The Poems of Henry Kendall
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Henry Kendall >> The Poems of Henry Kendall
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~No. 9 Chorus
(Soprano voices only)~
But, passing from sorrow, the spirit
Of Music, a glory, doth rove
Where it lightens the features of beauty,
And burns through the accents of love --
The passionate accents of love.
~No. 10 Lullaby Song -- Contralto~
The night-shades gather, and the sea
Sends up a sound, sonorous, deep;
The plover's wail comes down the lea;
By slope and vale the vapours weep,
And dew is on the tree;
And now where homesteads be,
The children fall asleep,
Asleep.
A low-voiced wind amongst the leaves,
The sighing leaves that mourn the Spring,
Like some lone spirit, flits and grieves,
And grieves and flits on fitful wing.
But where Song is a guest,
A lulling dreamy thing,
The children fall to rest,
To rest.
~No. 11 Waltz Chorus~
When the summer moon is beaming
On the stirless waters dreaming,
And the keen grey summits gleaming,
Through a silver starry haze;
In our homes to strains entrancing
To the steps, the quickly glancing
Steps of youths and maidens dancing,
Maidens light of foot as fays.
Then the waltz, whose rhythmic paces
Make melodious happy places,
Brings a brightness to young faces,
Brings a sweetness to the eyes.
Sounds that move us like enthralling
Accents, where the runnel falling,
Sends out flute-like voices calling,
Where the sweet wild moss-bed lies.
~No. 12 Ballad -- Tenor~
When twilight glides with ghostly tread
Across the western heights,
And in the east the hills are red
With sunset's fading lights;
Then music floats from cot and hall
Where social circles met,
By sweet Euterpe held in thrall --
Their daily cares forget.
What joy it is to watch the shine
That hallows beauty's face
When woman sings the strains divine,
Whose passion floods the place!
Then how the thoughts and feelings rove
At song's inspiring breath,
In homes made beautiful by love,
Or sanctified by death.
What visions come, what dreams arise,
What Edens youth will limn,
When leaning over her whose eyes
Have sweetened life for him!
For while she sings and while she plays,
And while her voice is low,
His fancy paints diviner days
Than any we can know.
~No. 13 Drinking Song
(Men's voices only)~
But, hurrah! for the table that heavily groans
With the good things that keep in the life:
When we sing and we dance, and we drink to the tones
That are masculine, thorough and blithe.
Good luck to us all! Over walnuts and wine
We hear the rare songs that we know
Are as brimful of mirth as the spring is of shine,
And as healthy and hearty, we trow.
Then our glasses we charge to the ring of the stave
That the flush to our faces doth send;
For though life is a thing that winds up with the grave,
We'll be jolly, my boys, to the end.
Hurrah! Hurrah!
Yes, jolly, my boys, to the end!
~No. 14 Recitative -- Bass~
When far from friends, and home, and all the things
That bind a man to life, how dear to him
Is any old familiar sound that takes
Him back to spots where Love and Hope
In past days used to wander hand in hand
Across high-flowered meadows, and the paths
Whose borders shared the beauty of the spring,
And borrowed splendour from autumnal suns.
~No. 15 Chorus
(The voices accompanied only by the violins playing~ "Home, Sweet Home".)
Then at sea, or in wild wood,
Then ashore or afloat,
All the scenes of his childhood
Come back at a note;
At the turn of a ballad,
At the tones of a song,
Cometh Memory, pallid
And speechless so long;
And she points with her finger
To phantom-like years,
And loveth to linger
In silence, in tears.
~No. 16 Solo -- Bass~
In the yellow flame of evening sounds of music come and go,
Through the noises of the river, and the drifting of the snow;
In the yellow flame of evening, at the setting of the day,
Sounds that lighten, fall, and lighten, flicker, faint, and fade away;
What they are, behold, we know not, but their honey slakes and slays
Half the want which whitens manhood in the stress of alien days.
Even as a wondrous woman, struck with love and great desire,
Hast thou been to us, EUTERPE, half of tears and half of fire;
But thy joy is swift and fitful, and a subtle sense of pain
Sighs through thy melodious breathings, takes the rapture from thy strain.
In the yellow flame of evening sounds of music come and go.
Through the noises of the river, and the drifting of the snow.
~No. 17 Recitative -- Soprano~
And thus it is that Music manifold,
In fanes, in Passion's sanctuaries, or where
The social feast is held, is still the power
That bindeth heart to heart; and whether Grief,
Or Love, or Pleasure form the link, we know
'Tis still a bond that makes Humanity,
That wearied entity, a single whole,
And soothes the trouble of the heart bereaved,
And lulls the beatings in the breast that yearns,
And gives more gladness to the gladdest things.
~No. 18 Finale -- Chorus~
Now a vision comes, O brothers, blended
With supremest sounds of harmony --
Comes, and shows a temple, stately, splendid,
In a radiant city by the sea.
Founders, fathers of a mighty nation,
Raised the walls, and built the royal dome,
Gleaming now from lofty, lordly station,
Like a dream of Athens, or of Rome!
And a splendour of sound,
A thunder of song,
Rolls sea-like around,
Comes sea-like along.
The ringing, and ringing, and ringing,
Of voices of choristers singing,
Inspired by a national joy,
Strike through the marvellous hall,
Fly by the aisle and the wall,
While the organ notes roam
From basement to dome --
Now low as a wail,
Now loud as a gale,
And as grand as the music that builded old Troy.
Sedan
Another battle! and the sounds have rolled
By many a gloomy gorge and wasted plain
O'er huddled hills and mountains manifold,
Like winds that run before a heavy rain
When Autumn lops the leaves and drooping grain,
And earth lies deep in brown and cloudy gold.
My brothers, lo! our grand old England stands,
With weapons gleaming in her ready hands,
Outside the tumult! Let us watch and trust
That she will never darken in the dust
And drift of wild contention, but remain
The hope and stay of many troubled lands,
Where so she waits the issue of the fight,
Aloof; but praying "God defend the Right!"
[End of Early Poems, 1859-70.]
Other Poems, 1871-82
Adam Lindsay Gordon
At rest! Hard by the margin of that sea
Whose sounds are mingled with his noble verse
Now lies the shell that never more will house
The fine strong spirit of my gifted friend.
Yea, he who flashed upon us suddenly,
A shining soul with syllables of fire,
Who sang the first great songs these lands can claim
To be their own; the one who did not seem
To know what royal place awaited him
Within the Temple of the Beautiful,
Has passed away; and we who knew him sit
Aghast in darkness, dumb with that great grief
Whose stature yet we cannot comprehend;
While over yonder churchyard, hearsed with pines,
The night wind sings its immemorial hymn,
And sobs above a newly-covered grave.
The bard, the scholar, and the man who lived
That frank, that open-hearted life which keeps
The splendid fire of English chivalry
From dying out; the one who never wronged
A fellow man; the faithful friend who judged
The many, anxious to be loved of him
By what he saw, and not by what he heard,
As lesser spirits do; the brave, great soul
That never told a lie, or turned aside
To fly from danger -- he, as I say, was one
Of that bright company this sin-stained world
Can ill afford to lose.
They did not know,
The hundreds who had read his sturdy verse
And revelled over ringing major notes,
The mournful meaning of the undersong
Which runs through all he wrote, and often takes
The deep autumnal, half-prophetic tone
Of forest winds in March; nor did they think
That on that healthy-hearted man there lay
The wild specific curse which seems to cling
Forever to the Poet's twofold life!
To Adam Lindsay Gordon, I who laid
Two years ago on Lionel Michael's grave
A tender leaf of my regard; yea, I
Who culled a garland from the flowers of song
To place where Harpur sleeps; I, left alone,
The sad disciple of a shining band
Now gone -- to Adam Lindsay Gordon's name
I dedicate these lines; and if 'tis true
That, past the darkness of the grave, the soul
Becomes omniscient, then the bard may stoop
From his high seat to take the offering,
And read it with a sigh for human friends,
In human bonds, and grey with human griefs.
And having wove and proffered this poor wreath,
I stand to-day as lone as he who saw
At nightfall, through the glimmering moony mist,
The last of Arthur on the wailing mere,
And strained in vain to hear the going voice.
In Memory of Edward Butler
A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves --
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year's nest.
Here, where this strange Demeter weeps --
This large, sad life unseen --
Where July's strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!
Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October's wings;
The shining lady of the rills
Is with forgotten things.
Now where the land's worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler's grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?
There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.
For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch --
The pain of brothers stricken low --
I will not say too much.
But often in the lonely space
When night is on the land,
I dream of a departed face --
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.
Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.
The saintly face of Stenhouse turns --
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler's side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.
Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August's songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.
How the Melbourne Cup was Won
In the beams of a beautiful day,
Made soft by a breeze from the sea,
The horses were started away,
The fleet-footed thirty and three;
Where beauty, with shining attire,
Shed more than a noon on the land,
Like spirits of thunder and fire
They flashed by the fence and the stand.
And the mouths of pale thousands were hushed
When Somnus, a marvel of strength,
Past Bowes like a sudden wind rushed,
And led the bay colt by a length;
But a chestnut came galloping through,
And, down where the river-tide steals,
O'Brien, on brave Waterloo,
Dashed up to the big horse's heels.
But Cracknell still kept to the fore,
And first by the water bend wheeled,
When a cry from the stand, and a roar
Ran over green furlongs of field;
Far out by the back of the course --
A demon of muscle and pluck --
Flashed onward the favourite horse,
With his hoofs flaming clear of the ruck.
But the wonderful Queenslander came,
And the thundering leaders were three;
And a ring, and a roll of acclaim,
Went out, like a surge of the sea:
"An Epigram! Epigram wins!" --
"The Colt of the Derby" -- "The bay!"
But back where the crescent begins
The favourite melted away.
And the marvel that came from the North,
With another, was heavily thrown;
And here at the turning flashed forth
To the front a surprising unknown;
By shed and by paddock and gate
The strange, the magnificent black,
Led Darebin a length in the straight,
With thirty and one at his back.
But the Derby colt tired at the rails,
And Ivory's marvellous bay
Passed Burton, O'Brien, and Hales,
As fleet as a flash of the day.
But Gough on the African star
Came clear in the front of his "field",
Hard followed by Morrison's Czar
And the blood unaccustomed to yield.
Yes, first from the turn to the end,
With a boy on him paler than ghost,
The horse that had hardly a friend
Shot flashing like fire by the post.
When Graham was "riding" 'twas late
For his friends to applaud on the stands,
The black, through the bend and "the straight",
Had the race of the year in his hands.
In a clamour of calls and acclaim,
He landed the money -- the horse
With the beautiful African name,
That rang to the back of the course.
Hurrah for the Hercules race,
And the terror that came from his stall,
With the bright, the intelligent face,
To show the road home to them all!
Blue Mountain Pioneers
The dauntless three! For twenty days and nights
These heroes battled with the haughty heights;
For twenty spaces of the star and sun
These Romans kept their harness buckled on;
By gaping gorges, and by cliffs austere,
These fathers struggled in the great old year.
Their feet they set on strange hills scarred by fire,
Their strong arms forced a path through brake and briar;
They fought with Nature till they reached the throne
Where morning glittered on the great UNKNOWN!
There, in a time with praise and prayer supreme,
Paused Blaxland, Lawson, Wentworth, in a dream;
There, where the silver arrows of the day
Smote slope and spire, they halted on their way.
Behind them were the conquered hills -- they faced
The vast green West, with glad, strange beauty graced;
And every tone of every cave and tree
Was as a voice of splendid prophecy.
Robert Parkes
--
* Son of Sir Henry Parkes.
--
High travelling winds by royal hill
Their awful anthem sing,
And songs exalted flow and fill
The caverns of the spring.
To-night across a wild wet plain
A shadow sobs and strays;
The trees are whispering in the rain
Of long departed days.
I cannot say what forest saith --
Its words are strange to me:
I only know that in its breath
Are tones that used to be.
Yea, in these deep dim solitudes
I hear a sound I know --
The voice that lived in Penrith woods
Twelve weary years ago.
And while the hymn of other years
Is on a listening land,
The Angel of the Past appears
And leads me by the hand;
And takes me over moaning wave,
And tracts of sleepless change,
To set me by a lonely grave
Within a lonely range.
The halo of the beautiful
Is round the quiet spot;
The grass is deep and green and cool,
Where sound of life is not.
Here in this lovely lap of bloom,
The grace of glen and glade,
That tender days and nights illume,
My gentle friend was laid.
I do not mark the shell that lies
Beneath the touching flowers;
I only see the radiant eyes
Of other scenes and hours.
I only turn, by grief inspired,
Like some forsaken thing,
To look upon a life retired
As hushed Bethesda's spring.
The glory of unblemished days
Is on the silent mound --
The light of years, too pure for praise;
I kneel on holy ground!
Here is the clay of one whose mind
Was fairer than the dew,
The sweetest nature of his kind
I haply ever knew.
This Christian, walking on the white
Clear paths apart from strife,
Kept far from all the heat and light
That fills his father's life.
The clamour and exceeding flame
Were never in his days:
A higher object was his aim
Than thrones of shine and praise.
Ah! like an English April psalm,
That floats by sea and strand,
He passed away into the calm
Of the Eternal Land.
The chair he filled is set aside
Upon his father's floor;
In morning hours, at eventide,
His step is heard no more.
No more his face the forest knows;
His voice is of the past;
But from his life of beauty flows
A radiance that will last.
Yea, from the hours that heard his speech
High shining mem'ries give
That fine example which will teach
Our children how to live.
Here, kneeling in the body, far
From grave of flower and dew,
My friend beyond the path of star,
I say these words to you.
Though you were as a fleeting flame
Across my road austere,
The memory of your face became
A thing for ever dear.
I never have forgotten yet
The Christian's gentle touch;
And, since the time when last we met,
You know I've suffered much.
I feel that I have given pain
By certain words and deeds,
But stricken here with Sorrow's rain,
My contrite spirit bleeds.
For your sole sake I rue the blow,
But this assurance send:
I smote, in noon, the public foe,
But not the private friend.
I know that once I wronged your sire,
But since that awful day
My soul has passed through blood and fire,
My head is very grey.
Here let me pause! From years like yours
There ever flows and thrives
The splendid blessing which endures
Beyond our little lives.
From lonely lands across the wave
Is sent to-night by me
This rose of reverence for the grave
Beside the mountain lea.
At Her Window
To-night a strong south wind in thunder sings
Across the city. Now by salt wet flats,
And ridges perished with the breath of drought,
Comes up a deep, sonorous, gulf-like voice --
Far-travelled herald of some distant storm --
That strikes with harsh gigantic wings the cliff,
Where twofold Otway meets his straitened surf,
And makes a white wrath of a league of sea.
To-night the fretted Yarra chafes its banks,
And dusks and glistens; while the city shows
A ring of windy light. From street to street
The noise of labour, linked to hurrying wheels,
Rolls off, as rolls the stately sound of wave,
When he that hears it hastens from the shore.
To-night beside a moody window sits
A wife who watches for her absent love;
Her home is in a dim suburban street,
In which the winds, like one with straitened breath,
Now fleet with whispers dry and short half-sobs,
Or pause and beat against the showery panes
Like homeless mem'ries seeking for a home.
There, where the plopping of the guttered rain
Sounds like a heavy footstep in the dark,
Where every shadow thrown by flickering light
Seems like her husband halting at the door,
I say a woman sits, and waits, and sits,
Then trims her fire, and comes to wait again.
The chapel clock strikes twelve! He has not come.
The night grows wilder, and the wind dies off
The roads, now turned to thoroughfares of storm,
Save when a solitary, stumbling foot
Breaks through the clamour. Then the watcher starts,
And trembles, with her hand upon the key,
And flutters, with the love upon her lips;
Then sighs, returns, and takes her seat once more.
Is this the old, old tale? Ah! do not ask,
My gentle reader, but across your doubts
Throw shining reasons on the happier side;
Or, if you cannot choose but doubt the man --
If you do count him in your thoughts as one
Who leaves a good wife by a lonely hearth
For more than half the night, for scenes (we'll say)
Of revelry -- I pray you think of how
That wretch must suffer in his waking times
(If he be human), when he recollects
That through the long, long hours of evil feasts
With painted sin, and under glaring gas,
His brightest friend was at a window-sill
A watcher, seated in a joyless room,
And haply left without a loaf of bread.
I, having learnt from sources pure and high,
From springs of love that make the perfect wife,
Can say how much a woman will endure
For one to whom her tender heart has passed.
When fortune fails, and friends drop off, and time
Has shadows waiting in predestined ways --
When shame that grows from want of money comes,
And sets its brand upon a husband's brow,
And makes him walk an alien in the streets:
One faithful face, on which a light divine
Becomes a glory when vicissitude
Is in its darkest mood -- one face, I say,
Marks not the fallings-off that others see,
Seeks not to know the thoughts that others think,
Cares not to hear the words that others say:
But, through her deep and self-sufficing love,
She only sees the bright-eyed youth that won
Her maiden heart in other, happier days,
And not the silent, gloomy-featured man
That frets and shivers by a sullen fire.
And, therefore, knowing this from you, who've shared
With me the ordeal of most trying times,
I sometimes feel a hot shame flushing up,
To think that there are those among my sex
Who are so cursed with small-souled selfishness
That they do give to noble wives like you,
For love -- that first and final flower of life --
The dreadful portion of a drunkard's home.
William Bede Dalley
That love of letters which is as the light
Of deathless verse, intense, ineffable,
Hath made this scholar's nature like the white,
Pure Roman soul of whom the poets tell.
He having lived so long with lords of thought,
The grand hierophants of speech and song,
Hath from the high, august communion caught
Some portion of their inspiration strong.
The clear, bright atmosphere through which he looks
Is one by no dim, close horizon bound;
The power shed as flame from noble books
Hath made for him a larger world around.
And he, thus strengthened with the fourfold force
Which scholarship to genius gives, is one
That liberal thinkers, pausing in their course,
With fine esteem are glad to look upon.
He, with the faultless intuition born
Of splendid faculties, sees things aright,
And all his strong, immeasurable scorn
Falls like a thunder on the hypocrite.
But for the sufferer and the son of shame
On whom remorse -- a great, sad burden -- lies,
His kindness glistens like a morning flame,
Immense compassion shines within his eyes.
Firm to the Church by which his fathers stood,
But tolerant to every form of creed,
He longs for universal brotherhood,
And is a Christian gentleman indeed.
These in his honour. May his life be long,
And, like a summer with a brilliant close,
As full of music as a perfect song,
As radiant as a rich, unhandled rose.
To the Spirit of Music
I
The cool grass blowing in a breeze
Of April valleys sooms and sways;
On slopes that dip to quiet seas
Through far, faint drifts of yellowing haze.
I lie like one who, in a dream
Of sounds and splendid coloured things,
Seems lifted into life supreme
And has a sense of waxing wings.
For through a great arch-light which floods
And breaks and spreads and swims along
High royal-robed autumnal woods,
I hear a glorious sunset song.
But, ah, Euterpe! I that pause
And listen to the strain divine
Can never learn its words, because
I am no son of thine.
How sweet is wandering where the west
Is full of thee, what time the morn
Looks from his halls of rosy rest
Across green miles of gleaming corn!
How sweet are dreams in shady nooks,
When bees are out, and day is mute,
While down the dell there floats the brook's
Fine echo of thy marvellous lute!
And oh, how sweet is that sad tune
Of thine, within the evening breeze,
Which roams beneath the mirrored moon
On silver-sleeping summer seas!
How blest are they whom thou hast crowned,
Thy priests -- the lords who understand
The deep divinity of sound,
And live their lives in Wonderland!
These stand within thy courts and see
The light exceeding round thy throne,
But I -- an alien unto thee --
I faint afar off, and alone.
II
In hills where the keen Thessalonian
Made clamour with horse and with horn,
In oracular woods the Dodonian --
The mystical maiden was born.
And the high, the Olympian seven,
Ringed round with ineffable flame,
Baptized her in halos of heaven,
And gave her her beautiful name.
And Delphicus, loving her, brought her
Immutable dower of dreams,
And clothed her with glory, and taught her
The words of the winds and the streams.
She dwelt with the echoes that dwell
In far immemorial hills;
She wove of their speeches a spell --
She borrowed the songs of the rills;
And anthems of forest and fire,
And passionate psalms of the rain
Had life in the life of the lyre,
And breath in its infinite strain.
In a fair, in a floral abode,
Of purple and yellow and red,
The voice of her floated and flowed,
The light of her lingered and spread,
And ever there slipt through the bars
Of the leaves of her luminous bowers,
Syllables splendid as stars,
And faultless as moon-litten flowers.
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