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Kai Lung\'s Golden Hours

E >> Ernest Bramah >> Kai Lung\'s Golden Hours



KAI LUNG'S GOLDEN HOURS
By Ernest Bramah

First Published 1922.

Etext prepared by John Bickers.



KAI LUNG'S GOLDEN HOURS

BY

ERNEST BRAMAH


With a Preface by
Hilaire Belloc



PREFACE

/Homo faber/. Man is born to make. His business is to construct: to
plan: to carry out the plan: to fit together, and to produce a
finished thing.

That human art in which it is most difficult to achieve this end (and
in which it is far easier to neglect it than in any other) is the art
of writing. Yet this much is certain, that unconstructed writing is at
once worthless and ephemeral: and nearly the whole of our modern
English writing is unconstructed.

The matter of survival is perhaps not the most important, though it is
a test of a kind, and it is a test which every serious writer feels
most intimately. The essential is the matter of excellence: that a
piece of work should achieve its end. But in either character, the
character of survival or the character of intrinsic excellence,
construction deliberate and successful is the fundamental condition.

It may be objected that the mass of writing must in any age neglect
construction. We write to establish a record for a few days: or to
send a thousand unimportant messages: or to express for others or for
ourselves something very vague and perhaps very weak in the way of
emotion, which does not demand construction and at any rate cannot
command it. No writer can be judged by the entirety of his writings,
for these would include every note he ever sent round the corner;
every memorandum he ever made upon his shirt cuff. But when a man sets
out to write as a serious business, proclaiming that by the nature of
his publication and presentment that he is doing something he thinks
worthy of the time and place in which he lives and of the people to
whom he belongs, then if he does not construct he is negligible.

Yet, I say, the great mass of men to-day do not attempt it in the
English tongue, and the proof is that you can discover in their
slipshod pages nothing of a seal or stamp. You do not, opening a book
at random, say at once: "This is the voice of such and such a one." It
is no one's manner or voice. It is part of a common babel.

Therefore in such a time as that of our decline, to come across work
which is planned, executed and achieved has something of the effect
produced by the finding of a wrought human thing in the wild. It is
like finding, as I once found, deep hidden in the tangled rank grass
of autumn in Burgundy, on the edge of a wood not far from Dijon, a
neglected statue of the eighteenth century. It is like coming round
the corner of some wholly desolate upper valley in the mountains and
seeing before one a well-cultivated close and a strong house in the
midst.

It is now many years--I forget how many; it may be twenty or more, or
it may be a little less--since /The Wallet of Kai Lung/ was sent me by
a friend. The effect produced upon my mind at the first opening of its
pages was in the same category as the effect produced by the discovery
of that hidden statue in Burgundy, or the coming upon an unexpected
house in the turn of a high Pyrenean gorge. Here was something worth
doing and done. It was not a plan attempted and only part achieved
(though even that would be rare enough to-day, and a memorable
exception); it was a thing intended, wrought out, completed and
established. Therefore it was destined to endure and, what is more
important, it was a success.

The time in which we live affords very few of such moments of relief:
here and there a good piece of verse, in /The New Age/ or in the now
defunct /Westminster/: here and there a lapidary phrase such as a
score or more of Blatchford's which remain fixed in my memory. Here
and there a letter written to the newspapers in a moment of
indignation when the writer, not trained to the craft, strikes out the
metal justly at white heat. But, I say, the thing is extremely rare,
and in the shape of a complete book rarest of all.

/The Wallet of Kai Lung/ was a thing made deliberately, in hard
material and completely successful. It was meant to produce a
particular effect of humour by the use of a foreign convention, the
Chinese convention, in the English tongue. It was meant to produce a
certain effect of philosophy and at the same time it was meant to
produce a certain completed interest of fiction, of relation, of a
short epic. It did all these things.

It is one of the tests of excellent work that such work is economic,
that is, that there is nothing redundant in order or in vocabulary,
and at the same time nothing elliptic--in the full sense of that word:
that is, no sentence in which so much is omitted that the reader is
left puzzled. That is the quality you get in really good statuary--in
Houdon, for instance, or in that triumph the archaic /Archer/ in the
Louvre. /The Wallet of Kai Lung/ satisfied all these conditions.

I do not know how often I have read it since I first possessed it. I
know how many copies there are in my house--just over a dozen. I know
with what care I have bound it constantly for presentation to friends.
I have been asked for an introduction to this its successor, /Kai
Lung's Golden Hours/. It is worthy of its forerunner. There is the
same plan, exactitude, working-out and achievement; and therefore the
same complete satisfaction in the reading, or to be more accurate, in
the incorporation of the work with oneself.

All this is not extravagant praise, nor even praise at all in the
conventional sense of that term. It is merely a judgment: a putting
into as carefully exact words as I can find the appreciation I make of
this style and its triumph.

The reviewer in his art must quote passages. It is hardly the part of
a Preface writer to do that. But to show what I mean I can at least
quote the following:

"Your insight is clear and unbiased," said the gracious
Sovereign. "But however entrancing it is to wander unchecked
through a garden of bright images, are we not enticing your
mind from another subject of almost equal importance?"

Or again:

"It has been said," he began at length, withdrawing his eyes
reluctantly from an usually large insect upon the ceiling and
addressing himself to the maiden, "that there are few
situations in life that cannot be honourably settled, and
without any loss of time, either by suicide, a bag of gold, or
by thrusting a despised antagonist over the edge of a
precipice on a dark night."

Or again:

"After secretly observing the unstudied grace of her
movements, the most celebrated picture-maker of the province
burned the implements of his craft, and began life anew as a
trainer of performing elephants."

You cannot read these sentences, I think, without agreeing with what
has been said above. If you doubt it, take the old test and try to
write that kind of thing yourself.

In connection with such achievements it is customary to-day to deplore
the lack of public appreciation. Either to blame the hurried millions
of chance readers because they have only bought a few thousands of a
masterpiece; or, what is worse still, to pretend that good work is for
the few and that the mass will never appreciate it--in reply to which
it is sufficient to say that the critic himself is one of the mass and
could not be distinguished from others of the mass by his very own
self were he a looker-on.

In the best of times (the most stable, the least hurried) the date at
which general appreciation comes is a matter of chance, and to-day the
presentation of any achieved work is like the reading of Keats to a
football crowd. It is of no significance whatsoever to English Letters
whether one of its glories be appreciated at the moment it issues from
the press or ten years later, or twenty, or fifty. Further, after a
very small margin is passed, a margin of a few hundreds at the most, it
matters little whether strong permanent work finds a thousand or fifty
thousand or a million of readers. Rock stands and mud washes away.

What is indeed to be deplored is the lack of communication between
those who desire to find good stuff and those who can produce it: it
is in the attempt to build a bridge between the one and the other that
men who have the privilege of hearing a good thing betimes write such
words as I am writing here.
HILAIRE BELLOC



KAI LUNG'S GOLDEN HOURS



CHAPTER I

The Encountering of Six within a Wood

Only at one point along the straight earth-road leading from Loo-chow
to Yu-ping was there any shade, a wood of stunted growth, and here Kai
Lung cast himself down in refuge from the noontide sun and slept.

When he woke it was with the sound of discreet laughter trickling
through his dreams. He sat up and looked around. Across the glade two
maidens stood in poised expectancy within the shadow of a wild
fig-tree, both their gaze and their manner denoting a fixed intention
to be prepared for any emergency. Not being desirous that this should
tend towards their abrupt departure, Kai Lung rose guardedly to his
feet, with many gestures of polite reassurance, and having bowed
several times to indicate his pacific nature, he stood in an attitude
of deferential admiration. At this display the elder and less
attractive of the maidens fled, uttering loud and continuous cries of
apprehension in order to conceal the direction of her flight. The
other remained, however, and even moved a few steps nearer to Kai
Lung, as though encouraged by his appearance, so that he was able to
regard her varying details more appreciably. As she advanced she
plucked a red blossom from a thorny bush, and from time to time she
shortened the broken stalk between her jade teeth.

"Courteous loiterer," she said, in a very pearl-like voice, when they
had thus regarded one another for a few beats of time, "what is your
honourable name, and who are you who tarry here, journeying neither to
the east nor to the west?"

"The answer is necessarily commonplace and unworthy of your polite
interest," was the diffident reply. "My unbecoming name is Kai, to
which has been added that of Lung. By profession I am an incapable
relater of imagined tales, and to this end I spread my mat wherever my
uplifted voice can entice together a company to listen. Should my
feeble efforts be deemed worthy of reward, those who stand around may
perchance contribute to my scanty store, but sometimes this is judged
superfluous. For this cause I now turn my expectant feet from Loo-chow
towards the untried city of Yu-ping, but the undiminished li
stretching relentlessly before me, I sought beneath these trees a
refuge from the noontide sun."

"The occupation is a dignified one, being to no great degree removed
from that of the Sages who compiled The Books," remarked the maiden,
with an encouraging smile. "Are there many stories known to your
retentive mind?"

"In one form or another, all that exist are within my mental grasp,"
admitted Kai Lung modestly. "Thus equipped, there is no arising
emergency for which I am unprepared."

"There are other things that I would learn of your craft. What kind of
story is the most favourably received, and the one whereby your
collecting bowl is the least ignored?"

"That depends on the nature and condition of those who stand around,
and therein lies much that is essential to the art," replied Kai Lung,
not without an element of pride. "Should the company be chiefly formed
of the illiterate and the immature of both sexes, stories depicting
the embarrassment of unnaturally round-bodied mandarins, the
unpremeditated flight of eccentrically-garbed passers-by into vats of
powdered rice, the despair of guardians of the street when assailed by
showers of eggs and overripe lo-quats, or any other variety of
humiliating pain inflicted upon the innocent and unwary, never fail to
win approval. The prosperous and substantial find contentment in
hearing of the unassuming virtues and frugal lives of the poor and
unsuccessful. Those of humble origin, especially tea-house maidens and
the like, are only really at home among stories of the exalted and
quick-moving, the profusion of their robes, the magnificence of their
palaces, and the general high-minded depravity of their lives.
Ordinary persons require stories dealing lavishly with all the
emotions, so that they may thereby have a feeling of sufficiency when
contributing to the collecting bowl."

"These things being so," remarked the maiden, "what story would you
consider most appropriate to a company composed of such as she who is
now conversing with you?"

"Such a company could never be obtained," replied Kai Lung, with
conviction in his tone. "It is not credible that throughout the Empire
could be found even another possessing all the engaging attributes of
the one before me. But should it be my miraculous fortune to be given
the opportunity, my presumptuous choice for her discriminating ears
alone would be the story of the peerless Princess Taik and of the
noble minstrel Ch'eng, who to regain her presence chained his wrist to
a passing star and was carried into the assembly of the gods."

"Is it," inquired the maiden, with an agreeable glance towards the
opportune recumbence of a fallen tree, "is it a narration that would
lie within the passage of the sun from one branch of this willow to
another?"

"Adequately set forth, the history of the Princess Taik and of the
virtuous youth occupies all the energies of an agile story-teller for
seven weeks," replied Kai Lung, not entirely gladdened that she should
deem him capable of offering so meagre an entertainment as that she
indicated. "There is a much-flattened version which may be compressed
within the narrow limits of a single day and night, but even that
requires for certain of the more moving passages the accompaniment of
a powerful drum or a hollow wooden fish."

"Alas!" exclaimed the maiden, "though the time should pass like a
flash of lightning beneath the allurement of your art, it is
questionable if those who await this one's returning footsteps would
experience a like illusion. Even now--" With a magnanimous wave of her
well-formed hand she indicated the other maiden, who, finding that the
danger of pursuit was not sustained, had returned to claim her part.

"One advances along the westward road," reported the second maiden.
"Let us fly elsewhere, O allurer of mankind! It may be--"

"Doubtless in Yu-ping the sound of your uplifted voice--" But at this
point a noise upon the earth-road, near at hand, impelled them both to
sudden flight into the deeper recesses of the wood.

Thus deprived, Kai Lung moved from the shadow of the trees and sought
the track, to see if by chance he from whom they fled might turn to
his advantage. On the road he found one who staggered behind a
laborious wheel-barrow in the direction of Loo-chow. At that moment he
had stopped to take down the sail, as the breeze was bereft of power
among the obstruction of the trees, and also because he was weary.

"Greeting," called down Kai Lung, saluting him. "There is here
protection from the fierceness of the sun and a stream wherein to wash
your feet."

"Haply," replied the other; "and a greatly over-burdened one would
gladly leave this ill-nurtured earth-road even for the fields of hell,
were it not that all his goods are here contained upon an utterly
intractable wheel-barrow."

Nevertheless he drew himself up from the road to the level of the wood
and there reclined, yet not permitting the wheel-barrow to pass beyond
his sight, though he must thereby lie half in the shade and half in
the heat beyond. "Greeting, wayfarer."

"Although you are evidently a man of some wealth, we are for the time
brought to a common level by the forces that control us," remarked Kai
Lung. "I have here two onions, a gourd and a sufficiency of millet
paste. Partake equally with me, therefore, before you resume your way.
In the meanwhile I will procure water from the stream near by, and to
this end my collecting bowl will serve."

When Kai Lung returned he found that the other had added to their
store a double handful of dates, some snuff and a little jar of oil.
As they ate together the stranger thus disclosed his mind:

"The times are doubtful and it behoves each to guard himself. In the
north the banners of the 'Spreading Lotus' and the 'Avenging Knife'
are already raised and pressing nearer every day, while the signs and
passwords are so widely flung that every man speaks slowly and with a
double tongue. Lately there have been slicings and other forms of
vigorous justice no farther distant than Loo-chow, and now the
Mandarin Shan Tien comes to Yu-ping to flatten any signs of
discontent. The occupation of this person is that of a maker of
sandals and coverings for the head, but very soon there will be more
wooden feet required than leather sandals in Yu-ping, and artificial
ears will be greater in demand than hats. For this reason he has got
together all his goods, sold the more burdensome, and now ventures on
an untried way."

"Prosperity attend your goings. Yet, as one who has set his face
towards Yu-ping, is it not possible for an ordinary person of simple
life and unassuming aims to escape persecution under this same Shan
Tien?"

"Of the Mandarin himself those who know speak with vague lips. What is
done is done by the pressing hand of one Ming-shu, who takes down his
spoken word; of whom it is truly said that he has little resemblance
to a man and still less to an angel."

"Yet," protested the story-teller hopefully, "it is wisely written:
'He who never opens his mouth in strife can always close his eyes in
peace.'"

"Doubtless," assented the other. "He can close his eyes assuredly.
Whether he will ever again open them is another matter."

With this timely warning the sandal-maker rose and prepared to resume
his journey. Nor did he again take up the burden of his task until he
had satisfied himself that the westward road was destitute of traffic.

"A tranquil life and a painless death," was his farewell parting.
"Jung, of the line of Hai, wishes you well." Then, with many
imprecations on the relentless sun above, the inexorable road beneath,
and on every detail of the evilly-balanced load before him, he passed
out on his way.

It would have been well for Kai Lung had he also forced his reluctant
feet to raise the dust, but his body clung to the moist umbrage of his
couch, and his mind made reassurance that perchance the maiden would
return. Thus it fell that when two others, who looked from side to
side as they hastened on the road, turned as at a venture to the wood
they found him still there.

"Restrain your greetings," said the leader of the two harshly, in the
midst of Kai Lung's courteous obeisance; "and do not presume to
disparage yourself as if in equality with the one who stands before
you. Have two of the inner chamber, attired thus and thus, passed this
way? Speak, and that to a narrow edge."

"The road lies beyond the perception of my incapable vision,
chiefest," replied Kai lung submissively. "Furthermore, I have slept."

"Unless you would sleep more deeply, shape your stubborn tongue to a
specific point," commanded the other, touching a meaning sword. "Who
are you who loiter here, and for what purpose do you lurk? Speak
fully, and be assured that your word will be put to a corroding test."

Thus encouraged, Kai Lung freely disclosed his name and ancestry, the
means whereby he earned a frugal sustenance and the nature of his
journey. In addition, he professed a willingness to relate his most
recently-acquired story, that entitled "Wu-yong: or The Politely
Inquiring Stranger", but the offer was thrust ungracefully aside.

"Everything you say deepens the suspicion which your criminal-looking
face naturally provokes," said the questioner, putting away his
tablets on which he had recorded the replies. "At Yu-ping the matter
will be probed with a very definite result. You, Li-loe, remain about
this spot in case she whom we seek should pass. I return to speak of
our unceasing effort."

"I obey," replied the dog-like Li-loe. "What men can do we have done.
We are no demons to see through solid matter."

When they were alone, Li-loe drew nearer to Kai Lung and, allowing his
face to assume a more pacific bend, he cast himself down by the
story-teller's side.

"The account which you gave of yourself was ill contrived," he said.
"Being put to the test, its falsity cannot fail to be discovered."

"Yet," protested Kai Lung earnestly, "in no single detail did it
deviate from the iron line of truth."

"Then your case is even more desperate than before," exclaimed Li-loe.
"Know now that the repulsive-featured despot who has just left us is
Ming-shu, he who takes down the Mandarin Shan Tien's spoken word. By
admitting that you are from Loo-chow, where disaffection reigns, you
have noosed a rope about your neck, and by proclaiming yourself as one
whose habit it is to call together a company to listen to your word,
you have drawn it tight."

"Every rope has two ends," remarked Kai Lung philosophically, "and
to-morrow is yet to come. Tell me rather, since that is our present
errand, who is she whom you pursue and to what intent?"

"That is not so simple as to be contained within the hollow of an
acorn sheath. Let it suffice that she has the left ear of Shan Tien,
even as Ming-shu has the right, but on which side his hearing is
better it might be hazardous to guess."

"And her meritorious name?"

"She is of the house of K'ang, her name being Hwa-mei, though from the
nature of her charm she is ofttime called the Golden Mouse. But
touching this affair of your own immediate danger: we being both but
common men of the idler sort, it is only fitting that when high ones
threaten I should stand by you."

"Speak definitely," assented Kai Lung, "yet with the understanding
that the full extent of my store does not exceed four or five strings
of cash."

"The soil is somewhat shallow for the growth of deep friendship, but
what we have we will share equally between us." With these auspicious
words Li-loe possessed himself of three of the strings of cash and
displayed an empty sleeve. "I, alas, have nothing. The benefits I have
in mind are of a subtler and more priceless kind. At Yu-ping my office
will be that of the keeper of the doors of the yamen, including that
of the prison-house. Thus I shall doubtless be able to render you
frequent service of an inconspicuous kind. Do not forget the name of
Li-loe."

By this time the approaching sound of heavy traffic, heralded by the
beating of drums, the blowing of horns and the discharge of an
occasional firework, indicated the passage of some dignified official.
This, declared Li-loe, could be none other than the Mandarin Shan
Tien, resuming his march towards Yu-ping, and the doorkeeper prepared
to join the procession at his appointed place. Kai Lung, however,
remained unseen among the trees, not being desirous of obtruding
himself upon Ming-shu unnecessarily. When the noise had almost died
away in the distance he came forth, believing that all would by this
time have passed, and approached the road. As he reached it a single
chair was hurried by, its carriers striving by increased exertion to
regain their fellows. It was too late for Kai Lung to retreat, whoever
might be within. As it passed a curtain moved somewhat, a symmetrical
hand came discreetly forth, and that which it held fell at his feet.
Without varying his attitude he watched the chair until it was out of
sight, then stooped and picked something up--a red blossom on a thorny
stalk, the flower already parched but the stem moist and softened to
his touch.



CHAPTER II

The Inexorable Justice of the Mandarin Shan Tien

"By having access to this enclosure you will be able to walk where
otherwise you must stand. That in itself is cheap at the price of
three reputed strings of inferior cash. Furthermore, it is possible to
breathe."

"The outlook, in one direction, is an extensive one," admitted Kai
Lung, gazing towards the sky. "Here, moreover, is a shutter through
which the vista doubtless lengthens."

"So long as there is no chance of you exploring it any farther than
your neck, it does not matter," said Li-loe. "Outside lies a barren
region of the yamen garden where no one ever comes. I will now leave
you, having to meet one with whom I would traffic for a goat. When I
return be prepared to retrace your steps to the prison cell."

"The shadow moves as the sun directs," replied Kai Lung, and with
courteous afterthought he added the wonted parting: "Slowly, slowly;
walk slowly."

In such a manner the story-teller found himself in a highly-walled
enclosure, lying between the prison-house and the yamen garden, a few
days after his arrival in Yu-ping. Ming-shu had not eaten his word.

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