New Poems
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Robert Louis Stevenson >> New Poems
And he (O may we fancy so!),
He, feeling time forever flow
And flowing bear him forth and far away
From that dear ingle where his life began
And all his treasure lay -
He, waxing into man,
And ever farther, ever closer wound
In this obstreperous world's ignoble round,
From that poor prospect turned his face away.
THE PIPER
AGAIN I hear you piping, for I know the tune so well, -
You rouse the heart to wander and be free,
Tho' where you learned your music, not the God of song can tell,
For you pipe the open highway and the sea.
O piper, lightly footing, lightly piping on your way,
Tho' your music thrills and pierces far and near,
I tell you you had better pipe to someone else to-day,
For you cannot pipe my fancy from my dear.
You sound the note of travel through the hamlet and the town;
You would lure the holy angels from on high;
And not a man can hear you, but he throws the hammer down
And is off to see the countries ere he die.
But now no more I wander, now unchanging here I stay;
By my love, you find me safely sitting here:
And pipe you ne'er so sweetly, till you pipe the hills away,
You can never pipe my fancy from my dear.
TO MRS. MACMARLAND
IN Schnee der Alpen - so it runs
To those divine accords - and here
We dwell in Alpine snows and suns,
A motley crew, for half the year:
A motley crew, we dwell to taste -
A shivering band in hope and fear -
That sun upon the snowy waste,
That Alpine ether cold and clear.
Up from the laboured plains, and up
From low sea-levels, we arise
To drink of that diviner cup
The rarer air, the clearer skies;
For, as the great, old, godly King
From mankind's turbid valley cries,
So all we mountain-lovers sing:
I to the hills will lift mine eyes.
The bells that ring, the peaks that climb,
The frozen snow's unbroken curd
Might yet revindicate in rhyme
The pauseless stream, the absent bird.
In vain - for to the deeps of life
You, lady, you my heart have stirred;
And since you say you love my life,
Be sure I love you for the word.
Of kindness, here I nothing say -
Such loveless kindnesses there are
In that grimacing, common way,
That old, unhonoured social war.
Love but my dog and love my love,
Adore with me a common star -
I value not the rest above
The ashes of a bad cigar.
TO MISS CORNISH
THEY tell me, lady, that to-day
On that unknown Australian strand -
Some time ago, so far away -
Another lady joined the band.
She joined the company of those
Lovelily dowered, nobly planned,
Who, smiling, still forgive their foes
And keep their friends in close command.
She, lady, as I learn, was one
Among the many rarely good;
And destined still to be a sun
Through every dark and rainy mood:-
She, as they told me, far had come,
By sea and land, o'er many a rood:-
Admired by all, beloved by some,
She was yourself, I understood.
But, compliment apart and free
From all constraint of verses, may
Goodness and honour, grace and glee,
Attend you ever on your way -
Up to the measure of your will,
Beyond all power of mine to say -
As she and I desire you still,
Miss Cornish, on your natal day.
TALES OF ARABIA
YES, friend, I own these tales of Arabia
Smile not, as smiled their flawless originals,
Age-old but yet untamed, for ages
Pass and the magic is undiminished.
Thus, friend, the tales of the old Camaralzaman,
Ayoub, the Slave of Love, or the Calendars,
Blind-eyed and ill-starred royal scions,
Charm us in age as they charmed in childhood.
Fair ones, beyond all numerability,
Beam from the palace, beam on humanity,
Bright-eyed, in truth, yet soul-less houris
Offering pleasure and only pleasure.
Thus they, the venal Muses Arabian,
Unlike, indeed, the nobler divinities,
Greek Gods or old time-honoured muses,
Easily proffer unloved caresses.
Lost, lost, the man who mindeth the minstrelsy;
Since still, in sandy, glittering pleasances,
Cold, stony fruits, gem-like but quite in-
Edible, flatter and wholly starve him.
BEHOLD, AS GOBLINS DARK OF MIEN
BEHOLD, as goblins dark of mien
And portly tyrants dyed with crime
Change, in the transformation scene,
At Christmas, in the pantomime,
Instanter, at the prompter's cough,
The fairy bonnets them, and they
Throw their abhorred carbuncles off
And blossom like the flowers in May.
- So mankind, to angelic eyes,
So, through the scenes of life below,
In life's ironical disguise,
A travesty of man, ye go:
But fear not: ere the curtain fall,
Death in the transformation scene
Steps forward from her pedestal,
Apparent, as the fairy Queen;
And coming, frees you in a trice
From all your lendings - lust of fame,
Ungainly virtue, ugly vice,
Terror and tyranny and shame.
So each, at last himself, for good
In that dear country lays him down,
At last beloved and understood
And pure in feature and renown.
STILL I LOVE TO RHYME
STILL I love to rhyme, and still more, rhyming, to wander
Far from the commoner way;
Old-time trills and falls by the brook-side still do I ponder,
Dreaming to-morrow to-day.
Come here, come, revive me, Sun-God, teach me, Apollo,
Measures descanted before;
Since I ancient verses, I emulous follow,
Prints in the marbles of yore.
Still strange, strange, they sound in old-young raiment invested,
Songs for the brain to forget -
Young song-birds elate to grave old temples benested
Piping and chirruping yet.
Thoughts? No thought has yet unskilled attempted to flutter
Trammelled so vilely in verse;
He who writes but aims at fame and his bread and his butter,
Won with a groan and a curse.
LONG TIME I LAY IN LITTLE EASE
LONG time I lay in little ease
Where, placed by the Turanian,
Marseilles, the many-masted, sees
The blue Mediterranean.
Now songful in the hour of sport,
Now riotous for wages,
She camps around her ancient port,
As ancient of the ages.
Algerian airs through all the place
Unconquerably sally;
Incomparable women pace
The shadows of the alley.
And high o'er dark and graving yard
And where the sky is paler,
The golden virgin of the guard
Shines, beckoning the sailor.
She hears the city roar on high,
Thief, prostitute, and banker;
She sees the masted vessels lie
Immovably at anchor.
She sees the snowy islets dot
The sea's immortal azure,
And If, that castellated spot,
Tower, turret, and embrasure.
FLOWER GOD, GOD OF THE SPRING
FLOWER god, god of the spring, beautiful, bountiful,
Cold-dyed shield in the sky, lover of versicles,
Here I wander in April
Cold, grey-headed; and still to my
Heart, Spring comes with a bound, Spring the deliverer,
Spring, song-leader in woods, chorally resonant;
Spring, flower-planter in meadows,
Child-conductor in willowy
Fields deep dotted with bloom, daisies and crocuses:
Here that child from his heart drinks of eternity:
O child, happy are children!
She still smiles on their innocence,
She, dear mother in God, fostering violets,
Fills earth full of her scents, voices and violins:
Thus one cunning in music
Wakes old chords in the memory:
Thus fair earth in the Spring leads her performances.
One more touch of the bow, smell of the virginal
Green - one more, and my bosom
Feels new life with an ecstasy.
COME, MY BELOVED, HEAR FROM ME
COME, my beloved, hear from me
Tales of the woods or open sea.
Let our aspiring fancy rise
A wren's flight higher toward the skies;
Or far from cities, brown and bare,
Play at the least in open air.
In all the tales men hear us tell
Still let the unfathomed ocean swell,
Or shallower forest sound abroad
Below the lonely stars of God;
In all, let something still be done,
Still in a corner shine the sun,
Slim-ankled maids be fleet of foot,
Nor man disown the rural flute.
Still let the hero from the start
In honest sweat and beats of heart
Push on along the untrodden road
For some inviolate abode.
Still, O beloved, let me hear
The great bell beating far and near-
The odd, unknown, enchanted gong
That on the road hales men along,
That from the mountain calls afar,
That lures a vessel from a star,
And with a still, aerial sound
Makes all the earth enchanted ground.
Love, and the love of life and act
Dance, live and sing through all our furrowed tract;
Till the great God enamoured gives
To him who reads, to him who lives,
That rare and fair romantic strain
That whoso hears must hear again.
SINCE YEARS AGO FOR EVERMORE
SINCE years ago for evermore
My cedar ship I drew to shore;
And to the road and riverbed
And the green, nodding reeds, I said
Mine ignorant and last farewell:
Now with content at home I dwell,
And now divide my sluggish life
Betwixt my verses and my wife:
In vain; for when the lamp is lit
And by the laughing fire I sit,
Still with the tattered atlas spread
Interminable roads I tread.
ENVOY FOR "A CHILD'S GARDEN OF VERSES"
WHETHER upon the garden seat
You lounge with your uplifted feet
Under the May's whole Heaven of blue;
Or whether on the sofa you,
No grown up person being by,
Do some soft corner occupy;
Take you this volume in your hands
And enter into other lands,
For lo! (as children feign) suppose
You, hunting in the garden rows,
Or in the lumbered attic, or
The cellar - a nail-studded door
And dark, descending stairway found
That led to kingdoms underground:
There standing, you should hear with ease
Strange birds a-singing, or the trees
Swing in big robber woods, or bells
On many fairy citadels:
There passing through (a step or so -
Neither mamma nor nurse need know!)
From your nice nurseries you would pass,
Like Alice through the Looking-Glass
Or Gerda following Little Ray,
To wondrous countries far away.
Well, and just so this volume can
Transport each little maid or man
Presto from where they live away
Where other children used to play.
As from the house your mother sees
You playing round the garden trees,
So you may see if you but look
Through the windows of this book
Another child far, far away
And in another garden play.
But do not think you can at all,
By knocking on the window, call
That child to hear you. He intent
Is still on his play-business bent.
He does not hear, he will not look,
Nor yet be lured out of this book.
For long ago, the truth to say,
He has grown up and gone away;
And it is but a child of air
That lingers in the garden there.
FOR RICHMOND'S GARDEN WALL
WHEN Thomas set this tablet here,
Time laughed at the vain chanticleer;
And ere the moss had dimmed the stone,
Time had defaced that garrison.
Now I in turn keep watch and ward
In my red house, in my walled yard
Of sunflowers, sitting here at ease
With friends and my bright canvases.
But hark, and you may hear quite plain
Time's chuckled laughter in the lane.
HAIL, GUEST, AND ENTER FREELY!
HAIL, guest, and enter freely! All you see
Is, for your momentary visit, yours; and we
Who welcome you are but the guests of God,
And know not our departure.
LO, NOW, MY GUEST
LO, now, my guest, if aught amiss were said,
Forgive it and dismiss it from your head.
For me, for you, for all, to close the date,
Pass now the ev'ning sponge across the slate;
And to that spirit of forgiveness keep
Which is the parent and the child of sleep.
SO LIVE, SO LOVE, SO USE THAT FRAGILE HOUR
SO live, so love, so use that fragile hour,
That when the dark hand of the shining power
Shall one from other, wife or husband, take,
The poor survivor may not weep and wake.
AD SE IPSUM
DEAR sir, good-morrow! Five years back,
When you first girded for this arduous track,
And under various whimsical pretexts
Endowed another with your damned defects,
Could you have dreamed in your despondent vein
That the kind God would make your path so plain?
Non nobis, domine! O, may He still
Support my stumbling footsteps on the hill!
BEFORE THIS LITTLE GIFT WAS COME
BEFORE this little gift was come
The little owner had made haste for home;
And from the door of where the eternal dwell,
Looked back on human things and smiled farewell.
O may this grief remain the only one!
O may our house be still a garrison
Of smiling children, and for evermore
The tune of little feet be heard along the floor!
GO, LITTLE BOOK - THE ANCIENT PHRASE
GO, little book - the ancient phrase
And still the daintiest - go your ways,
My Otto, over sea and land,
Till you shall come to Nelly's hand.
How shall I your Nelly know?
By her blue eyes and her black brow,
By her fierce and slender look,
And by her goodness, little book!
What shall I say when I come there?
You shall speak her soft and fair:
See - you shall say - the love they send
To greet their unforgotten friend!
Giant Adulpho you shall sing
The next, and then the cradled king:
And the four corners of the roof
Then kindly bless; and to your perch aloof,
Where Balzac all in yellow dressed
And the dear Webster of the west
Encircle the prepotent throne
Of Shakespeare and of Calderon,
Shall climb an upstart.
There with these
You shall give ear to breaking seas
And windmills turning in the breeze,
A distant undetermined din
Without; and you shall hear within
The blazing and the bickering logs,
The crowing child, the yawning dogs,
And ever agile, high and low,
Our Nelly going to and fro.
There shall you all silent sit,
Till, when perchance the lamp is lit
And the day's labour done, she takes
Poor Otto down, and, warming for our sakes,
Perchance beholds, alive and near,
Our distant faces reappear.
MY LOVE WAS WARM
MY love was warm; for that I crossed
The mountains and the sea,
Nor counted that endeavour lost
That gave my love to me.
If that indeed were love at all,
As still, my love, I trow,
By what dear name am I to call
The bond that holds me now
DEDICATORY POEM FOR "UNDERWOODS"
TO her, for I must still regard her
As feminine in her degree,
Who has been my unkind bombarder
Year after year, in grief and glee,
Year after year, with oaken tree;
And yet betweenwhiles my laudator
In terms astonishing to me -
To the Right Reverend The Spectator
I here, a humble dedicator,
Bring the last apples from my tree.
In tones of love, in tones of warning,
She hailed me through my brief career;
And kiss and buffet, night and morning,
Told me my grandmamma was near;
Whether she praised me high and clear
Through her unrivalled circulation,
Or, sanctimonious insincere,
She damned me with a misquotation -
A chequered but a sweet relation,
Say, was it not, my granny dear?
Believe me, granny, altogether
Yours, though perhaps to your surprise.
Oft have you spruced my wounded feather,
Oft brought a light into my eyes -
For notice still the writer cries.
In any civil age or nation,
The book that is not talked of dies.
So that shall be my termination:
Whether in praise or execration,
Still, if you love me, criticise!
FAREWELL
FAREWELL, and when forth
I through the Golden Gates to Golden Isles
Steer without smiling, through the sea of smiles,
Isle upon isle, in the seas of the south,
Isle upon island, sea upon sea,
Why should I sail, why should the breeze?
I have been young, and I have counted friends.
A hopeless sail I spread, too late, too late.
Why should I from isle to isle
Sail, a hopeless sailor?
THE FAR-FARERS
THE broad sun,
The bright day:
White sails
On the blue bay:
The far-farers
Draw away.
Light the fires
And close the door.
To the old homes,
To the loved shore,
The far-farers
Return no more.
HOME, MY LITTLE CHILDREN, HERE ARE SONGS FOR YOU
COME, my little children, here are songs for you;
Some are short and some are long, and all, all are new.
You must learn to sing them very small and clear,
Very true to time and tune and pleasing to the ear.
Mark the note that rises, mark the notes that fall,
Mark the time when broken, and the swing of it all.
So when night is come, and you have gone to bed,
All the songs you love to sing shall echo in your head.
COME FROM THE DAISIED MEADOWS
HOME from the daisied meadows, where you linger yet -
Home, golden-headed playmate, ere the sun is set;
For the dews are falling fast
And the night has come at last.
Home with you, home and lay your little head at rest,
Safe, safe, my little darling, on your mother's breast.
Lullaby, darling; your mother is watching you;
she'll be your guardian and shield.
Lullaby, slumber, my darling, till morning be
bright upon mountain and field.
Long, long the shadows fall.
All white and smooth at home your little bed is laid.
All round your head be angels.
EARLY IN THE MORNING I HEAR ON YOUR PIANO
EARLY in the morning I hear on your piano
You (at least, I guess it's you) proceed to learn to play.
Mostly little minds should take and tackle their piano
While the birds are singing in the morning of the day.
FAIR ISLE AT SEA
FAIR Isle at Sea - thy lovely name
Soft in my ear like music came.
That sea I loved, and once or twice
I touched at isles of Paradise.
LOUD AND LOW IN THE CHIMNEY
LOUD and low in the chimney
The squalls suspire;
Then like an answer dwindles
And glows the fire,
And the chamber reddens and darkens
In time like taken breath.
Near by the sounding chimney
The youth apart
Hearkens with changing colour
And leaping heart,
And hears in the coil of the tempest
The voice of love and death.
Love on high in the flute-like
And tender notes
Sounds as from April meadows
And hillside cotes;
But the deep wood wind in the chimney
Utters the slogan of death.
I LOVE TO BE WARM BY THE RED FIRESIDE
I LOVE to be warm by the red fireside,
I love to be wet with rain:
I love to be welcome at lamplit doors,
And leave the doors again.
AT LAST SHE COMES
AT last she comes, O never more
In this dear patience of my pain
To leave me lonely as before,
Or leave my soul alone again.
MINE EYES WERE SWIFT TO KNOW THEE
MINE eyes were swift to know thee, and my heart
As swift to love. I did become at once
Thine wholly, thine unalterably, thine
In honourable service, pure intent,
Steadfast excess of love and laughing care:
And as she was, so am, and so shall be.
I knew thee helpful, knew thee true, knew thee
And Pity bedfellows: I heard thy talk
With answerable throbbings. On the stream,
Deep, swift, and clear, the lilies floated; fish
Through the shadows ran. There, thou and I
Read Kindness in our eyes and closed the match.
FIXED IS THE DOOM
FIXED is the doom; and to the last of years
Teacher and taught, friend, lover, parent, child,
Each walks, though near, yet separate; each beholds
His dear ones shine beyond him like the stars.
We also, love, forever dwell apart;
With cries approach, with cries behold the gulph,
The Unvaulted; as two great eagles that do wheel in air
Above a mountain, and with screams confer,
Far heard athwart the cedars.
Yet the years
Shall bring us ever nearer; day by day
Endearing, week by week, till death at last
Dissolve that long divorce. By faith we love,
Not knowledge; and by faith, though far removed,
Dwell as in perfect nearness, heart to heart.
We but excuse
Those things we merely are; and to our souls
A brave deception cherish.
So from unhappy war a man returns
Unfearing, or the seaman from the deep;
So from cool night and woodlands to a feast
May someone enter, and still breathe of dews,
And in her eyes still wear the dusky night.
MEN ARE HEAVEN'S PIERS
MEN are Heaven's piers; they evermore
Unwearying bear the skyey floor;
Man's theatre they bear with ease,
Unfrowning cariatides!
I, for my wife, the sun uphold,
Or, dozing, strike the seasons cold.
She, on her side, in fairy-wise
Deals in diviner mysteries,
By spells to make the fuel burn
And keep the parlour warm, to turn
Water to wine, and stones to bread,
By her unconquered hero-head.
A naked Adam, naked Eve,
Alone the primal bower we weave;
Sequestered in the seas of life,
A Crusoe couple, man and wife,
With all our good, with all our will,
Our unfrequented isle we fill;
And victor in day's petty wars,
Each for the other lights the stars.
Come then, my Eve, and to and fro
Let us about our garden go;
And, grateful-hearted, hand in hand
Revisit all our tillage land,
And marvel at our strange estate,
For hooded ruin at the gate
Sits watchful, and the angels fear
To see us tread so boldly here.
Meanwhile, my Eve, with flower and grass
Our perishable days we pass;
Far more the thorn observe - and see
How our enormous sins go free -
Nor less admire, beside the rose,
How far a little virtue goes.
THE ANGLER ROSE, HE TOOK HIS ROD
THE angler rose, he took his rod,
He kneeled and made his prayers to God.
The living God sat overhead:
The angler tripped, the eels were fed
SPRING CAROL
WHEN loud by landside streamlets gush,
And clear in the greenwood quires the thrush,
With sun on the meadows
And songs in the shadows
Comes again to me
The gift of the tongues of the lea,
The gift of the tongues of meadows.
Straightway my olden heart returns
And dances with the dancing burns;
It sings with the sparrows;
To the rain and the (grimy) barrows
Sings my heart aloud -
To the silver-bellied cloud,
To the silver rainy arrows.
It bears the song of the skylark down,
And it hears the singing of the town;
And youth on the highways
And lovers in byways
Follows and sees:
And hearkens the song of the leas
And sings the songs of the highways.
So when the earth is alive with gods,
And the lusty ploughman breaks the sod,
And the grass sings in the meadows,
And the flowers smile in the shadows,
Sits my heart at ease,
Hearing the song of the leas,
Singing the songs of the meadows.
TO WHAT SHALL I COMPARE HER?
TO what shall I compare her,
That is as fair as she?
For she is fairer - fairer
Than the sea.
What shall be likened to her,
The sainted of my youth?
For she is truer - truer
Than the truth.
As the stars are from the sleeper,
Her heart is hid from me;
For she is deeper - deeper
Than the sea.
Yet in my dreams I view her
Flush rosy with new ruth -
Dreams! Ah, may these prove truer
Than the truth.
WHEN THE SUN COMES AFTER RAIN
WHEN the sun comes after rain
And the bird is in the blue,
The girls go down the lane
Two by two.
When the sun comes after shadow
And the singing of the showers,
The girls go up the meadow,
Fair as flowers.
When the eve comes dusky red
And the moon succeeds the sun,
The girls go home to bed
One by one.
And when life draws to its even
And the day of man is past,
They shall all go home to heaven,
Home at last.
LATE, O MILLER
LATE, O miller,
The birds are silent,
The darkness falls.
In the house the lights are lighted.
See, in the valley they twinkle,
The lights of home.
Late, O lovers,
The night is at hand;
Silence and darkness
Clothe the land.
TO FRIENDS AT HOME
TO friends at home, the lone, the admired, the lost
The gracious old, the lovely young, to May
The fair, December the beloved,
These from my blue horizon and green isles,
These from this pinnacle of distances I,
The unforgetful, dedicate.
I, WHOM APOLLO SOMETIME VISITED
I, WHOM Apollo sometime visited,
Or feigned to visit, now, my day being done,
Do slumber wholly; nor shall know at all
The weariness of changes; nor perceive
Immeasurable sands of centuries
Drink of the blanching ink, or the loud sound
Of generations beat the music down.
TEMPEST TOSSED AND SORE AFFLICTED
TEMPEST tossed and sore afflicted, sin defiled and care oppressed,
Come to me, all ye that labour; come, and I will give ye rest.
Fear no more, O doubting hearted; weep no more, O weeping eye!
Lo, the voice of your redeemer; lo, the songful morning near.
Here one hour you toil and combat, sin and suffer, bleed and die;
In my father's quiet mansion soon to lay your burden by.
Bear a moment, heavy laden, weary hand and weeping eye.
Lo, the feet of your deliverer; lo, the hour of freedom here.
VARIANT FORM OF THE PRECEDING POEM
COME to me, all ye that labour; I will give your spirits rest;
Here apart in starry quiet I will give you rest.
Come to me, ye heavy laden, sin defiled and care opprest,
In your father's quiet mansions, soon to prove a welcome guest.
But an hour you bear your trial, sin and suffer, bleed and die;
But an hour you toil and combat here in day's inspiring eye.
See the feet of your deliverer; lo, the hour of freedom nigh.
I NOW, O FRIEND, WHOM NOISELESSLY THE SNOWS
I NOW, O friend, whom noiselessly the snows
Settle around, and whose small chamber grows
Dusk as the sloping window takes its load:
* * * * *
The kindly hill, as to complete our hap,
Has ta'en us in the shelter of her lap;
Well sheltered in our slender grove of trees
And ring of walls, we sit between her knees;
A disused quarry, paved with rose plots, hung
With clematis, the barren womb whence sprung
The crow-stepped house itself, that now far seen
Stands, like a bather, to the neck in green.
A disused quarry, furnished with a seat
Sacred to pipes and meditation meet
For such a sunny and retired nook.
There in the clear, warm mornings many a book
Has vied with the fair prospect of the hills
That, vale on vale, rough brae on brae, upfills
Halfway to the zenith all the vacant sky
To keep my loose attention. . . .
Horace has sat with me whole mornings through:
And Montaigne gossiped, fairly false and true;
And chattering Pepys, and a few beside
That suit the easy vein, the quiet tide,
The calm and certain stay of garden-life,
Far sunk from all the thunderous roar of strife.
There is about the small secluded place
A garnish of old times; a certain grace
Of pensive memories lays about the braes:
The old chestnuts gossip tales of bygone days.
Here, where some wandering preacher, blest Lazil,
Perhaps, or Peden, on the middle hill
Had made his secret church, in rain or snow,
He cheers the chosen residue from woe.
All night the doors stood open, come who might,
The hounded kebbock mat the mud all night.
Nor are there wanting later tales; of how
Prince Charlie's Highlanders . . .