The Phantom of the Opera

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"You have no husband and yet you wear a wedding-ring."

He tried to seize her hand, but she swiftly drew it back.

"That's a present!" she said, blushing once more and vainly striving
to hide her embarrassment.

"Christine! As you have no husband, that ring can only have been
given by one who hopes to make you his wife! Why deceive us further?
Why torture me still more? That ring is a promise; and that promise
has been accepted!"

"That's what I said!" exclaimed the old lady.

"And what did she answer, madame?"

"What I chose," said Christine, driven to exasperation.
"Don't you think, monsieur, that this cross-examination has lasted
long enough? As far as I am concerned..."

Raoul was afraid to let her finish her speech. He interrupted her:

"I beg your pardon for speaking as I did, mademoiselle. You know
the good intentions that make me meddle, just now, in matters which,
you no doubt think, have nothing to do with me. But allow me to
tell you what I have seen--and I have seen more than you suspect,
Christine--or what I thought I saw, for, to tell you the truth,
I have sometimes been inclined to doubt the evidence of my eyes."

"Well, what did you see, sir, or think you saw?"

"I saw your ecstasy AT THE SOUND OF THE VOICE, Christine: the voice
that came from the wall or the next room to yours...yes,
YOUR ECSTASY! And that is what makes me alarmed on your behalf.
You are under a very dangerous spell. And yet it seems that you
are aware of the imposture, because you say to-day THAT THERE
IS NO ANGEL OF MUSIC! In that case, Christine, why did you follow
him that time? Why did you stand up, with radiant features,
as though you were really hearing angels?...Ah, it is a very
dangerous voice, Christine, for I myself, when I heard it, was so much
fascinated by it that you vanished before my eyes without my seeing
which way you passed! Christine, Christine, in the name of Heaven,
in the name of your father who is in Heaven now and who loved you
so dearly and who loved me too, Christine, tell us, tell your
benefactress and me, to whom does that voice belong? If you do,
we will save you in spite of yourself. Come, Christine, the name
of the man! The name of the man who had the audacity to put a ring
on your finger!"

"M. de Chagny," the girl declared coldly, "you shall never know!"

Thereupon, seeing the hostility with which her ward had addressed
the viscount, Mamma Valerius suddenly took Christine's part.

"And, if she does love that man, Monsieur le Vicomte, even then it
is no business of yours!"

"Alas, madame," Raoul humbly replied, unable to restrain his tears,
"alas, I believe that Christine really does love him!...But
it is not only that which drives me to despair; for what I am not
certain of, madame, is that the man whom Christine loves is worthy
of her love!"

"It is for me to be the judge of that, monsieur!" said Christine,
looking Raoul angrily in the face.

"When a man," continued Raoul, "adopts such romantic methods
to entice a young girl's affections. .."

"The man must be either a villain, or the girl a fool: is that it?"

"Christine!"

"Raoul, why do you condemn a man whom you have never seen,
whom no one knows and about whom you yourself know nothing?"

"Yes, Christine....Yes....I at least know the name
that you thought to keep from me for ever....The name
of your Angel of Music, mademoiselle, is Erik!"

Christine at once betrayed herself. She turned as white as a sheet
and stammered: "Who told you?"

"You yourself!"

"How do you mean?"

"By pitying him the other night, the night of the masked ball.
When you went to your dressing-room, did you not say, `Poor Erik?'
Well, Christine, there was a poor Raoul who overheard you."

"This is the second time that you have listened behind the door,
M. de Chagny!"

"I was not behind the door...I was in the dressing-room,
in the inner room, mademoiselle."

"Oh, unhappy man!" moaned the girl, showing every sign
of unspeakable terror. "Unhappy man! Do you want to be killed?"

"Perhaps."

Raoul uttered this "perhaps" with so much love and despair in his
voice that Christine could not keep back a sob. She took his hands
and looked at him with all the pure affection of which she was capable:

"Raoul," she said, "forget THE MAN'S VOICE and do not even remember
its name. .. You must never try to fathom the mystery of THE
MAN'S VOICE."

"Is the mystery so very terrible?"

"There is no more awful mystery on this earth. Swear to me that you
will make no attempt to find out," she insisted. "Swear to me
that you will never come to my dressing-room, unless I send for you."

"Then you promise to send for me sometimes, Christine?"

"I promise."

"When?"

"To-morrow."

"Then I swear to do as you ask."

He kissed her hands and went away, cursing Erik and resolving
to be patient.

Chapter XI Above the Trap-Doors

The next day, he saw her at the Opera. She was still wearing
the plain gold ring. She was gentle and kind to him. She talked
to him of the plans which he was forming, of his future, of his career.

He told her that the date of the Polar expedition had been put forward
and that he would leave France in three weeks, or a month at latest.
She suggested, almost gaily, that he must look upon the voyage
with delight, as a stage toward his coming fame. And when he
replied that fame without love was no attraction in his eyes,
she treated him as a child whose sorrows were only short-lived.

"How can you speak so lightly of such serious things?" he asked.
"Perhaps we shall never see each other again! I may die during
that expedition."

"Or I," she said simply.

She no longer smiled or jested. She seemed to be thinking
of some new thing that had entered her mind for the first time.
Her eyes were all aglow with it.

"What are you thinking of, Christine?"

"I am thinking that we shall not see each other again..."

"And does that make you so radiant?"

"And that, in a month, we shall have to say good-by for ever!"

"Unless, Christine, we pledge our faith and wait for each other
for ever."

She put her hand on his mouth.

"Hush, Raoul!...You know there is no question of that...
And we shall never be married: that is understood!"

She seemed suddenly almost unable to contain an overpowering gaiety.
She clapped her hands with childish glee. Raoul stared at her
in amazement.

"But...but," she continued, holding out her two hands to Raoul,
or rather giving them to him, as though she had suddenly resolved
to make him a present of them, "but if we can not be married, we can
... we can be engaged! Nobody will know but ourselves, Raoul.
There have been plenty of secret marriages: why not a secret
engagement?...We are engaged, dear, for a month! In a month,
you will go away, and I can be happy at the thought of that month
all my life long!"

She was enchanted with her inspiration. Then she became serious again.

"This," she said, "IS A HAPPINESS THAT WILL HARM NO ONE."

Raoul jumped at the idea. He bowed to Christine and said:

"Mademoiselle, I have the honor to ask for your hand."

"Why, you have both of them already, my dear betrothed!...
Oh, Raoul, how happy we shall be!...We must play at being
engaged all day long."

It was the prettiest game in the world and they enjoyed it like
the children that they were. Oh, the wonderful speeches they made
to each other and the eternal vows they exchanged! They played at
hearts as other children might play at ball; only, as it was really
their two hearts that they flung to and fro, they had to be very,
very handy to catch them, each time, without hurting them.

One day, about a week after the game began, Raoul's heart was badly
hurt and he stopped playing and uttered these wild words:

"I shan't go to the North Pole!"

Christine, who, in her innocence, had not dreamed of such a possibility,
suddenly discovered the danger of the game and reproached herself bitterly.
She did not say a word in reply to Raoul's remark and went straight home.

This happened in the afternoon, in the singer's dressing-room,
where they met every day and where they amused themselves by dining
on three biscuits, two glasses of port and a bunch of violets.
In the evening, she did not sing; and he did not receive his
usual letter, though they had arranged to write to each other daily
during that month. The next morning, he ran off to Mamma Valerius,
who told him that Christine had gone away for two days. She had
left at five o'clock the day before.

Raoul was distracted. He hated Mamma Valerius for giving him such
news as that with such stupefying calmness. He tried to sound her,
but the old lady obviously knew nothing.

Christine returned on the following day. She returned in triumph.
She renewed her extraordinary success of the gala performance.
Since the adventure of the "toad," Carlotta had not been able
to appear on the stage. The terror of a fresh "co-ack" filled her
heart and deprived her of all her power of singing; and the theater
that had witnessed her incomprehensible disgrace had become odious
to her. She contrived to cancel her contract. Daae was offered
the vacant place for the time. She received thunders of applause in
the Juive.

The viscount, who, of course, was present, was the only one
to suffer on hearing the thousand echoes of this fresh triumph;
for Christine still wore her plain gold ring. A distant voice
whispered in the young man's ear:

"She is wearing the ring again to-night; and you did not give it
to her. She gave her soul again tonight and did not give it to you.
... If she will not tell you what she has been doing the past two
days...you must go and ask Erik!"

He ran behind the scenes and placed himself in her way. She saw
him for her eyes were looking for him. She said:

"Quick! Quick!...Come!"

And she dragged him to her dressing-room.

Raoul at once threw himself on his knees before her. He swore
to her that he would go and he entreated her never again to withhold
a single hour of the ideal happiness which she had promised him.
She let her tears flow. They kissed like a despairing brother
and sister who have been smitten with a common loss and who meet
to mourn a dead parent.

Suddenly, she snatched herself from the young man's soft and timid
embrace, seemed to listen to something, and, with a quick gesture,
pointed to the door. When he was on the threshold, she said,
in so low a voice that the viscount guessed rather than heard her words:

"To-morrow, my dear betrothed! And be happy, Raoul: I sang
for you to-night!"

He returned the next day. But those two days of absence had broken
the charm of their delightful make-believe. They looked at each other,
in the dressing-room, with their sad eyes, without exchanging a word.
Raoul had to restrain himself not to cry out:

"I am jealous! I am jealous! I am jealous!"

But she heard him all the same. Then she said:

"Come for a walk, dear. The air will do you good."

Raoul thought that she would propose a stroll in the country,
far from that building which he detested as a prison whose jailer
he could feel walking within the walls...the jailer Erik....
But she took him to the stage and made him sit on the wooden
curb of a well, in the doubtful peace and coolness of a first scene
set for the evening's performance.

On another day, she wandered with him, hand in, hand, along the deserted
paths of a garden whose creepers had been cut out by a decorator's
skilful hands. It was as though the real sky, the real flowers,
the real earth were forbidden her for all time and she condemned
to breathe no other air than that of the theater. An occasional
fireman passed, watching over their melancholy idyll from afar.
And she would drag him up above the clouds, in the magnificent
disorder of the grid, where she loved to make him giddy by running
in front of him along the frail bridges, among the thousands of ropes
fastened to the pulleys, the windlasses, the rollers, in the midst
of a regular forest of yards and masts. If he hesitated, she said,
with an adorable pout of her lips:

"You, a sailor!"

And then they returned to terra firma, that is to say, to some
passage that led them to the little girls' dancing-school, where
brats between six and ten were practising their steps, in the hope
of becoming great dancers one day, "covered with diamonds....
Meanwhile, Christine gave them sweets instead.

She took him to the wardrobe and property-rooms, took him all over
her empire, which was artificial, but immense, covering seventeen
stories from the ground-floor to the roof and inhabited by an
army of subjects. She moved among them like a popular queen,
encouraging them in their labors, sitting down in the workshops,
giving words of advice to the workmen whose hands hesitated to cut
into the rich stuffs that were to clothe heroes. There were
inhabitants of that country who practised every trade. There
were cobblers, there were goldsmiths. All had learned to know
her and to love her, for she always interested herself in all
their troubles and all their little hobbies.

She knew unsuspected corners that were secretly occupied by little
old couples. She knocked at their door and introduced Raoul to them
as a Prince Charming who had asked for her hand; and the two of them,
sitting on some worm-eaten "property," would listen to the legends
of the Opera, even as, in their childhood, they had listened to the old
Breton tales. Those old people remembered nothing outside the Opera.
They had lived there for years without number. Past managements
had forgotten them; palace revolutions had taken no notice of them;
the history of France had run its course unknown to them; and nobody
recollected their existence.

The precious days sped in this way; and Raoul and Christine,
by affecting excessive interest in outside matters, strove awkwardly
to hide from each other the one thought of their hearts. One fact
was certain, that Christine, who until then had shown herself
the stronger of the two, became suddenly inexpressibly nervous.
When on their expeditions, she would start running without reason
or else suddenly stop; and her hand, turning ice-cold in a moment,
would hold the young man back. Sometimes her eyes seemed to
pursue imaginary shadows. She cried, "This way," and "This way,"
and "This way," laughing a breathless laugh that often ended
in tears. Then Raoul tried to speak, to question her, in spite
of his promises. But, even before he had worded his question,
she answered feverishly:

"Nothing...I swear it is nothing."

Once, when they were passing before an open trapdoor on the stage,
Raoul stopped over the dark cavity.

"You have shown me over the upper part of your empire, Christine,
but there are strange stories told of the lower part. Shall we
go down?"

She caught him in her arms, as though she feared to see him disappear
down the black hole, and, in a trembling voice, whispered:

"Never!...I will not have you go there!...Besides, it's not
mine...EVERYTHING THAT IS UNDERGROUND BELONGS TO HIM!"

Raoul looked her in the eyes and said roughly:

"So he lives down there, does he?"

"I never said so....Who told you a thing like that? Come away!
I sometimes wonder if you are quite sane, Raoul....You always
take things in such an impossible way....Come along! Come!"

And she literally dragged him away, for he was obstinate and wanted
to remain by the trap-door; that hole attracted him.

Suddenly, the trap-door was closed and so quickly that they did
not even see the hand that worked it; and they remained quite dazed.

"Perhaps HE was there," Raoul said, at last.

She shrugged her shoulders, but did not seem easy.

"No, no, it was the `trap-door-shutters.' They must do something,
you know....They open and shut the trap-doors without
any particular reason....It's like the `door-shutters:'
they must spend their time somehow."

"But suppose it were HE, Christine?"

"No, no! He has shut himself up, he is working."

"Oh, really! He's working, is he?"

"Yes, he can't open and shut the trap-doors and work at the same time."
She shivered.

"What is he working at?"

"Oh, something terrible!...But it's all the better for us.
...When he's working at that, he sees nothing; he does not eat,
drink, or breathe for days and nights at a time...he becomes a
living dead man and has no time to amuse himself with the trap-doors."
She shivered again. She was still holding him in her arms.
Then she sighed and said, in her turn:

"Suppose it were HE!"

"Are you afraid of him?"

"No, no, of course not," she said.

For all that, on the next day and the following days, Christine was
careful to avoid the trap-doors. Her agitation only increased as
the hours passed. At last, one afternoon, she arrived very late,
with her face so desperately pale and her eyes so desperately red,
that Raoul resolved to go to all lengths, including that which he
foreshadowed when he blurted out that he would not go on the North Pole
expedition unless she first told him the secret of the man's voice.

"Hush! Hush, in Heaven's name I Suppose HE heard you,
you unfortunate Raoul!"

And Christine's eyes stared wildly at everything around her.

"I will remove you from his power, Christine, I swear it.
And you shall not think of him any more."

"Is it possible?"

She allowed herself this doubt, which was an encouragernent,
while dragging the young man up to the topmost floor of the theater,
far, very far from the trap-doors.

"I shall hide you in some unknown corner of the world, where HE
can not come to look for you. You will be safe; and then I shall
go away...as you have sworn never to marry."

Christine seized Raoul's hands and squeezed them with incredible rapture.
But, suddenly becoming alarmed again, she turned away her head.

"Higher!" was all she said. "Higher still!"

And she dragged him up toward the summit.

He had a difficulty in following her. They were soon under
the very roof, in the maze of timber-work. They slipped
through the buttresses, the rafters, the joists; they ran
from beam to beam as they might have run from tree to tree in a forest.

And, despite the care which she took to look behind her at every moment,
she failed to see a shadow which followed her like her own shadow,
which stopped when she stopped, which started again when she did
and which made no more noise than a well-conducted shadow should.
As for Raoul, he saw nothing either; for, when he had Christine in
front of him, nothing interested him that happened behind.

Chapter XII Apollo's Lyre

On this way, they reached the roof. Christine tripped over it
as lightly as a swallow. Their eyes swept the empty space between
the three domes and the triangular pediment. She breathed freely
over Paris, the whole valley of which was seen at work below.
She called Raoul to come quite close to her and they walked side
by side along the zinc streets, in the leaden avenues; they looked
at their twin shapes in the huge tanks, full of stagnant water, where,
in the hot weather, the little boys of the ballet, a score or so,
learn to swim and dive.

The shadow had followed behind them clinging to their steps;
and the two children little suspected its presence when they at
last sat down, trustingly, under the mighty protection of Apollo,
who, with a great bronze gesture, lifted his huge lyre to the heart
of a crimson sky.

It was a gorgeous spring evening. Clouds, which had just received
their gossamer robe of gold and purple from the setting sun,
drifted slowly by; and Christine said to Raoul:

"Soon we shall go farther and faster than the clouds, to the end of
the world, and then you will leave me, Raoul. But, if, when the moment
comes APOLLO' for you to take me away, I refuse to go with you--
well you must carry me off by force!"

"Are you afraid that you will change your mind, Christine?"

"I don't know," she said, shaking her head in an odd fashion.
"He is a demon!" And she shivered and nestled in his arms with a moan.
"I am afraid now of going back to live with him...in the ground!"

"What compels you to go back, Christine?"

"If I do not go back to him, terrible misfortunes may happen!...
But I can't do it, I can't do it!...I know one ought to be sorry
for people who live underground....But he is too horrible!
And yet the time is at hand; I have only a day left; and, if I
do not go, he will come and fetch me with his voice. And he will
drag me with him, underground, and go on his knees before me,
with his death's head. And he will tell me that he loves me!
And he will cry! Oh, those tears, Raoul, those tears in the two
black eye-sockets of the death's head! I can not see those tears
flow again!"

She wrung her hands in anguish, while Raoul pressed her to his heart.

"No, no, you shall never again hear him tell you that he loves you!
You shall not see his tears! Let us fly, Christine, let us fly
at once!"

And he tried to drag her away, then and there. But she stopped him.

"No, no," she said, shaking her head sadly. "Not now!...It would
be too cruel...let him hear me sing to-morrow evening...and then
we will go away. You must come and fetch me in my dressing-room
at midnight exactly. He will then be waiting for me in the dining-room
by the lake...we shall be free and you shall take me away....
You must promise me that, Raoul, even if I refuse; for I feel that,
if I go back this time, I shall perhaps never return."

And she gave a sigh to which it seemed to her that another sigh,
behind her, replied.

"Didn't you hear?"

Her teeth chattered.

"No," said Raoul, "I heard nothing."

"It is too terrible," she confessed, "to be always trembling
like this!...And yet we run no danger here; we are at home,
in the sky, in the open air, in the light. The sun is flaming;
and night-birds can not bear to look at the sun. I have never seen
him by daylight...it must be awful!...Oh, the first time I
saw him!...I thought that he was going to die."

"Why?" asked Raoul, really frightened at the aspect which this
strange confidence was taking.

"BECAUSE I HAD SEEN HIM!"

This time, Raoul and Christine turned round at the same time:

"There is some one in pain," said Raoul. "Perhaps some one has
been hurt. Did you hear?"

"I can't say," Christine confessed. "Even when he is not there,
my ears are full of his sighs. Still, if you heard..."

They stood up and looked around them. They were quite alone
on the immense lead roof. They sat down again and Raoul said:

"Tell me how you saw him first."

"I had heard him for three months without seeing him. The first time I
heard it, I thought, as you did, that that adorable voice was singing
in another room. I went out and looked everywhere; but, as you know,
Raoul, my dressing-room is very much by itself; and I could not find
the voice outside my room, whereas it went on steadily inside.
And it not only sang, but it spoke to me and answered my questions,
like a real man's voice, with this difference, that it was as beautiful
as the voice of an angel. I had never got the Angel of Music whom
my poor father had promised to send me as soon as he was dead.
I really think that Mamma Valerius was a little bit to blame.
I told her about it; and she at once said, `It must be the Angel;
at any rate, you can do no harm by asking him.' I did so;
and the man's voice replied that, yes, it was the Angel's voice,
the voice which I was expecting and which my father had promised me.
From that time onward, the voice and I became great friends.
It asked leave to give me lessons every day. I agreed and never failed
to keep the appointment which it gave me in my dressing-room. You
have no idea, though you have heard the voice, of what those lessons
were like."

"No, I have no idea," said Raoul. "What was your accompaniment?"

"We were accompanied by a music which I do not know: it was behind
the wall and wonderfully accurate. The voice seemed to understand
mine exactly, to know precisely where my father had left off
teaching me. In a few weeks' time, I hardly knew myself when I sang.
I was even frightened. I seemed to dread a sort of witchcraft
behind it; but Mamma Valerius reassured me. She said that she
knew I was much too simple a girl to give the devil a hold on me.
... My progress, by the voice's own order, was kept a secret
between the voice, Mamma Valerius and myself. It was a curious
thing, but, outside the dressing-room, I sang with my ordinary,
every-day voice and nobody noticed anything. I did all that the
voice asked. It said, `Wait and see: we shall astonish Paris!'
And I waited and lived on in a sort of ecstatic dream. It was then
that I saw you for the first time one evening, in the house.
I was so glad that I never thought of concealing my delight when I
reached my dressing-room. Unfortunately, the voice was there before
me and soon noticed, by my air, that something had happened.
It asked what was the matter and I saw no reason for keeping our
story secret or concealing the place which you filled in my heart.
Then the voice was silent. I called to it, but it did not reply;
I begged and entreated, but in vain. I was terrified lest it had
gone for good. I wish to Heaven it had, dear!...That night,
I went home in a desperate condition. I told Mamma Valerius, who said,
`Why, of course, the voice is jealous!' And that, dear, first revealed
to me that I loved you."

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