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New Philadelphia Book Publisher Highlights Local Talent
Book and Publishing News from Publishers Newswire(tm)

Looking for Child to be on Cover of a New Book, 'The Model Child'
PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).

Rewards and Fairies

R >> Rudyard Kipling >> Rewards and Fairies

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16



'And which had she really looked at?' Dan asked.

'Neither - except to wish them farther off. She was afraid all the
while they'd spill dishes on her gown. She tells 'em this, poor
chicks - and it completes their abasement. When they had grilled
long enough, she says: "And so you would have fleshed your
maiden swords for me - for me?" Faith, they would have been at
it again if she'd egged 'em on! but their swords - oh, prettily they
said it! - had been drawn for her once or twice already.

'"And where?" says she. "On your hobby-horses before you
were breeched?"

'"On my own ship," says the elder. "My cousin was vice-
admiral of our venture in his pinnace. We would not have you
think of us as brawling children."

'"No, no," says the younger, and flames like a very Tudor
rose. "At least the Spaniards know us better."

'"Admiral Boy - Vice-Admiral Babe," says Gloriana, "I cry
your pardon. The heat of these present times ripens childhood to
age more quickly than I can follow. But we are at peace with
Spain. Where did you break your Queen's peace?"
'"On the sea called the Spanish Main, though 'tis no more
Spanish than my doublet," says the elder. Guess how that
warmed Gloriana's already melting heart! She would never suffer
any sea to be called Spanish in her private hearing.

'"And why was I not told? What booty got you, and where
have you hid it? Disclose," says she. "You stand in some danger
of the gallows for pirates."

'"The axe, most gracious lady," says the elder, "for we are
gentle born." He spoke truth, but no woman can brook contradiction.
"Hoity-toity!" says she, and, but that she remembered that she
was Queen, she'd have cuffed the pair of 'em. "It shall be
gallows, hurdle, and dung-cart if I choose."

'"Had our Queen known of our going beforehand, Philip
might have held her to blame for some small things we did on the
seas," the younger lisps.

'"As for treasure," says the elder, "we brought back but our
bare lives. We were wrecked on the Gascons' Graveyard, where
our sole company for three months was the bleached bones of De
Avila's men."

'Gloriana's mind jumped back to Philip's last letter.

'"De Avila that destroyed the Huguenots? What d'you know
of him?" she says. The music called from the house here, and they
three turned back between the yews.

'"Simply that De Avila broke in upon a plantation of Frenchmen
on that coast, and very Spaniardly hung them all for heretics -
eight hundred or so. The next year Dominique de Gorgues, a
Gascon, broke in upon De Avila's men, and very justly hung 'em
all for murderers - five hundred or so. No Christians inhabit there
now, says the elder lad, "though 'tis a goodly land north of
Florida. "

'"How far is it from England?" asks prudent Gloriana.

'"With a fair wind, six weeks. They say that Philip will plant it
again soon." This was the younger, and he looked at her out of
the corner of his innocent eye.

'Chris Hatton, fuming, meets and leads her into Brickwall
Hall, where she dances - thus. A woman can think while she
dances - can think. I'll show you. Watch!'

She took off her cloak slowly, and stood forth in dove-coloured
satin, worked over with pearls that trembled like running water
in the running shadows of the trees. Still talking - more to herself
than to the children - she swam into a majestical dance of the
stateliest balancings, the naughtiest wheelings and turnings aside,
the most dignified sinkings, the gravest risings, all joined
together by the elaboratest interlacing steps and circles.
They leaned forward breathlessly to watch the splendid acting.

'Would a Spaniard,' she began, looking on the ground, 'speak
of his revenge till his revenge were ripe? No. Yet a man who
loved a woman might threaten her 'in the hope that his threats
would make her love him. Such things have been.' She moved
slowly across a bar of sunlight. 'A destruction from the West may
signify that Philip means to descend on Ireland. But then my Irish
spies would have had some warning. The Irish keep no secrets.
No - it is not Ireland. Now why - why - why' - the red shoes
clicked and paused -'does Philip name Pedro Melendez de Avila,
a general in his Americas, unless' - she turned more quickly -
unless he intends to work his destruction from the Americas? Did
he say De Avila only to put her off her guard, or for this once has
his black pen betrayed his black heart? We' - she raised herself to
her full height - 'England must forestall Master Philip. But not
openly,'- she sank again -'we cannot fight Spain openly -not yet
- not yet.' She stepped three paces as though she were pegging
down some snare with her twinkling shoe-buckles. 'The Queen's
mad gentlemen may fight Philip's poor admirals where they find
'em, but England, Gloriana, Harry's daughter, must keep the
peace. Perhaps, after all, Philip loves her - as many men and boys
do. That may help England. Oh, what shall help England?'

She raised her head - the masked head that seemed to have
nothing to do with the busy feet - and stared straight at the children.

'I think this is rather creepy,' said Una with a shiver. 'I wish
she'd stop.'

The lady held out her jewelled hand as though she were taking
some one else's hand in the Grand Chain.

'Can a ship go down into the Gascons' Graveyard and wait
there?' she asked into the air, and passed on rustling.

'She's pretending to ask one of the cousins, isn't she?' said Dan,
and Puck nodded.

Back she came in the silent, swaying, ghostly dance. They saw
she was smiling beneath the mask, and they could hear her
breathing hard.

'I cannot lend you any of my ships for the venture; Philip would
hear of it,' she whispered over her shoulder; 'but as much guns
and powder as you ask, if you do not ask too -'Her voice shot up
and she stamped her foot thrice. 'Louder! Louder, the music in the
gallery! Oh, me, but I have burst out of my shoe!'

She gathered her skirts in each hand, and began a curtsy. 'You
will go at your own charges,' she whispered straight before her.
'Oh, enviable and adorable age of youth!' Her eyes shone through
the mask-holes. 'But I warn you you'll repent it. Put not your
trust in princes - or Queens. Philip's ships'll blow you out of
water. You'll not be frightened? Well, we'll talk on it again, when
I return from Rye, dear lads.'

The wonderful curtsy ended. She stood up. Nothing stirred on
her except the rush of the shadows.

'And so it was finished,' she said to the children. 'Why d'you
not applaud?'

'What was finished?' said Una.

'The dance,' the lady replied offendedly. 'And a pair of
green shoes.'

'I don't understand a bit,' said Una.

'Eh? What did you make of it, young Burleigh?'

'I'm not quite sure,' Dan began, 'but -'

'You never can be - with a woman. But -?'

'But I thought Gloriana meant the cousins to go back to the
Gascons' Graveyard, wherever that was.'

''Twas Virginia after-wards. Her plantation of Virginia.'

'Virginia afterwards, and stop Philip from taking it. Didn't she
say she'd lend 'em guns?'

'Right so. But not ships - then.'

'And I thought you meant they must have told her they'd do it
off their own bat, without getting her into a row with Philip. Was
I right?'

'Near enough for a Minister of the Queen. But remember she
gave the lads full time to change their minds. She was three long
days at Rye Royal - knighting of fat Mayors. When she came back
to Brickwall, they met her a mile down the road, and she could
feel their eyes burn through her riding-mask. Chris Hatton, poor
fool, was vexed at it.

'"YOU would not birch them when I gave you the chance,"
says she to Chris. "Now you must get me half an hour's private
speech with 'em in Brickwall garden. Eve tempted Adam in a
garden. Quick, man, or I may repent!"'

'She was a Queen. Why did she not send for them herself?' said Una.

The lady shook her head. 'That was never her way. I've seen
her walk to her own mirror by bye-ends, and the woman that
cannot walk straight there is past praying for. Yet I would have
you pray for her! What else - what else in England's name could
she have done?' She lifted her hand to her throat for a moment.
'Faith,' she cried, 'I'd forgotten the little green shoes! She left 'em
at Brickwall - so she did. And I remember she gave the Norgem
parson - John Withers, was he? - a text for his sermon - "Over
Edom have I cast out my shoe." Neat, if he'd understood!'

'I don't understand,' said Una. 'What about the two cousins?'

'You are as cruel as a woman,' the lady answered. 'I was not to
blame. I told you I gave 'em time to change their minds. On my
honour (ay de mi!), she asked no more of 'em at first than to wait a
while off that coast - the Gascons' Graveyard - to hover a little if
their ships chanced to pass that way - they had only one tall ship
and a pinnace - only to watch and bring me word of Philip's
doings. One must watch Philip always. What a murrain right had
he to make any plantation there, a hundred leagues north of his
Spanish Main, and only six weeks from England? By my dread
father's soul, I tell you he had none - none!' She stamped her red
foot again, and the two children shrunk back for a second.

'Nay, nay. You must not turn from me too! She laid it all fairly
before the lads in Brickwall garden between the yews. I told 'em
that if Philip sent a fleet (and to make a plantation he could not
well send less), their poor little cock-boats could not sink it. They
answered that, with submission, the fight would be their own
concern. She showed 'em again that there could be only one end
to it - quick death on the sea, or slow death in Philip's prisons.
They asked no more than to embrace death for my sake. Many
men have prayed to me for life. I've refused 'em, and slept none
the worse after; but when my men, my tall, fantastical young
men, beseech me on their knees for leave to die for me, it shakes
me - ah, it shakes me to the marrow of my old bones.'
Her chest sounded like a board as she hit it.
'She showed 'em all. I told 'em that this was no time for open
war with Spain. If by miracle inconceivable they prevailed against
Philip's fleet, Philip would hold me accountable. For England's
sake, to save war, I should e'en be forced (I told 'em so) to give
him up their young lives. If they failed, and again by some miracle
escaped Philip's hand, and crept back to England with their bare
lives, they must lie - oh, I told 'em all - under my sovereign
displeasure. She could not know them, see them, nor hear their
names, nor stretch out a finger to save them from the gallows, if
Philip chose to ask it.

'"Be it the gallows, then," says the elder. (I could have wept,
but that my face was made for the day.)

'"Either way - any way - this venture is death, which I know
you fear not. But it is death with assured dishonour," I cried.

'"Yet our Queen will know in her heart what we have done,"
says the younger.
'"Sweetheart," I said. "A queen has no heart."

'"But she is a woman, and a woman would not forget," says
the elder. "We will go!" They knelt at my feet.

'"Nay, dear lads - but here!" I said, and I opened my arms to
them and I kissed them.

'"Be ruled by me," I said. "We'll hire some ill-featured old
tarry-breeks of an admiral to watch the Graveyard, and you shall
come to Court."

'"Hire whom you please," says the elder; "we are ruled by
you, body and soul"; and the younger, who shook most when I
kissed 'em, says between his white lips, "I think you have power
to make a god of a man."

'"Come to Court and be sure of't," I said.

'They shook their heads and I knew - I knew, that go they
would. If I had not kissed them - perhaps I might have prevailed.'

'Then why did you do it?' said Una. 'I don't think you knew
really what you wanted done.'

'May it please your Majesty' - the lady bowed her head low -
'this Gloriana whom I have represented for your pleasure was a
woman and a Queen. Remember her when you come to your Kingdom.'

'But- did the cousins go to the Gascons' Graveyard?' said Dan,
as Una frowned.

'They went,' said the lady.

'Did they ever come back?' Una began; but - 'Did they stop
King Philip's fleet?' Dan interrupted.

The lady turned to him eagerly.

'D'you think they did right to go?' she asked.

'I don't see what else they could have done,' Dan replied, after
thinking it over.

'D'you think she did right to send 'em?' The lady's voice rose a
little.

'Well,' said Dan, 'I don't see what else she could have done,
either - do you? How did they stop King Philip from getting Virginia?'

'There's the sad part of it. They sailed out that autumn from
Rye Royal, and there never came back so much as a single
rope-yarn to show what had befallen them. The winds blew, and
they were not. Does that make you alter your mind, young Burleigh?'
'I expect they were drowned, then. Anyhow, Philip didn't
score, did he?'

'Gloriana wiped out her score with Philip later. But if Philip
had won, would you have blamed Gloriana for wasting those
lads' lives?'

'Of course not. She was bound to try to stop him.'

The lady coughed. 'You have the root of the matter in you.
Were I Queen, I'd make you Minister.'

'We don't play that game,' said Una, who felt that she disliked
the lady as much as she disliked the noise the high wind made
tearing through Willow Shaw.

'Play!' said the lady with a laugh, and threw up her hands
affectedly. The sunshine caught the jewels on her many rings and
made them flash till Una's eyes dazzled, and she had to rub them.
Then she saw Dan on his knees picking up the potatoes they had
spilled at the gate.

'There wasn't anybody in the Shaw, after all,' he said. 'Didn't
you think you saw someone?'

'I'm most awfully glad there isn't,' said Una. Then they went
on with the potato-roast.


The Looking-Glass

Queen Bess Was Harry's daughter!

The Queen was in her chamber, and she was middling old,
Her petticoat was satin and her stomacher was gold.
Backwards and forwards and sideways did she pass,
Making up her mind to face the cruel looking-glass.
The cruel looking-glass that will never show a lass
As comely or as kindly or as young as once she was!

The Queen was in her chamber, a-combing of her hair,
There came Queen Mary's spirit and it stood behind her chair,
Singing, 'Backwards and forwards and sideways you may pass,
But I will stand behind you till you face the looking-glass.
The cruel looking-glass that will never show a lass
As lovely or unlucky or as lonely as I was!'

The Queen was in her chamber, a-weeping very sore,
There came Lord Leicester's spirit and it scratched upon the door,
Singing, 'Backwards and forwards and sideways may you pass,
But I will walk beside you till you face the looking-glass.
The cruel looking-glass that will never show a lass
As hard and unforgiving or as wicked as you was!'

The Queen was in her chamber; her sins were on her head;
She looked the spirits up and down and statelily she said:
'Backwards and forwards and sideways though I've been,
Yet I am Harry's daughter and I am England's Queen!'
And she faced the looking-glass (and whatever else there was),
And she saw her day was over and she saw her beauty pass
In the cruel looking-glass that can always hurt a lass
More hard than any ghost there is or any man there was!




THE WRONG THING



A Truthful Song


THE BRICKLAYER:

I tell this tale, which is strictly true,
just by way of convincing you
How very little since things were made
Things have altered in the building trade.

A year ago, come the middle o' March,
We was building flats near the Marble Arch,
When a thin young man with coal-black hair
Came up to watch us working there.

Now there wasn't a trick in brick or stone
That this young man hadn't seen or known;
Nor there wasn't a tool from trowel to maul
But this young man could use 'em all!
Then up and spoke the plumbyers bold,
Which was laying the pipes for the hot and cold:
'Since you with us have made so free,
Will you kindly say what your name might be?'

The young man kindly answered them:
'It might be Lot or Methusalem,
Or it might be Moses (a man I hate),
Whereas it is Pharaoh surnamed the Great.

'Your glazing is new and your plumbing's strange,
But other-wise I perceive no change,
And in less than a month, if you do as I bid,
I'd learn you to build me a Pyramid.'

THE SAILOR:

I tell this tale, which is stricter true,
just by way of convincing you
How very little since things was made
Things have altered in the shipwright's trade.

In Blackwall Basin yesterday
A China barque re-fitting lay,
When a fat old man with snow-white hair
Came up to watch us working there.

Now there wasn't a knot which the riggers knew
But the old man made it - and better too;
Nor there wasn't a sheet, or a lift, or a brace,
But the old man knew its lead and place.

Then up and spake the caulkyers bold,
Which was packing the pump in the after-hold:
'Since you with us have made so free,
Will you kindly tell what your name might be?'

The old man kindly answered them:
'it might be Japhet, it might be Shem,
Or it might be Ham (though his skin was dark),
Whereas it is Noah, commanding the Ark.

'Your wheel is new and your pumps are strange,
But otherwise I perceive no change,
And in less than a week, if she did not ground,
I'd sail this hooker the wide world round!'

BOTH: We tell these tales, which are strictest true, etc.



The Wrong Thing


Dan had gone in for building model boats; but after he had filled
the schoolroom with chips, which he expected Una to clear away,
they turned him out of doors and he took all his tools up the hill to
Mr Springett's yard, where he knew he could make as much mess
as he chose. Old Mr Springett was a builder, contractor, and
sanitary engineer, and his yard, which opened off the village
street, was always full of interesting things. At one end of it was a
long loft, reached by a ladder, where he kept his iron-bound
scaffold-planks, tins of paints, pulleys, and odds and ends he had
found in old houses. He would sit here by the hour watching his
carts as they loaded or unloaded in the yard below, while Dan
gouged and grunted at the carpenter's bench near the loft
window. Mr Springett and Dan had always been particular
friends, for Mr Springett was so old he could remember when
railways were being made in the southern counties of England,
and people were allowed to drive dogs in carts.

One hot, still afternoon - the tar-paper on the roof smelt like
ships - Dan, in his shirt-sleeves, was smoothing down a new
schooner's bow, and Mr Springett was talking of barns and
houses he had built. He said he never forgot any stick or stone he
had ever handled, or any man, woman, or child he had ever met.
just then he was very proud of the Village Hall at the entrance of
the village, which he had finished a few weeks before.

'An' I don't mind tellin' you, Mus' Dan,' he said, 'that the Hall
will be my last job top of this mortal earth. I didn't make ten
pounds - no, nor yet five - out o' the whole contrac', but my
name's lettered on the foundation stone - Ralph Springett, Builder
- and the stone she's bedded on four foot good concrete. If she
shifts any time these five hundred years, I'll sure-ly turn in my
grave. I told the Lunnon architec' so when he come down to
oversee my work.'

'What did he say?' Dan was sandpapering the schooner's port bow.

'Nothing. The Hall ain't more than one of his small jobs for
him, but 'tain't small to me, an' my name is cut and lettered,
frontin' the village street, I do hope an' pray, for time everlastin'.
You'll want the little round file for that holler in her bow. Who's
there?' Mr Springett turned stiffly in his chair.

A long pile of scaffold-planks ran down the centre of the loft.
Dan looked, and saw Hal o' the Draft's touzled head beyond
them. [See 'Hal o' the Draft' in PUCK OF POOK'S HILL.]

'Be you the builder of the Village Hall?' he asked of Mr Springett.

'I be,' was the answer. 'But if you want a job -'

Hal laughed. 'No, faith!'he said. 'Only the Hall is as good and
honest a piece of work as I've ever run a rule over. So, being born
hereabouts, and being reckoned a master among masons, and
accepted as a master mason, I made bold to pay my brotherly
respects to the builder.'

'Aa - um!' Mr Springett looked important. 'I be a bit rusty, but
I'll try ye!'

He asked Hal several curious questions, and the answers must
have pleased him, for he invited Hal to sit down. Hal moved up,
always keeping behind the pile of planks so that only his head
showed, and sat down on a trestle in the dark corner at the back of
Mr Springett's desk. He took no notice of Dan, but talked at once
to Mr Springett about bricks, and cement, and lead and glass, and
after a while Dan went on with his work. He knew Mr Springett
was pleased, because he tugged his white sandy beard, and
smoked his pipe in short puffs. The two men seemed to agree
about everything, but when grown-ups agree they interrupt each
other almost as much as if they were quarrelling. Hal said
something about workmen.

'Why, that's what I always say,' Mr Springett cried. 'A man
who can only do one thing, he's but next-above-fool to the man
that can't do nothin'. That's where the Unions make their mistake.'

'My thought to the very dot.' Dan heard Hal slap his tight-
hosed leg. 'I've suffered 'in my time from these same Guilds -
Unions, d'you call 'em? All their precious talk of the mysteries of
their trades - why, what does it come to?'

'Nothin'! You've justabout hit it,' said Mr Springett, and
rammed his hot tobacco with his thumb.

'Take the art of wood-carving,'Hal went on. He reached across
the planks, grabbed a wooden mallet, and moved his other hand
as though he wanted something. Mr Springett without a word
passed him one of Dan's broad chisels. 'Ah! Wood-carving, for
example. If you can cut wood and have a fair draft of what ye
mean to do, a' Heaven's name take chisel and maul and let drive at
it, say I! You'll soon find all the mystery, forsooth, of wood-
carving under your proper hand!' Whack, came the mallet on the
chisel, and a sliver of wood curled up in front of it. Mr Springett
watched like an old raven.

'All art is one, man - one!' said Hal between whacks; 'and to
wait on another man to finish out -'

'To finish out your work ain't no sense,' Mr Springett cut in.
'That's what I'm always sayin' to the boy here.' He nodded
towards Dan. 'That's what I said when I put the new wheel into
Brewster's Mill in Eighteen hundred Seventy-two. I reckoned I
was millwright enough for the job 'thout bringin' a man from
Lunnon. An' besides, dividin' work eats up profits, no bounds.'

Hal laughed his beautiful deep laugh, and Mr Springett joined
in till Dan laughed too.

'You handle your tools, I can see,' said Mr Springett. 'I reckon,
if you're any way like me, you've found yourself hindered by
those - Guilds, did you call 'em? - Unions, we say.'

'You may say so!' Hal pointed to a white scar on his cheekbone.
'This is a remembrance from the Master watching-Foreman of Masons
on Magdalen Tower, because, please you, I dared to carve stone without
their leave. They said a stone had slipped from the cornice by accident.'

'I know them accidents. There's no way to disprove 'em. An'
stones ain't the only things that slip,' Mr Springett grunted. Hal
went on:

'I've seen a scaffold-plank keckle and shoot a too-clever workman
thirty foot on to the cold chancel floor below. And a rope can
break -'
'Yes, natural as nature; an' lime'll fly up in a man's eyes without
any breath o' wind sometimes,' said Mr Springett. 'But who's to
show 'twasn't a accident?'

'Who do these things?' Dan asked, and straightened his back at
the bench as he turned the schooner end-for-end in the vice to get
at her counter.

'Them which don't wish other men to work no better nor
quicker than they do,' growled Mr Springett. 'Don't pinch her so
hard in the vice, Mus' Dan. Put a piece o' rag in the jaws, or you'll
bruise her. More than that'- he turned towards Hal -'if a man has
his private spite laid up against you, the Unions give him his
excuse for workin' it off.'

'Well I know it,'said Hal.

'They never let you go, them spiteful ones. I knowed a plasterer
in Eighteen hundred Sixty-one - down to the wells. He was a
Frenchy - a bad enemy he was.'
'I had mine too. He was an Italian, called Benedetto. I met him
first at Oxford on Magdalen Tower when I was learning my trade
-or trades, I should say. A bad enemy he was, as you say, but he
came to be my singular good friend,' said Hal as he put down the
mallet and settled himself comfortably.

'What might his trade have been - plastering' Mr Springett asked.

'Plastering of a sort. He worked in stucco - fresco we call it.
Made pictures on plaster. Not but what he had a fine sweep of the
hand in drawing. He'd take the long sides of a cloister, trowel on
his stuff, and roll out his great all-abroad pictures of saints and
croppy-topped trees quick as a webster unrolling cloth almost.
Oh, Benedetto could draw, but 'a was a little-minded man,
professing to be full of secrets of colour or plaster - common
tricks, all of 'em - and his one single talk was how Tom, Dick or
Harry had stole this or t'other secret art from him.'

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