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New Philadelphia Book Publisher Highlights Local Talent
Book and Publishing News from Publishers Newswire(tm)

Looking for Child to be on Cover of a New Book, 'The Model Child'
PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).

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"That would have been illegal," remarks the teacher.

"Illegal! But is the merchant himself legal?" inquires Kuvalda
bitterly. "What is the merchant? Let us investigate this rough
and uncouth phenomenon. First of all, every merchant is a
mujik. He comes from a village, and in course of time becomes
a merchant. In order to be a merchant, one must have money.


38 CREATURES THAT ONCE WERE MEN


Where can the mujik get the money from? It is well known that
he does not get it by honest hard work, and that means that the
mujik, somehow or other, has been swindling. That is to say,
a merchant is simply a dishonest mujik."

"Splendid!" cry the people, approving the orator's deduction,
and Tyapa bellows all the time, scratching his breast. He
always bellows like this as he drinks his first glass of vodki,
when he has a drunken headache. The Captain beams with joy.
They next read the correspondence. This is, for the Captain,
"an abundance of drinks," as he himself calls it. He always
notices how the merchants make this life abominable, and how
cleverly they spoil everything. His speeches thunder at and
annihilate merchants. His audience listens to him with the
greatest pleasure, because he swears atrociously. "If I wrote
for the papers," he shouts, "I would show up the merchant in
his true colors . . . I would show that he is a beast, playing
for a time the role of a man. I understand him! He is a rough
boor, does not know the meaning of the words 'good taste,' has
no notion of patriotism, and his knowledge is not worth five
kopecks."

Abyedok, knowing the Captain's weak point, and fond of making
other people angry, cunningly adds:

"Yes, since the nobility began to make acquaintance with hunger,
men have disappeared from the world. . . ."

"You are right, you son of a spider and a toad. Yes, from the
time that the noblemen fell, there have been no men. There are
only merchants, and I hate them."


39 CREATURES THAT ONCE WERE MEN


"That is easy to understand, brother, because you too, have
been brought down by them. . . ."

"I? I was ruined by love of life . . . Fool that I was, I loved
life, but the merchant spoils it, and I cannot bear it, simply
for this reason, and not because I am a nobleman. But if you
want to know the truth, I was once a man, though I was not noble.
I care now for nothing and nobody . . . and all my life has been
tame--a sweetheart who has jilted me--therefore I despise life,
and am indifferent to it."

"You lie!" says Abyedok.

"I lie?" roars Aristid Kuvalda, almost crimson with anger.

"Why shout?" comes in the cold sad voice of Martyanoff.

"Why judge others? Merchants, noblemen. . .what have we to
do with them?"

"Seeing what we are" . . . puts in Deacon Taras.

"Be quiet, Abyedok," says the teacher good-naturedly.

"Why do you provoke him?" He does not love either discussion
or noise, and when they quarrel all around him his lips form
into a sickly grimace, and he endeavors quietly and reasonably
to reconcile each with the other, and if he does not succeed
in this he leaves the company. Knowing this, the Captain, if
he is not very drunk, controls himself, not wishing to lose,
in the person of the teacher, one of the best of his listeners.

"I repeat," he continues, in a quieter tone, "that I see life
in the hands of enemies, not only enemies of the noble but of
everything good, avaricious and incapable of adorning existence
in any way."


40 CREATURES THAT ONCE WERE MEN


"But all the same, says the teacher, "merchants, so to speak,
created Genoa, Venice, Holland--and all these were merchants,
merchants from England, India, the Stroyanoff merchants. . . ."

"I do not speak of these men, I am thinking of Judas Petunikoff,
who is one of them. . . ."

"And you say you have nothing to do with them?" asks the teacher
quietly.

"But do you think that I do not live? Aha! I do live, but I
suppose I ought not to be angry at the fact that life is
desecrated and robbed of all freedom by these men."

"And they dare to laugh at the kindly anger of the Captain, a
man living in retirement?" says Abyedok teasingly.

"Very well! I agree with you that I am foolish. Being a
creature who was once a man, I ought to blot out from my heart
all those feelings that once were mine. You may be right, but
then how could I or any of you defend ourselves if we did away
with all these feelings?"

"Now then, you are talking sense," says the teacher encouragingly.

"We want other feelings and other views on life . . . We want
something new. . .because we ourselves are a novelty in this
life. . . ."

"Doubtless this is most important for us," remarks the teacher.

"Why?" asks Kanets. "Is it not all the same whatever we say or
think? We have not got long to live I am forty, you are fifty
. . . there is no one among us younger than thirty, and even
at twenty one cannot live such a life long."


41 CREATURES THAT ONCE WERE MEN


"And what kind of novelty are we?" asked Abyedok mockingly.

"Since nakedness has always existed "

"Yes, and it created Rome," said the teacher.

"Yes, of course," says the Captain, beaming with joy.

"Romulus and Remus, eh? We also shall create when our time
comes. . . ."

"Violation of public peace," interrupts Abyedok. He laughs
in a self-satisfied way. His laughter is impudent and insolent,
and is echoed by Simtsoff, the Deacon and Paltara Taras. The
naive eyes of young Meteor light up, and his cheeks flush
crimson.

Kanets speaks, and it seems as if he were hammering their heads.

"All these are foolish illusions . . . fiddlesticks!"

It was strange to see them reasoning in this manner, these
outcasts from life, tattered, drunken with vodki and wickedness,
filthy and forlorn. Such conversations rejoiced the Captain's
heart. They gave him an opportunity of speaking more, and
therefore he thought himself better than the rest. However low
he may fall, a man can never deny himself the delight of feeling
cleverer, more powerful, or even better fed than his companions.
Aristid Kuvalda abused this pleasure, and never could have
enough of it, much to the disgust of Abyedok, Kubar, and others
of these creatures that once were men, who were less interested
in such things.

Politics, however, were more to the popular taste. The
discussions as to the necessity of taking India or of subduing
England were lengthy and protracted.


42 CREATURES THAT ONCE WERE MEN


Nor did they speak with less enthusiasm of the radical measure
of clearing Jews off the face of the earth. On this subject
Abyedok was always the first to propose dreadful plans to effect
the desired end, but the Captain, always first in every other
argument, did not join in this one. They also spoke much and
impudently about women, but the teacher always defended them,
and sometimes was very angry when they went so far as to pass
the limits of decency. They all, as a rule, gave in to him,
because they did not look upon him as a common person, and also
because they wished to borrow from him on Saturdays the money
which he had earned during the week. He had many privileges.
They never beat him, for instance, on these occasions when the
conversation ended in a free fight. He had the right to bring
women into the dosshouse; a privilege accorded to no one else,
as the Captain had previously warned them.

"No bringing of women to my house," he had said. "Women,
merchants and philosophers, these are the three causes of my
ruin. I will horsewhip anyone bringing in women. I will
horsewhip the woman also . . . And as to the philosopher,
I'll knock his head off for him." And notwithstanding his age
he could have knocked anyone's head off, for he possessed
wonderful strength. Besides that, whenever he fought or
quarrelled, he was assisted by Martyanoff, who was accustomed
during a general fight to stand silently and sadly back to back
with Kuvalda, when he became an all destroying and impregnable
engine of war. Once when Simtsoff was drunk, he rushed at the
teacher for no reason whatever, and getting hold of his head
tore out a bunch of hair.


43 CREATURES THAT ONCE WERE MEN


Kuvalda, with one stroke of his fist in the other's chest, sent
him spinning, and he fell to the ground. He was unconscious
for almost half-an-hour, and when he came to himself Kuvalda
compelled him to eat the hair he had torn from the teacher's
head. He ate it, preferring this to being beaten to death.

Besides reading newspapers, fighting and indulging in general
conversation, they amused themselves by playing cards. They
played without Martyanoff because he could not play honestly.
After cheating several times, he openly confessed:

"I cannot play without cheating . . . it is a habit of mine."

"Habits do get the better of you," assented Deacon Taras. "I
always used to beat my wife every Sunday after Mass, and when
she died I cannot describe how extremely dull I felt every
Sunday. I lived through one Sunday--it was dreadful, the second
I still controlled myself, the third Sunday I struck my Asok.
. . . She was angry and threatened to summon me. Just imagine
if she had done so! On the fourth Sunday, I beat her just as
if she were my own wife! After that I gave her ten roubles,
and beat her according to my own rules till I married again!"

"You are lying, Deacon! How could you marry a second time?"
interrupted Abyedok.

"Ay, just so . . . She looked after my house . . ."

"Did you have any children?" asked the teacher.

"Five of them . . . One was drowned . . . the oldest . . .
he was an amusing boy! Two died of diphtheria . . . One of
the daughters married a student and went with him to Siberia.


44 CREATURES THAT ONCE WERE MEN


The other went to the University of St. Petersburg and died
there . . . of consumption they say. Ye--es, there were five
of them . . . Ecclesiastics are prolific, you know." He began
explaining why this was so, and they laughed till they nearly
burst at his tales. When the laughter stopped, Aleksei
Maksimovitch Simtsoff remembered that he too had once had a
daughter.

"Her name was Lidka . . . she was very stout. . . ."

More than this he did not seem to remember, for he looked at
them all, was silent and smiled . . . in a guilty way. Those
men spoke very little to each other about their past, and they
recalled it very seldom, and then only its general outlines.
When they did mention it, it was in a cynical tone. Probably,
this was just as well, since, in many people, remembrance of
the past kills all present energy and deadens all hope for the
future.

* * * * * * * * * *

On rainy, cold, or dull days in the late autumn, these
"creatures that once were men" gathered in the eating-house of
Vaviloff. They were well known there, where some feared them
as thieves and rogues, and some looked upon them contemptuously
as hard drinkers, although they respected them, thinking that
they were clever.

The eating-house of Vaviloff was the club of the main street,
and the "creatures that once were men" were its most intellectual
members.


45 CREATURES THAT ONCE WERE MEN


On Saturday evenings or Sunday mornings, when the eating-house
was packed, the "creatures that once were men" were only too
welcome guests. They brought with them, besides the forgotten
and poverty-stricken inhabitants of the street, their own spirit,
in which there was something that brightened the lives of men
exhausted and worn out in the struggle for existence, as great
drunkards as the inhabitants of Kuvalda's shelter, and, like
them, outcasts from the town. Their ability to speak on all
subjects, their freedom of opinion, skill in repartee, courage
in the presence of those of whom the whole street was in terror,
together with their daring demeanor, could not but be pleasing
to their companions. Then, too, they were well versed in law,
and could advise, write petitions, and help to swindle without
incurring the risk of punishment. For all this they were paid
with vodki and flattering admiration of their talents.

The inhabitants of the street were divided into two parties
according to their sympathies. One was in favor of Kuvalda,
who was thought "a good soldier, clever, and courageous"; the
other was convinced of the fact that the teacher was "superior"
to Kuvalda. The latter's admirers were those who were known to
be drunkards, thieves, and murderers, for whom the road from
beggary to prison was inevitable. But those who respected the
teacher were men who still had expectations, still hoped for
better things, who were eternally occupied with nothing, and
who were nearly always hungry.

The nature of the teacher's and Kuvalda's relations toward the
street may be gathered from the following:


46 CREATURES THAT ONCE WERE MEN


Once in the eating-house they were discussing the resolution
passed by the Corporation regarding the main street, viz., that
the inhabitants were to fill up the pits and ditches in the
street, and that neither manure nor the dead bodies of domestic
animals should be used for the purpose, but only broken tiles,
etc., from the ruins of other houses.

"Where am I going to get these same broken tiles and bricks?
I could not get sufficient bricks together to build a
hen-house," plaintively said Mokei Anisimoff, a man who hawked
kalaches (a sort of white bread) which were baked by his wife.

"Where can you get broken bricks and lime rubbish? Take bags
with you, and go and remove them from the Corporation buildings.
They are so old that they are of no use to anyone, and you will
thus be doing two good deeds; firstly, by repairing the main
street; and secondly, by adorning the city with a new Corporation
building."

"If you want horses, get them from the Lord Mayor, and take his
three daughters, who seem quite fit for harness. Then destroy
the house of Judas Petunikoff and pave the street with its
timbers. By the way, Mokei, I know out of what your wife baked
to-day's kalaches; out of the frames of the third window and the
two steps from the roof of Judas' house."

When those present had laughed and joked sufficiently over the
Captain's proposal, the sober market gardener, Pavlyugus asked:

"But seriously, what are we to do, your honor? . . . Eh? What
do you think?"


47 CREATURES THAT ONCE WERE MEN


"I? I shall neither move hand nor foot. If they wish to clean
the street, let them do it."

"Some of the houses are almost coming down. . . ."

"Let them fall; don't interfere; and when they fall ask help
from the city. If they don't give it you, then bring a suit
in court against them! Where does the water come from? From
the city! Therefore let the city be responsible for the
destruction of the houses."

"They will say it is rain-water."

"Does it destroy the houses in the city? Eh? They take taxes
from you, but they do not permit you to speak! They destroy
your property and at the same time compel you to repair it!"
And half the radicals in the street, convinced by the words
of Kuvalda, decided to wait till the rain-water came down in
huge streams and swept away their houses. The others, more
sensible, found in the teacher a man who composed for them an
excellent and convincing report for the Corporation. In this
report the refusal of the street's inhabitants to comply with
the resolution of the Corporation was well explained that the
Corporation actually entertained it. It was decided that the
rubbish left after some repairs had been done to the barracks
should be used for mending and filling up the ditches in their
street, and for the transport of this five horses were given
by the fire brigade. Still more, they even saw the necessity
of laying a drain-pipe through the street. This and many
other things vastly increased the popularity of the teacher.
He wrote petitions for them and published various remarks in
the newspapers.


48 CREATURES THAT ONCE WERE MEN


For instance, on one occasion Vaviloff's customers noticed that
the herrings and other provisions of the eating-house were not
what they should be, and after a day or two they saw Vaviloff
standing at the bar with the newspaper in his hand making a
public apology.

"It is true, I must acknowledge, that I bought old and not very
good herrings, and the cabbage . . . also . . . was old. It is
only too well known that anyone can put many a five-kopeck piece
in his pocket in this way. And what is the result? It has not
been a success; I was greedy, I own, but the cleverer man has
exposed me, so we are quits. . . ."

This confession made a very good impression on the people, and
it also gave Vaviloff the opportunity of still feeding them with
herrings and cabbages which were not good, though they failed
to notice it, so much were they impressed.

This incident was very significant, because it increased not only
the teacher's popularity, but also the effect of press opinion.

It often happened, too, that the teacher read lectures on
practical morality in the eating-house.

"I saw you," he said to the painter, Yashka Tyarin; "I saw you,
Yakov, beating your wife. . . ."

Yashka was "touched with paint" after having two glasses of
vodki, and was in a slightly uplifted condition.

The people looked at him, expecting him to make a row, and all
were silent.

"Did you see me? And how did it please you?" asks Yashka.

The people control their laughter.


49 CREATURES THAT ONCE WERE MEN


"No; it did not please me," replies the teacher. His tone is
so serious that the people are silent.

"You see I was just trying it," said Yashka, with bravado,
fearing that the teacher would rebuke him. "The wife is
satisfied. . . She has not got up yet today. . . ."

The teacher, who was drawing absently with his fingers on the
table, said, "Do you see, Yakov, why this did not please me?
. . . Let us go into the matter thoroughly, and understand what
you are really doing, and what the result may be. Your wife is
pregnant. You struck her last night on her sides and breast.
That means that you beat not only her but the child too. You
may have killed him, and your wife might have died or else have
become seriously ill. To have the trouble of looking after a
sick woman is not pleasant. It is wearing, and would cost you
dear, because illness requires medicine, and medicine money.
If you have not killed the child, you may have crippled him, and
he will he born deformed, lop-sided, or hunch-backed. That
means that he will not be able to work, and it is only too
important to you that he should be a good workman. Even if he
be born ill, it will be bad enough, because he will keep his
mother from work, and will require medicine. Do you see what
you are doing to yourself? Men who live by hard work must be
strong and healthy, and they should have strong and healthy
children . . . Do I speak truly?"

"Yes," assented the listeners.

"But all this will never happen," says Yashka, becoming rather
frightened at the prospect held out to him by the teacher.


50 CREATURES THAT ONCE WERE MEN


"She is healthy, and I cannot have reached the child . . .
She is a devil--a hag!" he shouts angrily. "I would . . . She
will eat me away as rust eats iron."

"I understand, Yakov, that you cannot help beating your wife,"
the teacher's sad and thoughtful voice again breaks in. "You
have many reasons for doing so . . . It is your wife's character
that causes you to beat her so incautiously . . . But your own
dark and sad life. . . ."

"You are right!" shouts Yakov. "We live in darkness, like the
chimney-sweep when he is in the chimney!"

"You are angry with your life, but your wife is patient; the
closest relation to you--your wife, and you make her suffer
for this, simply because you are stronger than she. She is
always with you, and cannot get away. Don't you see how absurd
you are?"

"That is so . . . Devil take it! But what shall I do? Am I
not a man?"

"Just so! You are a man. . . . I only wish to tell you that if
you cannot help beating her, then beat her carefully and always
remember that you may injure her health or that of the child.
It is not good to beat pregnant women . . . on their belly or
on their sides and chests . . . Beat her, say, on the neck
. . . or else take a rope and beat her on some soft place. . . ."

The orator finished his speech and looked upon his hearers with
his dark, pathetic eyes, seeming to apologize to them for some
unknown crime.


51 CREATURES THAT ONCE WERE MEN


The public understands it. They understand the morale of the
creature who was once a man, the morale of the public-house and
much misfortune.

"Well, brother Yashka, did you understand? See how true it
is!"

Yakov understood that to beat her incautiously might be
injurious to his wife. He is silent, replying to his
companions' jokes with confused smiles.

"Then again, what is a wife?" philosophizes the baker,
Mokei Anisimoff. "A wife . . . is a friend if we look at the
matter in that way. She is like a chain, chained to you for
life . . . and you are both just like galley slaves. And if
you try to get away from her, you cannot, you feel the chain."

"Wait," says Yakovleff; "but you beat your wife too."

"Did I say that I did not? I beat her . . There is nothing
else handy . . . Do you expect me to beat the wall with my
fist when my patience is exhausted?"

"I feel just like that too . . ." says Yakov.

"How hard and difficult our life is, my brothers! There is no
real rest for us anywhere!"

"And even you beat your wife by mistake," some one remarks
humorously. And thus they speak till far on in the night or
till they have quarrelled, the usual result of drink or of
passions engendered by such discussions.

The rain beats on the windows, and outside the cold wind is
blowing. The eating-house is close with tobacco smoke, but
it is warm, while the street is cold and wet. Now and then,
the wind beats threateningly on the windows of the eating-house,
as if bidding these men to come out and be scattered like dust
over the face of the earth.


52 CREATURES THAT ONCE WERE MEN


Sometimes a stifled and hopeless groan is heard in its howling
which again is drowned by cold, cruel laughter. This music
fills one with dark, sad thoughts of the approaching winter,
with its accursed short, sunless days and long nights, of the
necessity of possessing warm garments and plenty to eat. It is
hard to sleep through the long winter nights on an empty
stomach. Winter is approaching. Yes, it is approaching . . .
How to live?

These gloomy forebodings created a strong thirst among the
inhabitants of the main street, and the sighs of the "creatures
that once were men increased with the wrinkles on their brows,
their voices became thick and their behavior to each other more
blunt. And brutal crimes were committed among them, and the
roughness of these poor unfortunate outcasts was apt to increase
at the approach of that inexorable enemy, who transformed all
their lives into one cruel farce. But this enemy could not be
captured because it was invisible.

Then they began beating each other brutally, and drank till they
had drunk everything which they could pawn to the indulgent
Vaviloff. And thus they passed the autumn days in open wickedness,
in suffering which was eating their hearts out, unable to rise out
of this vicious life and in dread of the still crueller days of
winter.

Kuvalda in such cases came to their assistance with his philosophy.

"Don't lose your temper, brothers, everything has an end, this is
the chief characteristic of life.


53 CREATURES THAT ONCE WERE MEN


The winter will pass, summer will follow . . . a glorious time,
when the very sparrows are filled with rejoicing." But his
speeches did not have any effect--a mouthful of even the freshest
and purest water will not satisfy a hungry man.

Deacon Taras also tried to amuse the people by singing his songs
and relating his tales. He was more successful, and sometimes
his endeavors ended in a wild and glorious orgy at the
eating-house. They sang, laughed and danced, and for hours
behaved like madmen. After this they again fell into a
despairing mood, sitting at the tables of the eating-house, in
the black smoke of the lamp and the tobacco; sad and tattered,
speaking lazily to each other, listening to the wild howling
of the wind, and thinking how they could get enough vodki to
deaden their senses.

And their hand was against every man, and every man's hand
against them.




PART II




All things are relative in this world, and a man cannot sink
into any condition so bad that it could not be worse. One
day, toward the end of September, Captain Aristid Kuvalda was
sitting, as was his custom, on the bench near the door of the
dosshouse, looking at the stone building built by the merchant
Petunikoff close to Vaviloff's eating-house, and thinking
deeply. This building, which was partly surrounded by woods,
served the purpose of a candle factory.

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