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New Philadelphia Book Publisher Highlights Local Talent
Book and Publishing News from Publishers Newswire(tm)

Looking for Child to be on Cover of a New Book, 'The Model Child'
PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).

New Grub Street

G >> George Gissing >> New Grub Street

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Etext prepared by John Handford





NEW GRUB STREET
by George Gissing



1891




Part One
Chapter I. A Man of his Day
Chapter II. The House of Yule
Chapter III. Holiday
Chapter IV. An Author and his Wife
Chapter V. The Way Hither
Chapter VI. The Practical Friend
Chapter VII. Marian's Home

Part Two
Chapter VIII. To the Winning Side
Chapter IX. Invita Minerva
Chapter X. The Friends of the Family
Chapter XI. Respite
Chapter XII. Work Without Hope
Chapter XIII. A Warning
Chapter XIV. Recruits
Chapter XV. The Last Resource

Part Three
Chapter XVI. Rejection
Chapter XVII. The Parting
Chapter XVIII. The Old Home
Chapter XIX. The Past Revived
Chapter XX. The End of Waiting
Chapter XXI. Mr Yule leaves Town
Chapter XXII. The Legatees

Part Four
Chapter XXIII. A Proposed Investment
Chapter XXIV. Jasper's Magnanimity
Chapter XXV . A Fruitless Meeting
Chapter XXVI. Married Woman's Property
Chapter XXVII. The Lonely Man
Chapter XXVIII. Interim
Chapter XXIX. Catastrophe

Part Five
Chapter XXX. Waiting on Destiny
Chapter XXXI. A Rescue and a Summons
Chapter XXXII. Reardon becomes Practical
Chapter XXXIII. The Sunny Way
Chapter XXXIV. A Check
Chapter XXXV. Fever and Rest
Chapter XXXVI. Jasper's Delicate Case
Chapter XXXVII. Rewards




NEW GRUB STREET



Part I.


CHAPTER I. A MAN OF HIS DAY

As the Milvains sat down to breakfast the clock of Wattleborough
parish church struck eight; it was two miles away, but the
strokes were borne very distinctly on the west wind this autumn
morning. Jasper, listening before he cracked an egg, remarked
with cheerfulness:

'There's a man being hanged in London at this moment.'

'Surely it isn't necessary to let us know that,' said his sister
Maud, coldly.

'And in such a tone, too!' protested his sister Dora.

'Who is it?' inquired Mrs Milvain, looking at her son with pained
forehead.

'I don't know. It happened to catch my eye in the paper yesterday
that someone was to be hanged at Newgate this morning. There's a
certain satisfaction in reflecting that it is not oneself.'

'That's your selfish way of looking at things,' said Maud.

'Well,' returned Jasper, 'seeing that the fact came into my head,
what better use could I make of it? I could curse the brutality
of an age that sanctioned such things; or I could grow doleful
over the misery of the poor--fellow. But those emotions would be
as little profitable to others as to myself. It just happened
that I saw the thing in a light of consolation. Things are bad
with me, but not so bad as THAT. I might be going out between
Jack Ketch and the Chaplain to be hanged; instead of that, I am
eating a really fresh egg, and very excellent buttered toast,
with coffee as good as can be reasonably expected in this part of
the world.--(Do try boiling the milk, mother.)--The tone in which
I spoke was spontaneous; being so, it needs no justification.'

He was a young man of five-and-twenty, well built, though a
trifle meagre, and of pale complexion. He had hair that was very
nearly black, and a clean-shaven face, best described, perhaps,
as of bureaucratic type. The clothes he wore were of expensive
material, but had seen a good deal of service. His stand-up
collar curled over at the corners, and his necktie was lilac-
sprigged.

Of the two sisters, Dora, aged twenty, was the more like him in
visage, but she spoke with a gentleness which seemed to indicate
a different character. Maud, who was twenty-two, had bold,
handsome features, and very beautiful hair of russet tinge; hers
was not a face that readily smiled. Their mother had the look and
manners of an invalid, though she sat at table in the ordinary
way. All were dressed as ladies, though very simply. The room,
which looked upon a small patch of garden, was furnished with
old-fashioned comfort, only one or two objects suggesting the
decorative spirit of 1882.

'A man who comes to be hanged,' pursued Jasper, impartially, 'has
the satisfaction of knowing that he has brought society to its
last resource. He is a man of such fatal importance that nothing
will serve against him but the supreme effort of law. In a way,
you know, that is success.'

'In a way,' repeated Maud, scornfully.

'Suppose we talk of something else,' suggested Dora, who seemed
to fear a conflict between her sister and Jasper.

Almost at the same moment a diversion was afforded by the arrival
of the post. There was a letter for Mrs Milvain, a letter and
newspaper for her son. Whilst the girls and their mother talked
of unimportant news communicated by the one correspondent, Jasper
read the missive addressed to himself.

'This is from Reardon,' he remarked to the younger girl. 'Things
are going badly with him. He is just the kind of fellow to end by
poisoning or shooting himself.'

'But why?'

'Can't get anything done; and begins to be sore troubled on his
wife's account.'

'Is he ill?'

'Overworked, I suppose. But it's just what I foresaw. He isn't
the kind of man to keep up literary production as a paying
business. In favourable circumstances he might write a fairly
good book once every two or three years. The failure of his last
depressed him, and now he is struggling hopelessly to get another
done before the winter season. Those people will come to grief.'

'The enjoyment with which he anticipates it!' murmured Maud,
looking at her mother.

'Not at all,' said Jasper. 'It's true I envied the fellow,
because he persuaded a handsome girl to believe in him and share
his risks, but I shall be very sorry if he goes to the--to the
dogs. He's my one serious friend. But it irritates me to see a
man making such large demands upon fortune. One must be more
modest--as I am. Because one book had a sort of success he
imagined his struggles were over. He got a hundred pounds for "On
Neutral Ground," and at once counted on a continuance of payments
in geometrical proportion. I hinted to him that he couldn't keep
it up, and he smiled with tolerance, no doubt thinking "He judges
me by himself." But I didn't do anything of the kind.--(Toast,
please, Dora.)--I'm a stronger man than Reardon; I can keep my
eyes open, and wait.'

'Is his wife the kind of person to grumble?' asked Mrs Milvain.

'Well, yes, I suspect that she is. The girl wasn't content to go
into modest rooms--they must furnish a flat. I rather wonder he
didn't start a carriage for her. Well, his next book brought only
another hundred, and now, even if he finishes this one, it's very
doubtful if he'll get as much. "The Optimist" was practically a
failure.'

'Mr Yule may leave them some money,' said Dora.

'Yes. But he may live another ten years, and he would see them
both in Marylebone Workhouse before he advanced sixpence, or I'm
much mistaken in him. Her mother has only just enough to live
upon; can't possibly help them. Her brother wouldn't give or lend
twopence halfpenny.'

'Has Mr Reardon no relatives!'

'I never heard him make mention of a single one. No, he has done
the fatal thing. A man in his position, if he marry at all, must
take either a work-girl or an heiress, and in many ways the work-
girl is preferable.'

'How can you say that?' asked Dora. 'You never cease talking
about the advantages of money.'

'Oh, I don't mean that for ME the work-girl would be preferable;
by no means; but for a man like Reardon. He is absurd enough to
be conscientious, likes to be called an "artist," and so on. He
might possibly earn a hundred and fifty a year if his mind were
at rest, and that would be enough if he had married a decent
little dressmaker. He wouldn't desire superfluities, and the
quality of his work would be its own reward. As it is, he's
ruined.'

'And I repeat,' said Maud, 'that you enjoy the prospect.'

'Nothing of the kind. If I seem to speak exultantly it's only
because my intellect enjoys the clear perception of a fact.--A
little marmalade, Dora; the home-made, please.'

'But this is very sad, Jasper,' said Mrs Milvain, in her half-
absent way. 'I suppose they can't even go for a holiday?'

'Quite out of the question.'

'Not even if you invited them to come here for a week?'

'Now, mother,' urged Maud, 'THAT'S impossible, you know very
well.'

'I thought we might make an effort, dear. A holiday might mean
everything to him.'

'No, no,' fell from Jasper, thoughtfully. 'I don't think you'd
get along very well with Mrs Reardon; and then, if her uncle is
coming to Mr Yule's, you know, that would be awkward.'

'I suppose it would; though those people would only stay a day or
two, Miss Harrow said.'

'Why can't Mr Yule make them friends, those two lots of people?'
asked Dora. 'You say he's on good terms with both.'

'I suppose he thinks it's no business of his.'

Jasper mused over the letter from his friend.

'Ten years hence,' he said, 'if Reardon is still alive, I shall
be lending him five-pound notes.'

A smile of irony rose to Maud's lips. Dora laughed.

'To be sure! To be sure!' exclaimed their brother. 'You have no
faith. But just understand the difference between a man like
Reardon and a man like me. He is the old type of unpractical
artist; I am the literary man of 1882. He won't make concessions,
or rather, he can't make them; he can't supply the market. I--
well, you may say that at present I do nothing; but that's a
great mistake, I am learning my business. Literature nowadays is
a trade. Putting aside men of genius, who may succeed by mere
cosmic force, your successful man of letters is your skilful
tradesman. He thinks first and foremost of the markets; when one
kind of goods begins to go off slackly, he is ready with
something new and appetising. He knows perfectly all the possible
sources of income. Whatever he has to sell he'll get payment for
it from all sorts of various quarters; none of your unpractical
selling for a lump sum to a middleman who will make six distinct
profits. Now, look you: if I had been in Reardon's place, I'd
have made four hundred at least out of "The Optimist"; I should
have gone shrewdly to work with magazines and newspapers and
foreign publishers, and--all sorts of people. Reardon can't do
that kind of thing, he's behind his age; he sells a manuscript as
if he lived in Sam Johnson's Grub Street. But our Grub Street of
to-day is quite a different place: it is supplied with
telegraphic communication, it knows what literary fare is in
demand in every part of the world, its inhabitants are men of
business, however seedy.'

'It sounds ignoble,' said Maud.

'I have nothing to do with that, my dear girl. Now, as I tell
you, I am slowly, but surely, learning the business. My line
won't be novels; I have failed in that direction, I'm not cut out
for the work. It's a pity, of course; there's a great deal of
money in it. But I have plenty of scope. In ten years, I repeat,
I shall be making my thousand a year.'

'I don't remember that you stated the exact sum before,' Maud
observed.

'Let it pass. And to those who have shall be given. When I have a
decent income of my own, I shall marry a woman with an income
somewhat larger, so that casualties may be provided for.'

Dora exclaimed, laughing:

'It would amuse me very much if the Reardons got a lot of money
at Mr Yule's death--and that can't be ten years off, I'm sure.'

'I don't see that there's any chance of their getting much,'
replied Jasper, meditatively. 'Mrs Reardon is only his niece. The
man's brother and sister will have the first helping, I suppose.
And then, if it comes to the second generation, the literary Yule
has a daughter, and by her being invited here I should think
she's the favourite niece. No, no; depend upon it they won't get
anything at all.'

Having finished his breakfast, he leaned back and began to unfold
the London paper that had come by post.

'Had Mr Reardon any hopes of that kind at the time of his
marriage, do you think?' inquired Mrs Milvain.

'Reardon? Good heavens, no! Would he were capable of such
forethought!'

In a few minutes Jasper was left alone in the room. When the
servant came to clear the table he strolled slowly away, humming
a tune.

The house was pleasantly situated by the roadside in a little
village named Finden. Opposite stood the church, a plain, low,
square-towered building. As it was cattle-market to-day in the
town of Wattleborough, droves of beasts and sheep occasionally
went by, or the rattle of a grazier's cart sounded for a moment.
On ordinary days the road saw few vehicles, and pedestrians were
rare.

Mrs Milvain and her daughters had lived here for the last seven
years, since the death of the father, who was a veterinary
surgeon. The widow enjoyed an annuity of two hundred and forty
pounds, terminable with her life; the children had nothing of
their own. Maud acted irregularly as a teacher of music; Dora had
an engagement as visiting governess in a Wattleborough family.
Twice a year, as a rule, Jasper came down from London to spend a
fortnight with them; to-day marked the middle of his autumn
visit, and the strained relations between him and his sisters
which invariably made the second week rather trying for all in
the house had already become noticeable.

In the course of the morning Jasper had half an hour's private
talk with his mother, after which he set off to roam in the
sunshine. Shortly after he had left the house, Maud, her domestic
duties dismissed for the time, came into the parlour where Mrs
Milvain was reclining on the sofa.

'Jasper wants more money,' said the mother, when Maud had sat in
meditation for a few minutes.

'Of course. I knew that. I hope you told him he couldn't have
it.'

'I really didn't know what to say,' returned Mrs Milvain, in a
feeble tone of worry.

'Then you must leave the matter to me, that's all. There's no
money for him, and there's an end of it.'

Maud set her features in sullen determination. There was a brief
silence.

'What's he to do, Maud?'

'To do? How do other people do? What do Dora and I do?'

'You don't earn enough for your support, my dear.'

'Oh, well!' broke from the girl. 'Of course, if you grudge us our
food and lodging --'

'Don't be so quick-tempered. You know very well I am far from
grudging you anything, dear. But I only meant to say that Jasper
does earn something, you know.'

'It's a disgraceful thing that he doesn't earn as much as he
needs. We are sacrificed to him, as we always have been. Why
should we be pinching and stinting to keep him in idleness?'

'But you really can't call it idleness, Maud. He is studying his
profession.'

'Pray call it trade; he prefers it. How do I know that he's
studying anything? What does he mean by "studying"? And to hear
him speak scornfully of his friend Mr Reardon, who seems to work
hard all through the year! It's disgusting, mother. At this rate
he will never earn his own living. Who hasn't seen or heard of
such men? If we had another hundred a year, I would say nothing.
But we can't live on what he leaves us, and I'm not going to let
you try. I shall tell Jasper plainly that he's got to work for
his own support.'

Another silence, and a longer one. Mrs Milvain furtively wiped a
tear from her cheek.

'It seems very cruel to refuse,' she said at length, 'when
another year may give him the opportunity he's waiting for.'

'Opportunity? What does he mean by his opportunity?'

'He says that it always comes, if a man knows how to wait.'

'And the people who support him may starve meanwhile! Now just
think a bit, mother. Suppose anything were to happen to you, what
becomes of Dora and me? And what becomes of Jasper, too? It's the
truest kindness to him to compel him to earn a living. He gets
more and more incapable of it.'

'You can't say that, Maud. He earns a little more each year. But
for that, I should have my doubts. He has made thirty pounds
already this year, and he only made about twenty-five the whole
of last. We must be fair to him, you know. I can't help feeling
that he knows what he's about. And if he does succeed, he'll pay
us all back.'

Maud began to gnaw her fingers, a disagreeable habit she had in
privacy.

'Then why doesn't he live more economically?'

'I really don't see how he can live on less than a hundred and
fifty a year. London, you know --'

'The cheapest place in the world.'

'Nonsense, Maud!'

'But I know what I'm saying. I've read quite enough about such
things. He might live very well indeed on thirty shillings a
week, even buying his clothes out of it.'

'But he has told us so often that it's no use to him to live like
that. He is obliged to go to places where he must spend a little,
or he makes no progress.'

'Well, all I can say is,' exclaimed the girl impatiently, 'it's
very lucky for him that he's got a mother who willingly
sacrifices her daughters to him.'

'That's how you always break out. You don't care what unkindness
you say!'

'It's a simple truth.'

'Dora never speaks like that.'

'Because she's afraid to be honest.'

'No, because she has too much love for her mother. I can't bear
to talk to you, Maud. The older I get, and the weaker I get, the
more unfeeling you are to me.'

Scenes of this kind were no uncommon thing. The clash of tempers
lasted for several minutes, then Maud flung out of the room. An
hour later, at dinner-time, she was rather more caustic in her
remarks than usual, but this was the only sign that remained of
the stormy mood.

Jasper renewed the breakfast-table conversation.

'Look here,' he began, 'why don't you girls write something? I'm
convinced you could make money if you tried. There's a tremendous
sale for religious stories; why not patch one together? I am
quite serious.'

'Why don't you do it yourself,' retorted Maud.

'I can't manage stories, as I have told you; but I think you
could. In your place, I'd make a speciality of Sunday-school
prize-books; you know the kind of thing I mean. They sell like
hot cakes. And there's so deuced little enterprise in the
business. If you'd give your mind to it, you might make hundreds
a year.'

'Better say "abandon your mind to it."'

'Why, there you are! You're a sharp enough girl. You can quote as
well as anyone I know.'

'And please, why am I to take up an inferior kind of work?'

'Inferior? Oh, if you can be a George Eliot, begin at the
earliest opportunity. I merely suggested what seemed practicable.

But I don't think you have genius, Maud. People have got that
ancient prejudice so firmly rooted in their heads--that one
mustn't write save at the dictation of the Holy Spirit. I tell
you, writing is a business. Get together half-a-dozen fair
specimens of the Sunday-school prize; study them; discover the
essential points of such composition; hit upon new attractions;
then go to work methodically, so many pages a day. There's no
question of the divine afflatus; that belongs to another sphere
of life. We talk of literature as a trade, not of Homer, Dante,
and Shakespeare. If I could only get that into poor Reardon's
head. He thinks me a gross beast, often enough. What the devil--I
mean what on earth is there in typography to make everything it
deals with sacred? I don't advocate the propagation of vicious
literature; I speak only of good, coarse, marketable stuff for
the world's vulgar. You just give it a thought, Maud; talk it
over with Dora.'

He resumed presently:

'I maintain that we people of brains are justified in supplying
the mob with the food it likes. We are not geniuses, and if we
sit down in a spirit of long-eared gravity we shall produce only
commonplace stuff. Let us use our wits to earn money, and make
the best we can of our lives. If only I had the skill, I would
produce novels out-trashing the trashiest that ever sold fifty
thousand copies. But it needs skill, mind you: and to deny it is
a gross error of the literary pedants. To please the vulgar you
must, one way or another, incarnate the genius of vulgarity. For
my own part, I shan't be able to address the bulkiest multitude;
my talent doesn't lend itself to that form. I shall write for the
upper middle-class of intellect, the people who like to feel that
what they are reading has some special cleverness, but who can't
distinguish between stones and paste. That's why I'm so slow in
warming to the work. Every month I feel surer of myself, however.

That last thing of mine in The West End distinctly hit the mark;
it wasn't too flashy, it wasn't too solid. I heard fellows speak
of it in the train.'

Mrs Milvain kept glancing at Maud, with eyes which desired her
attention to these utterances. None the less, half an hour after
dinner, Jasper found himself encountered by his sister in the
garden, on her face a look which warned him of what was coming.

'I want you to tell me something, Jasper. How much longer shall
you look to mother for support? I mean it literally; let me have
an idea of how much longer it will be.'

He looked away and reflected.

'To leave a margin,' was his reply, 'let us say twelve months.'

'Better say your favourite "ten years" at once.'

'No. I speak by the card. In twelve months' time, if not before,
I shall begin to pay my debts. My dear girl, I have the honour to
be a tolerably long-headed individual. I know what I'm about.'

'And let us suppose mother were to die within half a year?'

'I should make shift to do very well.'

'You? And please--what of Dora and me?'

'You would write Sunday-school prizes.'

Maud turned away and left him.

He knocked the dust out of the pipe he had been smoking, and
again set off for a stroll along the lanes. On his countenance
was just a trace of solicitude, but for the most part he wore a
thoughtful smile. Now and then he stroked his smoothly-shaven
jaws with thumb and fingers. Occasionally he became observant of
wayside details--of the colour of a maple leaf, the shape of a
tall thistle, the consistency of a fungus. At the few people who
passed he looked keenly, surveying them from head to foot.

On turning, at the limit of his walk, he found himself almost
face to face with two persons, who were coming along in silent
companionship; their appearance interested him. The one was a man
of fifty, grizzled, hard featured, slightly bowed in the
shoulders; he wore a grey felt hat with a broad brim and a decent
suit of broadcloth. With him was a girl of perhaps two-and-
twenty, in a slate-coloured dress with very little ornament, and
a yellow straw hat of the shape originally appropriated to males;
her dark hair was cut short, and lay in innumerable crisp curls.
Father and daughter, obviously. The girl, to a casual eye, was
neither pretty nor beautiful, but she had a grave and impressive
face, with a complexion of ivory tone; her walk was gracefully
modest, and she seemed to be enjoying the country air.

Jasper mused concerning them. When he had walked a few yards, he
looked back; at the same moment the unknown man also turned his
head.

'Where the deuce have I seen them--him and the girl too?' Milvain
asked himself.

And before he reached home the recollection he sought flashed
upon his mind.

'The Museum Reading-room, of course!'



CHAPTER II. THE HOUSE OF YULE

'I think' said Jasper, as he entered the room where his mother
and Maud were busy with plain needlework, 'I must have met Alfred
Yule and his daughter.'

'How did you recognise them?' Mrs Milvain inquired.

'I passed an old buffer and a pale-faced girl whom I know by
sight at the British Museum. It wasn't near Yule's house, but
they were taking a walk.'

'They may have come already. When Miss Harrow was here last, she
said "in about a fortnight."'

'No mistaking them for people of these parts, even if I hadn't
remembered their faces. Both of them are obvious dwellers in the
valley of the shadow of books.'

'Is Miss Yule such a fright then?' asked Maud.

'A fright! Not at all. A good example of the modern literary
girl. I suppose you have the oddest old-fashioned ideas of such
people. No, I rather like the look of her. Simpatica, I should
think, as that ass Whelpdale would say. A very delicate, pure
complexion, though morbid; nice eyes; figure not spoilt yet. But
of course I may be wrong about their identity.'

Later in the afternoon Jasper's conjecture was rendered a
certainty. Maud had walked to Wattleborough, where she would meet
Dora on the latter's return from her teaching, and Mrs Milvain
sat alone, in a mood of depression; there was a ring at the
door-bell, and the servant admitted Miss Harrow.

This lady acted as housekeeper to Mr John Yule, a wealthy
resident in this neighbourhood; she was the sister of his
deceased wife--a thin, soft-speaking, kindly woman of forty-five.
The greater part of her life she had spent as a governess; her
position now was more agreeable, and the removal of her anxiety
about the future had developed qualities of cheerfulness which
formerly no one would have suspected her to possess. The
acquaintance between Mrs Milvain and her was only of twelve
months' standing; prior to that, Mr Yule had inhabited a house at
the end of Wattleborough remote from Finden.

'Our London visitors came yesterday,' she began by saying.

Mrs Milvain mentioned her son's encounter an hour or two ago.

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