the two trays were
removed; and the books and the candle, watch, handkerchief, and
spectacles were replaced upon the table. She then put on the
spectacles and read certain passages aloud from a book--sternly,
fiercely, wrathfully--praying that her enemies (she made them by
her tone and manner expressly hers) might be put to the edge of the
sword, consumed by fire, smitten by plagues and leprosy, that their
bones might be ground to dust, and that they might be utterly
exterminated. As she read on, years seemed to fall away from her
son like the imaginings of a dream, and all the old dark horrors of
his usual preparation for the sleep of an innocent child to
overshadow him.

She shut the book and remained for a little time with her face
shaded by her hand. So did the old man, otherwise still unchanged

in attitude; so, probably, did the old woman in her dimmer part of
the room. Then the sick woman was ready for bed.

'Good night, Arthur. Affery will see to your accommodation. Only
touch me, for my hand is tender.' He touched the worsted muffling
of her hand--that was nothing; if his mother had been sheathed in
brass there would have been no new barrier between them--and
followed the old man and woman down-stairs.

The latter asked him, when they were alone together among the heavy
shadows of the dining-room, would he have some supper?

'No, Affery, no supper.'

'You shall if you like,' said Affery. 'There's her tomorrow's
partridge in the larder--her first this year; say the word and I'll
cook it.'

No, he had not long dined, and could eat nothing.

'Have something to drink, then,' said Affery; 'you shall have some
of her bottle of port, if you like. I'll tell Jeremiah that you
ordered me to bring it you.'

No; nor would he have that, either.

'It's no reason, Arthur,' said the old woman, bending over him to
whisper, 'that because I am afeared of my life of 'em, you should
be. You've got half the property, haven't you?'

'Yes, yes.'

'Well then, don't you be cowed. You're clever, Arthur, an't you?
'
He nodded, as she seemed to expect an answer in the affirmative.
'Then stand up against them! She's awful clever, and none but a
clever one durst say a word to her. HE'S a clever one--oh, he's a
clever one!--and he gives it her when he has a mind to't, he does!'

'Your husband does?'

'Does? It makes me shake from head to foot, to hear him give it
her. My husband, Jeremiah Flintwinch, can conquer even your
mother. What can he be but a clever one to do that!'

His shuffling footstep coming towards them caused her to retreat to
the other end of the room. Though a tall, hard-favoured, sinewy
old woman, who in her youth might have enlisted in the Foot Guards
without much fear of discovery, she collapsed before the little
keen-eyed crab-like old man.

'Now, Affery,' said he, 'now, woman, what are you doing? Can't you
find Master Arthur something or another to pick at?'

Master Arthur repeated his recent refusal to pick at anything.

'Very well, then,' said the old man; 'make his bed. Stir
yourself.' His neck was so twisted that the knotted ends of his
white cravat usually dangled under one ear; his natural acerbity
and energy, always contending with a second nature of habitual
repression, gave his features a swollen and suffused look; and
altogether, he had a weird appearance of having hanged himself at
one time or other, and of having gone about ever since, halter and
all, exactly as some timely hand had cut him down.

'You'll have bitter words together to-morrow, Arthur; you and your
mother,' said Jeremiah. 'Your having given up the business on your
father's death--which she suspects, though we have left it to you
to tell her--won't go off smoothly.'

'I have given up everything in life for the business, and the time
came for me to give up that.'

'Good!' cried Jeremiah, evidently meaning Bad. 'Very good! only
don't expect me to stand between your mother and you, Arthur. I
stood between your mother and your father, fending off this, and
fending off that, and getting crushed and pounded betwixt em; and
I've done with such work.'

'You will never be asked to begin it again for me, Jeremiah.'

' Good. I'm glad to hear it; because I should have had to decline
it, if I had been. That's enough--as your mother says--and more
than enough of such matters on a Sabbath night. Affery, woman,
have you found what you want yet?'

She had been collecting sheets and blankets from a press, and
hastened to gather them up, and to reply, 'Yes, Jeremiah.' Arthur
Clennam helped her by carrying the load himself, wished the old man
good night, and went up-stairs with her to the top of the house.

They mounted up and up, through the musty smell of an old close
house, little used, to a large garret bed-room. Meagre and spare,
like all the other rooms, it was even uglier and grimmer than the
rest, by being the place of banishment for the worn-out furniture.
Its movables were ugly old chairs with worn-out seats, and ugly old
chairs without any seats; a threadbare patternless carpet, a maimed
table, a crippled wardrobe, a lean set of fire-irons like the
skeleton of a set deceased, a washing-stand that looked as if it
had stood for ages in a hail of dirty soapsuds, and a bedstead with
four bare atomies of posts, each terminating in a spike, as if for
the dismal accommodation of lodgers who might prefer to impale
themselves. Arthur opened the long low window, and looked out upon
the old blasted and blackened forest of chimneys, and the old red
glare in the sky, which had seemed to him once upon a time but a
nightly reflection of the fiery environment that was presented to
his childish fancy in all directions, let it look where it would.

He drew in his head again, sat down at the bedside, and looked on
at Affery Flintwinch making the bed.

'Affery, you were not married when I went away.'

She screwed her mouth into the form of saying 'No,' shook her head,
and proceeded to get a pillow into its case.

'How did it happen?'

'Why, Jeremiah, o' course,' said Affery, with an end of the pillow-
case between her teeth.

'Of course he proposed it, but how did it all come about? I should
have thought that neither of you would have married; least of all
should I have thought of your marrying each other.'

'No more should I,' said Mrs Flintwinch, tying the pillow tightly
in its case.

'That's what I mean. When did you begin to think otherwise?'

'Never begun to think otherwise at all,' said Mrs Flintwinch.

Seeing, as she patted the pillow into its place on the bolster,
that he was still looking at her as if waiting for the rest of her
reply, she gave it a great poke in the middle, and asked, 'How
could I help myself?'

'How could you help yourself from being married!'

'O' course,' said Mrs Flintwinch. 'It was no doing o' mine. I'D
never thought of it. I'd got something to do, without thinking,
indeed! She kept me to it (as well as he) when she could go about,
and she could go about then.'
'Well?'

'Well?' echoed Mrs Flintwinch. 'That's what I said myself. Well!
What's the use of considering? If them two clever ones have made
up their minds to it, what's left for me to do? Nothing.'

'Was it my mother's project, then?'

'The Lord bless you, Arthur, and forgive me the wish!' cried
Affery, speaking always in a low tone. 'If they hadn't been both
of a mind in it, how could it ever have been? Jeremiah never
courted me; t'ant likely that he would, after living in the house
with me and ordering me about for as many years as he'd done. He
said to me one day, he said, "Affery," he said, "now I am going to
tell you something. What do you think of the name of Flintwinch?"
"What do I think of it?" I says. "Yes," he said, "because you're
going to take it," he said. "Take it?" I says. "Jere-MI-ah?" Oh!
he's a clever one!'

Mrs Flintwinch went on to spread the upper sheet over the bed, and
the blanket over that, and the counterpane over that, as if she had
quite concluded her story.
'Well?' said Arthur again.

'Well?' echoed Mrs Flintwinch again. 'How could I help myself? He
said to me, "Affery, you and me must be married, and I'll tell you
why. She's failing in health, and she'll want pretty constant
attendance up in her room, and we shall have to be much with her,
and there'll be nobody about now but ourselves when we're away from
her, and altogether it will be more convenient. She's of my
opinion," he said, "so if you'll put your bonnet on next Monday
morning at eight, we'll get it over."' Mrs Flintwinch tucked up the
bed.

'Well?'

'Well?' repeated Mrs Flintwinch, 'I think so! I sits me down and
says it. Well!--Jeremiah then says to me, "As to banns, next
Sunday being the third time of asking (for I've put 'em up a
fortnight), is my reason for naming Monday. She'll speak to you
about it herself, and now she'll find you prepared, Affery." That
same day she spoke to me, and she said, "So, Affery, I understand
that you and Jeremiah are going to be married. I am glad of it,
and so are you, with reason. It is a very good thing for you, and
very welcome under the circumstances to me. He is a sensible man,
and a trustworthy man, and a persevering man, and a pious man."
What could I say when it had come to that? Why, if it had been--a
smothering instead of a wedding,' Mrs Flintwinch cast about in her
mind with great pains for this form of expression, 'I couldn't have
said a word upon it, against them two clever ones.'

'In good faith, I believe so.'
'And so you may, Arthur.'

'Affery, what girl was that in my mother's room just now?'

'Girl?' said Mrs Flintwinch in a rather sharp key.

'It was a girl, surely, whom I saw near you--almost hidden in the
dark corner?'

'Oh! She? Little Dorrit? She's nothing; she's a whim of--hers.'
It was a peculiarity of Affery Flintwinch that she never spoke of
Mrs Clennam by name. 'But there's another sort of girls than that
about. Have you forgot your old sweetheart? Long and long ago,
I'll be bound.'

'I suffered enough from my mother's separating us, to remember her.

I recollect her very well.'

'Have you got another?'

'No.'

'Here's news for you, then. She's well to do now, and a widow.
And if you like to have her, why you can.'

'And how do you know that, Affery?'

'Them two clever ones have been speaking about it.--There's
Jeremiah on the stairs!' She was gone in a moment.

Mrs Flintwinch had introduced into the web that his mind was busily
weaving, in that old workshop where the loom of his youth had
stood, the last thread wanting to the pattern. The airy folly of
a boy's love had found its way even into that house, and he had
been as wretched under its hopelessness as if the house had been a
castle of romance. Little more than a week ago at Marseilles, the
face of the pretty girl from whom he had parted with regret, had
had an unusual interest for him, and a tender hold upon him,
because of some resemblance, real or imagined, to this first face
that had soared out of his gloomy life into the bright glories of
fancy. He leaned upon the sill of the long low window, and looking
out upon the blackened forest of chimneys again, began to dream;
for it had been the uniform tendency of this man's life--so much
was wanting in it to think about, so much that might have been
better directed and happier to speculate upon--to make him a
dreamer, after all.




CHAPTER 4

Mrs Flintwinch has a Dream


When Mrs Flintwinch dreamed, she usually dreamed, unlike the son of
her old mistress, with her eyes shut. She had a curiously vivid
dream that night, and before she had left the son of her old
mistress many hours. In fact it was not at all like a dream; it
was so very real in every respect. It happened in this wise.

The bed-chamber occupied by Mr and Mrs Flintwinch was within a few
paces of that to which Mrs Clennam had been so long confined. It
was not on the same floor, for it was a room at the side of the
house, which was approached by a steep descent of a few odd steps,
diverging from the main staircase nearly opposite to Mrs Clennam's
door. It could scarcely be said to be within call, the walls,
doors, and panelling of the old place were so cumbrous; but it was
within easy reach, in any undress, at any hour of the night, in any
temperature. At the head of the bed and within a foot of Mrs
Flintwinch's ear, was a bell, the line of which hung ready to Mrs
Clennam's hand. Whenever this bell rang, up started Affery, and
was in the sick room before she was awake.

Having got her mistress into bed, lighted her lamp, and given her
good night, Mrs Flintwinch went to roost as usual, saving that her
lord had not yet appeared. It was her lord himself who became--
unlike the last theme in the mind, according to the observation of
most philosophers--the subject of Mrs Flintwinch's dream.
It seemed to her that she awoke after sleeping some hours, and
found Jeremiah not yet abed. That she looked at the candle she had
left burning, and, measuring the time like King Alfred the Great,
was confirmed by its wasted state in her belief that she had been
asleep for some considerable period. That she arose thereupon,
muffled herself up in a wrapper, put on her shoes, and went out on
the staircase, much surprised, to look for Jeremiah.

The staircase was as wooden and solid as need be, and Affery went
straight down it without any of those deviations peculiar to
dreams. She did not skim over it, but walked down it, and guided
herself by the banisters on account of her candle having died out.
In one corner of the hall, behind the house-door, there was a
little waiting-room, like a well-shaft, with a long narrow window
in it as if it had been ripped up. In this room, which was never
used, a light was burning.

Mrs Flintwinch crossed the hall, feeling its pavement cold to her
stockingless feet, and peeped in between the rusty hinges on the
door, which stood a little open. She expected to see Jeremiah fast
asleep or in a fit, but he was calmly seated in a chair, awake, and
in his usual health. But what--hey?--Lord forgive us!--Mrs
Flintwinch muttered some ejaculation to this effect, and turned
giddy.

For, Mr Flintwinch awake, was watching Mr Flintwinch asleep. He
sat on one side of the small table, looking keenly at himself on
the other side with his chin sunk on his breast, snoring. The
waking Flintwinch had his full front face presented to his wife;
the sleeping Flintwinch was in profile. The waking Flintwinch was
the old original; the sleeping Flintwinch was the double. just as
she might have distinguished between a tangible object and its
reflection in a glass, Affery made out this difference with her
head going round and round.

If she had had any doubt which was her own Jeremiah, it would have
been resolved by his impatience. He looked about him for an
offensive weapon, caught up the snuffers, and, before applying them
to the cabbage-headed candle, lunged at the sleeper as though he
would have run him through the body.

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