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New Philadelphia Book Publisher Highlights Local Talent
Book and Publishing News from Publishers Newswire(tm)

Looking for Child to be on Cover of a New Book, 'The Model Child'
PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).

Reprinted Pieces

C >> Charles Dickens >> Reprinted Pieces

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Saint Giles's clock says it will be midnight in half-an-hour, and
Inspector Field says we must hurry to the Old Mint in the Borough.
The cab-driver is low-spirited, and has a solemn sense of his
responsibility. Now, what's your fare, my lad? - O YOU know,
Inspector Field, what's the good of asking ME!

Say, Parker, strapped and great-coated, and waiting in dim Borough
doorway by appointment, to replace the trusty Rogers whom we left
deep in Saint Giles's, are you ready? Ready, Inspector Field, and
at a motion of my wrist behold my flaming eye.

This narrow street, sir, is the chief part of the Old Mint, full of
low lodging-houses, as you see by the transparent canvas-lamps and
blinds, announcing beds for travellers! But it is greatly changed,
friend Field, from my former knowledge of it; it is infinitely
quieter and more subdued than when I was here last, some seven
years ago? O yes! Inspector Haynes, a first-rate man, is on this
station now and plays the Devil with them!

Well, my lads! How are you to-night, my lads? Playing cards here,
eh? Who wins? - Why, Mr. Field, I, the sulky gentleman with the
damp flat side-curls, rubbing my bleared eye with the end of my
neckerchief which is like a dirty eel-skin, am losing just at
present, but I suppose I must take my pipe out of my mouth, and be
submissive to YOU - I hope I see you well, Mr. Field? - Aye, all
right, my lad. Deputy, who have you got up-stairs? Be pleased to
show the rooms!

Why Deputy, Inspector Field can't say. He only knows that the man
who takes care of the beds and lodgers is always called so.
Steady, O Deputy, with the flaring candle in the blacking-bottle,
for this is a slushy back-yard, and the wooden staircase outside
the house creaks and has holes in it.

Again, in these confined intolerable rooms, burrowed out like the
holes of rats or the nests of insect-vermin, but fuller of
intolerable smells, are crowds of sleepers, each on his foul
truckle-bed coiled up beneath a rug. Holloa here! Come! Let us
see you! Show your face! Pilot Parker goes from bed to bed and
turns their slumbering heads towards us, as a salesman might turn
sheep. Some wake up with an execration and a threat. - What! who
spoke? O! If it's the accursed glaring eye that fixes me, go
where I will, I am helpless. Here! I sit up to be looked at. Is
it me you want? Not you, lie down again! and I lie down, with a
woful growl.

Whenever the turning lane of light becomes stationary for a moment,
some sleeper appears at the end of it, submits himself to be
scrutinised, and fades away into the darkness.

There should be strange dreams here, Deputy. They sleep sound
enough, says Deputy, taking the candle out of the blacking-bottle,
snuffing it with his fingers, throwing the snuff into the bottle,
and corking it up with the candle; that's all I know. What is the
inscription, Deputy, on all the discoloured sheets? A precaution
against loss of linen. Deputy turns down the rug of an unoccupied
bed and discloses it. STOP THIEF!

To lie at night, wrapped in the legend of my slinking life; to take
the cry that pursues me, waking, to my breast in sleep; to have it
staring at me, and clamouring for me, as soon as consciousness
returns; to have it for my first-foot on New-Year's day, my
Valentine, my Birthday salute, my Christmas greeting, my parting
with the old year. STOP THIEF!

And to know that I MUST be stopped, come what will. To know that I
am no match for this individual energy and keenness, or this
organised and steady system! Come across the street, here, and,
entering by a little shop and yard, examine these intricate
passages and doors, contrived for escape, flapping and counter-
flapping, like the lids of the conjurer's boxes. But what avail
they? Who gets in by a nod, and shows their secret working to us?
Inspector Field.

Don't forget the old Farm House, Parker! Parker is not the man to
forget it. We are going there, now. It is the old Manor-House of
these parts, and stood in the country once. Then, perhaps, there
was something, which was not the beastly street, to see from the
shattered low fronts of the overhanging wooden houses we are
passing under - shut up now, pasted over with bills about the
literature and drama of the Mint, and mouldering away. This long
paved yard was a paddock or a garden once, or a court in front of
the Farm House. Perchance, with a dovecot in the centre, and fowls
peeking about - with fair elm trees, then, where discoloured
chimney-stacks and gables are now - noisy, then, with rooks which
have yielded to a different sort of rookery. It's likelier than
not, Inspector Field thinks, as we turn into the common kitchen,
which is in the yard, and many paces from the house.

Well, my lads and lasses, how are you all? Where's Blackey, who
has stood near London Bridge these five-and-twenty years, with a
painted skin to represent disease? - Here he is, Mr. Field! - How
are you, Blackey? - Jolly, sa! Not playing the fiddle to-night,
Blackey? - Not a night, sa! A sharp, smiling youth, the wit of the
kitchen, interposes. He an't musical to-night, sir. I've been
giving him a moral lecture; I've been a talking to him about his
latter end, you see. A good many of these are my pupils, sir.
This here young man (smoothing down the hair of one near him,
reading a Sunday paper) is a pupil of mine. I'm a teaching of him
to read, sir. He's a promising cove, sir. He's a smith, he is,
and gets his living by the sweat of the brow, sir. So do I,
myself, sir. This young woman is my sister, Mr. Field. SHE'S
getting on very well too. I've a deal of trouble with 'em, sir,
but I'm richly rewarded, now I see 'em all a doing so well, and
growing up so creditable. That's a great comfort, that is, an't
it, sir? - In the midst of the kitchen (the whole kitchen is in
ecstasies with this impromptu 'chaff') sits a young, modest,
gentle-looking creature, with a beautiful child in her lap. She
seems to belong to the company, but is so strangely unlike it. She
has such a pretty, quiet face and voice, and is so proud to hear
the child admired - thinks you would hardly believe that he is only
nine months old! Is she as bad as the rest, I wonder?
Inspectorial experience does not engender a belief contrariwise,
but prompts the answer, Not a ha'porth of difference!

There is a piano going in the old Farm House as we approach. It
stops. Landlady appears. Has no objections, Mr. Field, to
gentlemen being brought, but wishes it were at earlier hours, the
lodgers complaining of ill-conwenience. Inspector Field is polite
and soothing - knows his woman and the sex. Deputy (a girl in this
case) shows the way up a heavy, broad old staircase, kept very
clean, into clean rooms where many sleepers are, and where painted
panels of an older time look strangely on the truckle beds. The
sight of whitewash and the smell of soap - two things we seem by
this time to have parted from in infancy - make the old Farm House
a phenomenon, and connect themselves with the so curiously
misplaced picture of the pretty mother and child long after we have
left it, - long after we have left, besides, the neighbouring nook
with something of a rustic flavour in it yet, where once, beneath a
low wooden colonnade still standing as of yore, the eminent Jack
Sheppard condescended to regale himself, and where, now, two old
bachelor brothers in broad hats (who are whispered in the Mint to
have made a compact long ago that if either should ever marry, he
must forfeit his share of the joint property) still keep a
sequestered tavern, and sit o' nights smoking pipes in the bar,
among ancient bottles and glasses, as our eyes behold them.

How goes the night now? Saint George of Southwark answers with
twelve blows upon his bell. Parker, good night, for Williams is
already waiting over in the region of Ratcliffe Highway, to show
the houses where the sailors dance.

I should like to know where Inspector Field was born. In Ratcliffe
Highway, I would have answered with confidence, but for his being
equally at home wherever we go. HE does not trouble his head as I
do, about the river at night. HE does not care for its creeping,
black and silent, on our right there, rushing through sluice-gates,
lapping at piles and posts and iron rings, hiding strange things in
its mud, running away with suicides and accidentally drowned bodies
faster than midnight funeral should, and acquiring such various
experience between its cradle and its grave. It has no mystery for
HIM. Is there not the Thames Police!

Accordingly, Williams leads the way. We are a little late, for
some of the houses are already closing. No matter. You show us
plenty. All the landlords know Inspector Field. All pass him,
freely and good-humouredly, wheresoever he wants to go. So
thoroughly are all these houses open to him and our local guide,
that, granting that sailors must be entertained in their own way -
as I suppose they must, and have a right to be - I hardly know how
such places could be better regulated. Not that I call the company
very select, or the dancing very graceful - even so graceful as
that of the German Sugar Bakers, whose assembly, by the Minories,
we stopped to visit - but there is watchful maintenance of order in
every house, and swift expulsion where need is. Even in the midst
of drunkenness, both of the lethargic kind and the lively, there is
sharp landlord supervision, and pockets are in less peril than out
of doors. These houses show, singularly, how much of the
picturesque and romantic there truly is in the sailor, requiring to
be especially addressed. All the songs (sung in a hailstorm of
halfpence, which are pitched at the singer without the least
tenderness for the time or tune - mostly from great rolls of copper
carried for the purpose - and which he occasionally dodges like
shot as they fly near his head) are of the sentimental sea sort.
All the rooms are decorated with nautical subjects. Wrecks,
engagements, ships on fire, ships passing lighthouses on iron-bound
coasts, ships blowing up, ships going down, ships running ashore,
men lying out upon the main-yard in a gale of wind, sailors and
ships in every variety of peril, constitute the illustrations of
fact. Nothing can be done in the fanciful way, without a thumping
boy upon a scaly dolphin.

How goes the night now? Past one. Black and Green are waiting in
Whitechapel to unveil the mysteries of Wentworth Street. Williams,
the best of friends must part. Adieu!

Are not Black and Green ready at the appointed place? O yes! They
glide out of shadow as we stop. Imperturbable Black opens the cab-
door; Imperturbable Green takes a mental note of the driver. Both
Green and Black then open each his flaming eye, and marshal us the
way that we are going.

The lodging-house we want is hidden in a maze of streets and
courts. It is fast shut. We knock at the door, and stand hushed
looking up for a light at one or other of the begrimed old lattice
windows in its ugly front, when another constable comes up -
supposes that we want 'to see the school.' Detective Sergeant
meanwhile has got over a rail, opened a gate, dropped down an area,
overcome some other little obstacles, and tapped at a window. Now
returns. The landlord will send a deputy immediately.

Deputy is heard to stumble out of bed. Deputy lights a candle,
draws back a bolt or two, and appears at the door. Deputy is a
shivering shirt and trousers by no means clean, a yawning face, a
shock head much confused externally and internally. We want to
look for some one. You may go up with the light, and take 'em all,
if you like, says Deputy, resigning it, and sitting down upon a
bench in the kitchen with his ten fingers sleepily twisting in his
hair.

Halloa here! Now then! Show yourselves. That'll do. It's not
you. Don't disturb yourself any more! So on, through a labyrinth
of airless rooms, each man responding, like a wild beast, to the
keeper who has tamed him, and who goes into his cage. What, you
haven't found him, then? says Deputy, when we came down. A woman
mysteriously sitting up all night in the dark by the smouldering
ashes of the kitchen fire, says it's only tramps and cadgers here;
it's gonophs over the way. A man mysteriously walking about the
kitchen all night in the dark, bids her hold her tongue. We come
out. Deputy fastens the door and goes to bed again.

Black and Green, you know Bark, lodging-house keeper and receiver
of stolen goods? - O yes, Inspector Field. - Go to Bark's next.

Bark sleeps in an inner wooden hutch, near his street door. As we
parley on the step with Bark's Deputy, Bark growls in his bed. We
enter, and Bark flies out of bed. Bark is a red villain and a
wrathful, with a sanguine throat that looks very much as if it were
expressly made for hanging, as he stretches it out, in pale
defiance, over the half-door of his hutch. Bark's parts of speech
are of an awful sort - principally adjectives. I won't, says Bark,
have no adjective police and adjective strangers in my adjective
premises! I won't, by adjective and substantive! Give me my
trousers, and I'll send the whole adjective police to adjective and
substantive! Give me, says Bark, my adjective trousers! I'll put
an adjective knife in the whole bileing of 'em. I'll punch their
adjective heads. I'll rip up their adjective substantives. Give
me my adjective trousers! says Bark, and I'll spile the bileing of
'em!

Now, Bark, what's the use of this? Here's Black and Green,
Detective Sergeant, and Inspector Field. You know we will come in.
- I know you won't! says Bark. Somebody give me my adjective
trousers! Bark's trousers seem difficult to find. He calls for
them as Hercules might for his club. Give me my adjective
trousers! says Bark, and I'll spile the bileing of 'em!

Inspector Field holds that it's all one whether Bark likes the
visit or don't like it. He, Inspector Field, is an Inspector of
the Detective Police, Detective Sergeant IS Detective Sergeant,
Black and Green are constables in uniform. Don't you be a fool,
Bark, or you know it will be the worse for you. - I don't care,
says Bark. Give me my adjective trousers!

At two o'clock in the morning, we descend into Bark's low kitchen,
leaving Bark to foam at the mouth above, and Imperturbable Black
and Green to look at him. Bark's kitchen is crammed full of
thieves, holding a CONVERSAZIONE there by lamp-light. It is by far
the most dangerous assembly we have seen yet. Stimulated by the
ravings of Bark, above, their looks are sullen, but not a man
speaks. We ascend again. Bark has got his trousers, and is in a
state of madness in the passage with his back against a door that
shuts off the upper staircase. We observe, in other respects, a
ferocious individuality in Bark. Instead of 'STOP THIEF!' on his
linen, he prints 'STOLEN FROM Bark's!'

Now, Bark, we are going up-stairs! - No, you ain't! - YOU refuse
admission to the Police, do you, Bark? - Yes, I do! I refuse it to
all the adjective police, and to all the adjective substantives.
If the adjective coves in the kitchen was men, they'd come up now,
and do for you! Shut me that there door! says Bark, and suddenly
we are enclosed in the passage. They'd come up and do for you!
cries Bark, and waits. Not a sound in the kitchen! They'd come up
and do for you! cries Bark again, and waits. Not a sound in the
kitchen! We are shut up, half-a-dozen of us, in Bark's house in
the innermost recesses of the worst part of London, in the dead of
the night - the house is crammed with notorious robbers and
ruffians - and not a man stirs. No, Bark. They know the weight of
the law, and they know Inspector Field and Co. too well.

We leave bully Bark to subside at leisure out of his passion and
his trousers, and, I dare say, to be inconveniently reminded of
this little brush before long. Black and Green do ordinary duty
here, and look serious.

As to White, who waits on Holborn Hill to show the courts that are
eaten out of Rotten Gray's Inn, Lane, where other lodging-houses
are, and where (in one blind alley) the Thieves' Kitchen and
Seminary for the teaching of the art to children is, the night has
so worn away, being now


almost at odds with morning, which is which,


that they are quiet, and no light shines through the chinks in the
shutters. As undistinctive Death will come here, one day, sleep
comes now. The wicked cease from troubling sometimes, even in this
life.



DOWN WITH THE TIDE



A VERY dark night it was, and bitter cold; the east wind blowing
bleak, and bringing with it stinging particles from marsh, and
moor, and fen - from the Great Desert and Old Egypt, may be. Some
of the component parts of the sharp-edged vapour that came flying
up the Thames at London might be mummy-dust, dry atoms from the
Temple at Jerusalem, camels' foot-prints, crocodiles' hatching-
places, loosened grains of expression from the visages of blunt-
nosed sphynxes, waifs and strays from caravans of turbaned
merchants, vegetation from jungles, frozen snow from the Himalayas.
O! It was very, very dark upon the Thames, and it was bitter,
bitter cold.

'And yet,' said the voice within the great pea-coat at my side,
'you'll have seen a good many rivers, too, I dare say?'

'Truly,' said I, 'when I come to think of it, not a few. From the
Niagara, downward to the mountain rivers of Italy, which are like
the national spirit - very tame, or chafing suddenly and bursting
bounds, only to dwindle away again. The Moselle, and the Rhine,
and the Rhone; and the Seine, and the Saone; and the St. Lawrence,
Mississippi, and Ohio; and the Tiber, the Po, and the Arno; and the
- '

Peacoat coughing as if he had had enough of that, I said no more.
I could have carried the catalogue on to a teasing length, though,
if I had been in the cruel mind.

'And after all,' said he, 'this looks so dismal?'

'So awful,' I returned, 'at night. The Seine at Paris is very
gloomy too, at such a time, and is probably the scene of far more
crime and greater wickedness; but this river looks so broad and
vast, so murky and silent, seems such an image of death in the
midst of the great city's life, that - '

That Peacoat coughed again. He COULD NOT stand my holding forth.

We were in a four-oared Thames Police Galley, lying on our oars in
the deep shadow of Southwark Bridge - under the corner arch on the
Surrey side - having come down with the tide from Vauxhall. We
were fain to hold on pretty tight, though close in shore, for the
river was swollen and the tide running down very strong. We were
watching certain water-rats of human growth, and lay in the deep
shade as quiet as mice; our light hidden and our scraps of
conversation carried on in whispers. Above us, the massive iron
girders of the arch were faintly visible, and below us its
ponderous shadow seemed to sink down to the bottom of the stream.

We had been lying here some half an hour. With our backs to the
wind, it is true; but the wind being in a determined temper blew
straight through us, and would not take the trouble to go round. I
would have boarded a fireship to get into action, and mildly
suggested as much to my friend Pea.

'No doubt,' says he as patiently as possible; 'but shore-going
tactics wouldn't do with us. River-thieves can always get rid of
stolen property in a moment by dropping it overboard. We want to
take them WITH the property, so we lurk about and come out upon 'em
sharp. If they see us or hear us, over it goes.'

Pea's wisdom being indisputable, there was nothing for it but to
sit there and be blown through, for another half-hour. The water-
rats thinking it wise to abscond at the end of that time without
commission of felony, we shot out, disappointed, with the tide.

'Grim they look, don't they?' said Pea, seeing me glance over my
shoulder at the lights upon the bridge, and downward at their long
crooked reflections in the river.

'Very,' said I, 'and make one think with a shudder of Suicides.
What a night for a dreadful leap from that parapet!'

'Aye, but Waterloo's the favourite bridge for making holes in the
water from,' returned Pea. 'By the bye - avast pulling, lads! -
would you like to speak to Waterloo on the subject?'

My face confessing a surprised desire to have some friendly
conversation with Waterloo Bridge, and my friend Pea being the most
obliging of men, we put about, pulled out of the force of the
stream, and in place of going at great speed with the tide, began
to strive against it, close in shore again. Every colour but black
seemed to have departed from the world. The air was black, the
water was black, the barges and hulks were black, the piles were
black, the buildings were black, the shadows were only a deeper
shade of black upon a black ground. Here and there, a coal fire in
an iron cresset blazed upon a wharf; but, one knew that it too had
been black a little while ago, and would be black again soon.
Uncomfortable rushes of water suggestive of gurgling and drowning,
ghostly rattlings of iron chains, dismal clankings of discordant
engines, formed the music that accompanied the dip of our oars and
their rattling in the rowlocks. Even the noises had a black sound
to me - as the trumpet sounded red to the blind man.

Our dexterous boat's crew made nothing of the tide, and pulled us
gallantly up to Waterloo Bridge. Here Pea and I disembarked,
passed under the black stone archway, and climbed the steep stone
steps. Within a few feet of their summit, Pea presented me to
Waterloo (or an eminent toll-taker representing that structure),
muffled up to the eyes in a thick shawl, and amply great-coated and
fur-capped.

Waterloo received us with cordiality, and observed of the night
that it was 'a Searcher.' He had been originally called the Strand
Bridge, he informed us, but had received his present name at the
suggestion of the proprietors, when Parliament had resolved to vote
three hundred thousand pound for the erection of a monument in
honour of the victory. Parliament took the hint (said Waterloo,
with the least flavour of misanthropy) and saved the money. Of
course the late Duke of Wellington was the first passenger, and of
course he paid his penny, and of course a noble lord preserved it
evermore. The treadle and index at the toll-house (a most
ingenious contrivance for rendering fraud impossible), were
invented by Mr. Lethbridge, then property-man at Drury Lane
Theatre.

Was it suicide, we wanted to know about? said Waterloo. Ha! Well,
he had seen a good deal of that work, he did assure us. He had
prevented some. Why, one day a woman, poorish looking, came in
between the hatch, slapped down a penny, and wanted to go on
without the change! Waterloo suspected this, and says to his mate,
'give an eye to the gate,' and bolted after her. She had got to
the third seat between the piers, and was on the parapet just a
going over, when he caught her and gave her in charge. At the
police office next morning, she said it was along of trouble and a
bad husband.

'Likely enough,' observed Waterloo to Pea and myself, as he
adjusted his chin in his shawl. 'There's a deal of trouble about,
you see - and bad husbands too!'

Another time, a young woman at twelve o'clock in the open day, got
through, darted along; and, before Waterloo could come near her,
jumped upon the parapet, and shot herself over sideways. Alarm
given, watermen put off, lucky escape. - Clothes buoyed her up.

'This is where it is,' said Waterloo. 'If people jump off straight
forwards from the middle of the parapet of the bays of the bridge,
they are seldom killed by drowning, but are smashed, poor things;
that's what THEY are; they dash themselves upon the buttress of the
bridge. But you jump off,' said Waterloo to me, putting his fore-
finger in a button-hole of my great-coat; 'you jump off from the
side of the bay, and you'll tumble, true, into the stream under the
arch. What you have got to do, is to mind how you jump in! There
was poor Tom Steele from Dublin. Didn't dive! Bless you, didn't
dive at all! Fell down so flat into the water, that he broke his
breast-bone, and lived two days!'

I asked Waterloo if there were a favourite side of his bridge for
this dreadful purpose? He reflected, and thought yes, there was.
He should say the Surrey side.

Three decent-looking men went through one day, soberly and quietly,
and went on abreast for about a dozen yards: when the middle one,
he sung out, all of a sudden, 'Here goes, Jack!' and was over in a
minute.

Body found? Well. Waterloo didn't rightly recollect about that.
They were compositors, THEY were.

He considered it astonishing how quick people were! Why, there was
a cab came up one Boxing-night, with a young woman in it, who
looked, according to Waterloo's opinion of her, a little the worse
for liquor; very handsome she was too - very handsome. She stopped
the cab at the gate, and said she'd pay the cabman then, which she
did, though there was a little hankering about the fare, because at
first she didn't seem quite to know where she wanted to be drove
to. However, she paid the man, and the toll too, and looking
Waterloo in the face (he thought she knew him, don't you see!)
said, 'I'll finish it somehow!' Well, the cab went off, leaving
Waterloo a little doubtful in his mind, and while it was going on
at full speed the young woman jumped out, never fell, hardly
staggered, ran along the bridge pavement a little way, passing
several people, and jumped over from the second opening. At the
inquest it was giv' in evidence that she had been quarrelling at
the Hero of Waterloo, and it was brought in jealousy. (One of the
results of Waterloo's experience was, that there was a deal of
jealousy about.)

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