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New Philadelphia Book Publisher Highlights Local Talent
Book and Publishing News from Publishers Newswire(tm)

Looking for Child to be on Cover of a New Book, 'The Model Child'
PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).

Rewards and Fairies

R >> Rudyard Kipling >> Rewards and Fairies

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REWARDS AND FAIRIES

RUDYARD KIPLING





Contents
A Charm
Introduction
Cold Iron
Cold Iron
Gloriana
The Two Cousins
The Looking-Glass
The Wrong Thing
A Truthful Song
King Henry VII and the Shipwrights
Marklake Witches
The Way through the Woods
Brookland Road
The Knife and the Naked Chalk
The Run of the Downs
Song of the Men's Side
Brother Square-Toes
Philadelphia
If -
'A Priest in Spite of Himself'
A St Helena Lullaby
'Poor Honest Men'
The Conversion of St Wilfrid
Eddi's Service
Song of the Red War-Boat
A Doctor of Medicine
An Astrologer's Song
'Our Fathers of Old'
Simple Simon
The Thousandth Man
Frankie's Trade
The Tree of Justice
The Ballad of Minepit Shaw
A Carol




A Charm


Take of English earth as much
As either hand may rightly clutch.
In the taking of it breathe
Prayer for all who lie beneath -
Not the great nor well-bespoke,
But the mere uncounted folk
Of whose life and death is none
Report or lamentation.
Lay that earth upon thy heart,
And thy sickness shall depart!

It shall sweeten and make whole
Fevered breath and festered soul;
It shall mightily restrain
Over-busy hand and brain;
it shall ease thy mortal strife
'Gainst the immortal woe of life,
Till thyself restored shall prove
By what grace the Heavens do move.

Take of English flowers these -
Spring's full-faced primroses,
Summer's wild wide-hearted rose,
Autumn's wall-flower of the close,
And, thy darkness to illume,
Winter's bee-thronged ivy-bloom.
Seek and serve them where they bide
From Candlemas to Christmas-tide,
For these simples used aright
Shall restore a failing sight.

These shall cleanse and purify
Webbed and inward-turning eye;
These shall show thee treasure hid,
Thy familiar fields amid,
At thy threshold, on thy hearth,
Or about thy daily path;
And reveal (which is thy need)
Every man a King indeed!




Introduction


Once upon a time, Dan and Una, brother and sister, living in the
English country, had the good fortune to meet with Puck, alias
Robin Goodfellow, alias Nick o' Lincoln, alias Lob-lie-by-the-
Fire, the last survivor in England of those whom mortals call
Fairies. Their proper name, of course, is 'The People of the Hills'.
This Puck, by means of the magic of Oak, Ash, and Thorn, gave
the children power

To see what they should see and hear what they should hear,
Though it should have happened three thousand year.

The result was that from time to time, and in different places on
the farm and in the fields and in the country about, they saw and
talked to some rather interesting people. One of these, for
instance, was a Knight of the Norman Conquest, another a young
Centurion of a Roman Legion stationed in England, another a
builder and decorator of King Henry VII's time; and so on and so
forth; as I have tried to explain in a book called PUCK OF POOK'S HILL.

A year or so later, the children met Puck once more, and
though they were then older and wiser, and wore boots regularly
instead of going barefooted when they got the chance, Puck was
as kind to them as ever, and introduced them to more people of
the old days.

He was careful, of course, to take away their memory of their
walks and conversations afterwards, but otherwise he did not
interfere; and Dan and Una would find the strangest sort of
persons in their gardens or woods.

In the stories that follow I am trying to tell something about
those people.




COLD IRON


When Dan and Una had arranged to go out before breakfast, they
did not remember that it was Midsummer Morning. They only
wanted to see the otter which, old Hobden said, had been fishing
their brook for weeks; and early morning was the time to surprise
him. As they tiptoed out of the house into the wonderful stillness,
the church clock struck five. Dan took a few steps across the
dew-blobbed lawn, and looked at his black footprints.

'I think we ought to be kind to our poor boots,'he said. 'They'll
get horrid wet.'

it was their first summer in boots, and they hated them, so they
took them off, and slung them round their necks, and paddled
joyfully over the dripping turf where the shadows lay the wrong
way, like evening in the East.
The sun was well up and warm, but by the brook the last of the
night mist still fumed off the water. They picked up the chain of
otter's footprints on the mud, and followed it from the bank,
between the weeds and the drenched mowing, while the birds
shouted with surprise. Then the track left the brook and became a
smear, as though a log had been dragged along.

They traced it into Three Cows meadow, over the mill-sluice
to the Forge, round Hobden's garden, and then up the slope till it
ran out on the short turf and fern of Pook's Hill, and they heard
the cock-pheasants crowing in the woods behind them.

'No use!' said Dan, questing like a puzzled hound. 'The dew's
drying off, and old Hobden says otters'll travel for miles.'

'I'm sure we've travelled miles.' Una fanned herself with her
hat. 'How still it is! It's going to be a regular roaster.' She looked
down the valley, where no chimney yet smoked.

'Hobden's up!' Dan pointed to the open door of the Forge
cottage. 'What d'you suppose he has for breakfast?'
'One of them. He says they eat good all times of the year,' Una
jerked her head at some stately pheasants going down to the
brook for a drink.

A few steps farther on a fox broke almost under their bare feet,
yapped, and trotted off.

'Ah, Mus' Reynolds -Mus' Reynolds'-Dan was quoting from
old Hobden, - 'if I knowed all you knowed, I'd know something.' [See 'The
Winged Hats' in PUCK OF POOK'S HILL.]

I say,' - Una lowered her voice -'you know that funny feeling of
things having happened before. I felt it when you said "Mus' Reynolds."'

'So did I,' Dan began. 'What is it?'

They faced each other, stammering with excitement.

'Wait a shake! I'll remember in a minute. Wasn't it something
about a fox - last year? Oh, I nearly had it then!' Dan cried.

'Be quiet!' said Una, prancing excitedly. 'There was something
happened before we met the fox last year. Hills! Broken Hills -
the play at the theatre - see what you see -'

'I remember now,' Dan shouted. 'It's as plain as the nose on
your face - Pook's Hill - Puck's Hill - Puck!'

'I remember, too,' said Una. 'And it's Midsummer Day again!'
The young fern on a knoll rustled, and Puck walked out,
chewing a green-topped rush.

'Good Midsummer Morning to you! Here's a happy meeting,'
said he. They shook hands all round, and asked questions.

'You've wintered well,' he said after a while, and looked them
up and down. 'Nothing much wrong with you, seemingly.'

'They've put us into boots,' said Una. 'Look at my feet -
they're all pale white, and my toes are squidged together awfully.'

'Yes - boots make a difference.' Puck wriggled his brown,
square, hairy foot, and cropped a dandelion flower between the
big toe and the next.

'I could do that - last year,' Dan said dismally, as he tried and
failed. 'And boots simply ruin one's climbing.'

'There must be some advantage to them, I suppose,'said Puck,
or folk wouldn't wear them. Shall we come this way?'
They sauntered along side by side till they reached the gate at
the far end of the hillside. Here they halted just like cattle, and let
the sun warm their backs while they listened to the flies in the wood.

'Little Lindens is awake,' said Una, as she hung with her chin
on the top rail. 'See the chimney smoke?'

'Today's Thursday, isn't it?' Puck turned to look at the old pink
farmhouse across the little valley. 'Mrs Vincey's baking day.
Bread should rise well this weather.' He yawned, and that set
them both yawning.

The bracken about rustled and ticked and shook in every direction.
They felt that little crowds were stealing past.

'Doesn't that sound like - er - the People of the Hills?'said Una.

'It's the birds and wild things drawing up to the woods before
people get about,' said Puck, as though he were Ridley the keeper.

'Oh, we know that. I only said it sounded like.'

'As I remember 'em, the People of the Hills used to make more
noise. They'd settle down for the day rather like small birds
settling down for the night. But that was in the days when they
carried the high hand. Oh, me! The deeds that I've had act and
part in, you'd scarcely believe!'

'I like that!' said Dan. 'After all you told us last year, too!'

'Only, the minute you went away, you made us forget
everything,' said Una.

Puck laughed and shook his head. 'I shall this year, too. I've
given you seizin of Old England, and I've taken away your Doubt
and Fear, but your memory and remembrance between whiles I'll
keep where old Billy Trott kept his night-lines - and that's where
he could draw 'em up and hide 'em at need. Does that suit?' He
twinkled mischievously.

'It's got to suit,'said Una, and laughed. 'We Can't magic back at
you.' She folded her arms and leaned against the gate. 'Suppose,
now, you wanted to magic me into something - an otter? Could you?'

'Not with those boots round your neck.'
'I'll take them off.' She threw them on the turf. Dan's followed
immediately. 'Now!' she said.

'Less than ever now you've trusted me. Where there's true
faith, there's no call for magic.' Puck's slow smile broadened all
over his face.

'But what have boots to do with it?' said Una, perching on the gate.

'There's Cold Iron in them,' said Puck, and settled beside her.
'Nails in the soles, I mean. It makes a difference.'

'How?'
'Can't you feel it does? You wouldn't like to go back to bare
feet again, same as last year, would you? Not really?'

'No-o. I suppose I shouldn't - not for always. I'm growing
up, you know,' said Una.

'But you told us last year, in the Long Slip - at the theatre - that
you didn't mind Cold Iron,'said Dan.

'I don't; but folks in housen, as the People of the Hills call them,
must be ruled by Cold Iron. Folk in housen are born on the near
side of Cold Iron - there's iron 'in every man's house, isn't there?
They handle Cold Iron every day of their lives, and their fortune's
made or spoilt by Cold Iron in some shape or other. That's how it
goes with Flesh and Blood, and one can't prevent it.'

'I don't quite see. How do you mean?'said Dan.

'It would take me some time to tell you.'

'Oh, it's ever so long to breakfast,' said Dan. 'We looked in the
larder before we came out.' He unpocketed one big hunk of bread
and Una another, which they shared with Puck.

'That's Little Lindens' baking,' he said, as his white teeth sunk
in it. 'I know Mrs Vincey's hand.' He ate with a slow sideways
thrust and grind, just like old Hobden, and, like Hobden, hardly
dropped a crumb. The sun flashed on Little Lindens' windows,
and the cloudless sky grew stiller and hotter in the valley.

'AH - Cold Iron,' he said at last to the impatient children. 'Folk
in housen, as the People of the Hills say, grow careless about Cold
Iron. They'll nail the Horseshoe over the front door, and forget to
put it over the back. Then, some time or other, the People of the
Hills slip in, find the cradle-babe in the corner, and -'

'Oh, I know. Steal it and leave a changeling,'Una cried.

'No,' said Puck firmly. 'All that talk of changelings is people's
excuse for their own neglect. Never believe 'em. I'd whip 'em at
the cart-tail through three parishes if I had my way.'

'But they don't do it now,' said Una.

'Whip, or neglect children? Umm! Some folks and some fields
never alter. But the People of the Hills didn't work any changeling
tricks. They'd tiptoe in and whisper and weave round the
cradle-babe in the chimney-corner - a fag-end of a charm here, or
half a spell there - like kettles singing; but when the babe's mind
came to bud out afterwards, it would act differently from other
people in its station. That's no advantage to man or maid. So I
wouldn't allow it with my folks' babies here. I told Sir Huon so
once.'

'Who was Sir Huon?' Dan asked, and Puck turned on him in
quiet astonishment.

'Sir Huon of Bordeaux - he succeeded King Oberon. He had
been a bold knight once, but he was lost on the road to Babylon, a
long while back. Have you ever heard "How many miles to
Babylon?"?'

'Of course,' said Dan, flushing.

'Well, Sir Huon was young when that song was new. But
about tricks on mortal babies. I said to Sir Huon in the fern here,
on just such a morning as this: "If you crave to act and influence
on folk in housen, which I know is your desire, why don't you
take some human cradle-babe by fair dealing, and bring him up
among yourselves on the far side of Cold Iron - as Oberon did in
time past? Then you could make him a splendid fortune, and send
him out into the world."

'"Time past is past time," says Sir Huon. "I doubt if we could
do it. For one thing, the babe would have to be taken without
wronging man, woman, or child. For another, he'd have to be
born on the far side of Cold Iron - in some house where no Cold
Iron ever stood; and for yet the third, he'd have to be kept from
Cold Iron all his days till we let him find his fortune. No, it's not
easy," he said, and he rode off, thinking. You see, Sir Huon had
been a man once.
'I happened to attend Lewes Market next Woden's Day even,
and watched the slaves being sold there - same as pigs are sold at
Robertsbridge Market nowadays. Only, the pigs have rings on
their noses, and the slaves had rings round their necks.'

'What sort of rings?' said Dan.

'A ring of Cold Iron, four fingers wide, and a thumb thick, just
like a quoit, but with a snap to it for to snap round the slave's
neck. They used to do a big trade in slave-rings at the Forge here,
and ship them to all parts of Old England, packed in oak sawdust.
But, as I was saying, there was a farmer out of the Weald who had
bought a woman with a babe in her arms, and he didn't want any
encumbrances to her driving his beasts home for him.'

'Beast himself!' said Una, and kicked her bare heel on the gate.

'So he blamed the auctioneer. "It's none o' my baby," the
wench puts in. "I took it off a woman in our gang who died on
Terrible Down yesterday." "I'll take it off to the church then,"
says the farmer. "Mother Church'll make a monk of it, and we'll
step along home."

'It was dusk then. He slipped down to St Pancras' Church, and
laid the babe at the cold chapel door. I breathed on the back of his
stooping neck - and - I've heard he never could be warm at any fire
afterwards. I should have been surprised if he could! Then I
whipped up the babe, and came flying home here like a bat to his
belfry.

'On the dewy break of morning of Thor's own day -just such a
day as this - I laid the babe outside the Hill here, and the People
flocked up and wondered at the sight.

'"You've brought him, then?" Sir Huon said, staring like any
mortal man.

'"Yes, and he's brought his mouth with him, too," I said. The
babe was crying loud for his breakfast.

'"What is he?" says Sir Huon, when the womenfolk had
drawn him under to feed him.

'"Full Moon and Morning Star may know," I says. "I don't.
By what I could make out of him in the moonlight, he's without
brand or blemish. I'll answer for it that he's born on the far side of
Cold Iron, for he was born under a shaw on Terrible Down, and
I've wronged neither man, woman, nor child in taking him, for
he is the son of a dead slave-woman.

'"All to the good, Robin," Sir Huon said. "He'll be the less
anxious to leave us. Oh, we'll give him a splendid fortune, and we
shall act and influence on folk in housen as we have always
craved." His Lady came up then, and drew him under to watch
the babe's wonderful doings.'
'Who was his Lady?'said Dan.
'The Lady Esclairmonde. She had been a woman once, till she
followed Sir Huon across the fern, as we say. Babies are no special
treat to me - I've watched too many of them - so I stayed on the
Hill. Presently I heard hammering down at the Forge there.'Puck
pointed towards Hobden's cottage. 'It was too early for any
workmen, but it passed through my mind that the breaking day
was Thor's own day. A slow north-east wind blew up and set the
oaks sawing and fretting in a way I remembered; so I slipped over
to see what I could see.'

'And what did you see?'
'A smith forging something or other out of Cold Iron. When it
was finished, he weighed it in his hand (his back was towards me),
and tossed it from him a longish quoit-throw down the valley. I
saw Cold Iron flash in the sun, but I couldn't quite make out
where it fell. That didn't trouble me. I knew it would be found
sooner or later by someone.'

'How did you know?'Dan went on.

'Because I knew the Smith that made it,' said Puck quietly.

'Wayland Smith?' Una suggested. [See 'Weland's Sword' in PUCK
OF POOK'S HILL.]

'No. I should have passed the time o' day with Wayland Smith,
of course. This other was different. So' - Puck made a queer
crescent in the air with his finger - 'I counted the blades of grass
under my nose till the wind dropped and he had gone - he and his
Hammer.'

'Was it Thor then?' Una murmured under her breath.

'Who else? It was Thor's own day.' Puck repeated the sign. 'I
didn't tell Sir Huon or his Lady what I'd seen. Borrow trouble for
yourself if that's your nature, but don't lend it to your neighbours.
Moreover, I might have been mistaken about the Smith's
work. He might have been making things for mere amusement,
though it wasn't like him, or he might have thrown away an old
piece of made iron. One can never be sure. So I held my tongue
and enjoyed the babe. He was a wonderful child - and the People
of the Hills were so set on him, they wouldn't have believed me.
He took to me wonderfully. As soon as he could walk he'd putter
forth with me all about my Hill here. Fern makes soft falling! He
knew when day broke on earth above, for he'd thump, thump,
thump, like an old buck-rabbit in a bury, and I'd hear him say
"Opy!" till some one who knew the Charm let him out, and then
it would be "Robin! Robin!" all round Robin Hood's barn, as we
say, till he'd found me.'

'The dear!' said Una. 'I'd like to have seen him!'
'Yes, he was a boy. And when it came to learning his words -
spells and such-like - he'd sit on the Hill in the long shadows,
worrying out bits of charms to try on passersby. And when the
bird flew to him, or the tree bowed to him for pure love's sake
(like everything else on my Hill), he'd shout, "Robin! Look -see!
Look, see, Robin!" and sputter out some spell or other that they
had taught him, all wrong end first, till I hadn't the heart to tell
him it was his own dear self and not the words that worked the
wonder. When he got more abreast of his words, and could cast
spells for sure, as we say, he took more and more notice of things
and people in the world. People, of course, always drew him, for
he was mortal all through.

'Seeing that he was free to move among folk in housen, under
or over Cold Iron, I used to take him along with me, night-
walking, where he could watch folk, and I could keep him from
touching Cold Iron. That wasn't so difficult as it sounds, because
there are plenty of things besides Cold Iron in housen to catch a
boy's fancy. He was a handful, though! I shan't forget when I took
him to Little Lindens - his first night under a roof. The smell of
the rushlights and the bacon on the beams - they were stuffing a
feather-bed too, and it was a drizzling warm night - got into his
head. Before I could stop him -we were hiding in the bakehouse -
he'd whipped up a storm of wildfire, with flashlights and voices,
which sent the folk shrieking into the garden, and a girl overset a
hive there, and - of course he didn't know till then such things
could touch him - he got badly stung, and came home with his
face looking like kidney potatoes!
'You can imagine how angry Sir Huon and Lady Esclairmonde
were with poor Robin! They said the Boy was never to be trusted
with me night-walking any more - and he took about as much
notice of their order as he did of the bee-stings. Night after night,
as soon as it was dark, I'd pick up his whistle in the wet fern, and
off we'd flit together among folk in housen till break of day - he
asking questions, and I answering according to my knowledge.
Then we fell into mischief again!'Puck shook till the gate rattled.

'We came across a man up at Brightling who was beating his
wife with a bat in the garden. I was just going to toss the man over
his own woodlump when the Boy jumped the hedge and ran at him.
Of course the woman took her husband's part, and while the man
beat him, the woman scratted his face. It wasn't till I danced
among the cabbages like Brightling Beacon all ablaze that they
gave up and ran indoors. The Boy's fine green-and-gold clothes
were torn all to pieces, and he had been welted in twenty places
with the man's bat, and scratted by the woman's nails to pieces.
He looked like a Robertsbridge hopper on a Monday morning.

'"Robin," said he, while I was trying to clean him down with a
bunch of hay, "I don't quite understand folk in housen. I went to
help that old woman, and she hit me, Robin!"

'"What else did you expect?" I said. "That was the one time
when you might have worked one of your charms, instead of
running into three times your weight."

'"I didn't think," he says. "But I caught the man one on the
head that was as good as any charm. Did you see it work, Robin?"

'"Mind your nose," I said. "Bleed it on a dockleaf - not your
sleeve, for pity's sake." I knew what the Lady Esclairmonde
would say.

'He didn't care. He was as happy as a gipsy with a stolen pony,
and the front part of his gold coat, all blood and grass stains,
looked like ancient sacrifices.

'Of course the People of the Hills laid the blame on me. The
Boy could do nothing wrong, in their eyes.

'"You are bringing him up to act and influence on folk in
housen, when you're ready to let him go," I said. "Now he's
begun to do it, why do you cry shame on me? That's no shame.
It's his nature drawing him to his kind.

'"But we don't want him to begin that way," the Lady
Esclairmonde said. "We intend a splendid fortune for him - not
your flitter-by-night, hedge-jumping, gipsy-work."

'"I don't blame you, Robin," says Sir Huon, "but I do think
you might look after the Boy more closely."

'"I've kept him away from Cold Iron these sixteen years ," I
said. "You know as well as I do, the first time he touches Cold
Iron he'll find his own fortune, in spite of everything you intend
for him. You owe me something for that."

'Sir Huon, having been a man, was going to allow me the right
of it, but the Lady Esclairmonde, being the Mother of all
Mothers, over-persuaded him.

'"We're very grateful," Sir Huon said, "but we think that just
for the present you are about too much with him on the Hill."

'"Though you have said it," I said, "I will give you a second chance."
I did not like being called to account for my doings on my own Hill.
I wouldn't have stood it even that far except I loved the Boy.

'"No! No!" says the Lady Esclairmonde. "He's never any
trouble when he's left to me and himself. It's your fault."

'"You have said it," I answered. "Hear me! From now on till
the Boy has found his fortune, whatever that may be, I vow to
you all on my Hill, by Oak, and Ash, and Thorn, and by the
Hammer of Asa Thor" - again Puck made that curious double-
cut in the air - '"that you may leave me out of all your counts and
reckonings." Then I went out'- he snapped his fingers -'like the
puff of a candle, and though they called and cried, they made
nothing by it. I didn't promise not to keep an eye on the Boy,
though. I watched him close - close - close!

'When he found what his people had forced me to do, he gave
them a piece of his mind, but they all kissed and cried round him,
and being only a boy, he came over to their way of thinking (I
don't blame him), and called himself unkind and ungrateful; and
it all ended in fresh shows and plays, and magics to distract him
from folk in housen. Dear heart alive! How he used to call and call
on me, and I couldn't answer, or even let him know that I was
near!'

'Not even once?' said Una. 'If he was very lonely?'
'No, he couldn't,' said Dan, who had been thinking. 'Didn't
you swear by the Hammer of Thor that you wouldn't, Puck?'

'By that Hammer!' was the deep rumbled reply. Then he came
back to his soft speaking voice. 'And the Boy was lonely, when he
couldn't see me any more. He began to try to learn all learning (he
had good teachers), but I saw him lift his eyes from the big black
books towards folk in housen all the time. He studied song-
making (good teachers he had too!), but he sang those songs with
his back toward the Hill, and his face toward folk. I know! I have
sat and grieved over him grieving within a rabbit's jump of him.
Then he studied the High, Low, and Middle Magic. He had
promised the Lady Esclairmonde he would never go near folk in
housen; so he had to make shows and shadows for his mind to
chew on.'
'What sort of shows?' said Dan.

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