Dope

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She wondered if she would ever dare to tell him the truth; if she
ought to tell him.

Pyne came to her dressing-room just before the performance began. He
had telephoned at an early hour in the morning, and had learned from
her maid that Rita had come home safely and was asleep. Rita had
expected him; but the influence of Monte Irvin, from whom she had
parted at the stage-door, had prevailed until she actually heard Sir
Lucien's voice in the corridor. She had resolutely refrained from
looking at the little jewelled casket, engraved "From Lucy to Rita,"
which lay in her make-up box upon the table. But the imminence of an
ordeal which she dreaded intensely weakened her resolution. She
swiftly dipped a little nail-file into the white powder which the box
contained, and when Pyne came in she turned to him composedly.

"I am so sorry if I gave you a scare last night, Lucy," she said. "But
I woke up feeling sick, and I had to go out into the fresh air."

"I was certainly alarmed," drawled Pyne, whose swarthy face looked
more than usually worn in the hard light created by the competition
between the dressing-room lamps and the grey wintry daylight which
crept through the windows. "Do you feel quite fit again?"

"Quite, thanks." Rita glanced at a ring which she had not possessed
three hours before. "Oh, Lucy--I don't know how to tell you--"

She turned in her chair, looking up wistfully at Pyne, who was
standing behind her. His jaw hardened, and his glance sought the white
hand upon which the costly gems glittered. He coughed nervously.

"Perhaps"--his drawling manner of speech temporarily deserted him; he
spoke jerkily--"perhaps--I can guess."

She watched him in a pathetic way, and there was a threat of tears in
her beautiful eyes; for whatever his earlier intentions may have been,
Sir Lucien had proved a staunch friend and, according to his own
peculiar code, an honorable lover.

"Is it--Irvin?" he asked jerkily.

Rita nodded, and a tear glistened upon her darkened lashes.

Sir Lucien cleared his throat again, then coolly extended his hand,
once more master of his emotions.

"Congratulations, Rita," he said. "The better man wins. I hope you
will be very happy."

He turned and walked quietly out of the dressing-room.

CHAPTER XVI

LIMEHOUSE

It was on the following Tuesday evening that Mrs. Sin came to the
theatre, accompanied by Mollie Gretna. Rita instructed that she should
be shown up to the dressing-room. The personality of this singular
woman interested her keenly. Mrs. Sin was well known in certain
Bohemian quarters, but was always spoken of as one speaks of a pet
vice. Not to know Mrs. Sin was to be outside the magic circle which
embraced the exclusively smart people who practiced the latest
absurdities.

The so-called artistic temperament is compounded of great strength and
great weakness; its virtues are whiter than those of ordinary people
and its vices blacker. For such a personality Mrs. Sin embodied the
idea of secret pleasure. Her bold good looks repelled Rita, but the
knowledge in her dark eyes was alluring.

"I arrange for you for Saturday night," she said. "Cy Kilfane is
coming with Mollie, and you bring--"

"Oh," replied Rita hesitatingly, "I am sorry you have gone to so much
trouble."

"No trouble, my dear," Mrs. Sin assured her. "Just a little matter of
business, and you can pay the bill when it suits you."

"I am frightfully excited!" cried Mollie Gretna. "It is so nice of you
to have asked me to join your party. Of course Cy goes practically
every week, but I have always wanted another girl to go with. Oh, I
shall be in a perfectly delicious panic when I find myself all among
funny Chinamen and things! I think there is something so magnificently
wicked-looking about a pigtail--and the very name of Limehouse thrills
me to the soul!"

That fixity of purpose which had enabled Rita to avoid the cunning
snares set for her feet and to snatch triumph from the very cauldron
of shame without burning her fingers availed her not at all in dealing
with Mrs. Sin. The image of Monte receded before this appeal to the
secret pleasure-loving woman, of insatiable curiosity, primitive and
unmoral, who dwells, according to a modern cynic philosopher, within
every daughter of Eve touched by the fire of genius.

She accepted the arrangement for Saturday, and before her visitors had
left the dressing-room her mind was busy with plausible deceits to
cover the sojourn in Chinatown. Something of Mollie Gretna's foolish
enthusiasm had communicated itself to Rita.

Later in the evening Sir Lucien called, and on hearing of the scheme
grew silent. Rita glancing at his reflection in the mirror, detected a
black and angry look upon his face. She turned to him.

"Why, Lucy," she said, "don't you want me to go?"

He smiled in his sardonic fashion.

"Your wishes are mine, Rita," he replied.

She was watching him closely.

"But you don't seem keen," she persisted. "Are you angry with me?"

"Angry?"

"We are still friends, aren't we?"

"Of course. Do you doubt my friendship?"

Rita's maid came in to assist her in changing for the third act, and
Pyne went out of the room. But, in spite of his assurances, Rita could
not forget that fierce, almost savage expression which had appeared
upon his face when she had told him of Mrs. Sin's visit.

Later she taxed him on the point, but he suffered her inquiry with
imperturbable sangfroid, and she found herself no wiser respecting the
cause of his annoyance. Painful twinges of conscience came during the
ensuing days, when she found herself in her fiance's company, but she
never once seriously contemplated dropping the acquaintance of Mrs.
Sin.

She thought, vaguely, as she had many times thought before, of cutting
adrift from the entire clique, but there was no return of that sincere
emotional desire to reform which she had experienced on the day that
Monte Irvin had taken her hand, in blind trust, and had asked her to
be his wife. Had she analyzed, or been capable of analyzing, her
intentions with regard to the future, she would have learned that
daily they inclined more and more towards compromise. The drug habit
was sapping will and weakening morale, insidiously, imperceptibly. She
was caught in a current of that "sacred river" seen in an opium-trance
by Coleridge, and which ran--

"Through caverns measureless to man Down to a sunless sea."

Pyne's big car was at the stage-door on the fateful Saturday night,
for Rita had brought her dressing-case to the theatre, and having
called for Kilfane and Mollie Gretna they were to proceed direct to
Limehouse.

Rita, as she entered the car, noticed that Juan Mareno, Sir Lucien's
man, and not the chauffeur with whom she was acquainted, sat at the
wheel. As they drove off:

"Why is Mareno driving tonight, Lucy?" she asked.

Sir Lucien glanced aside at her.

"He is in my confidence," he replied. "Fraser is not."

"Oh, I see. You don't want Fraser to know about the Limehouse
journey?"

"Naturally I don't. He would talk to all the men at the garage, and
from South Audley Street the tit-bit of scandal would percolate through
every stratum of society."

Rita was silent for a few moments, then:

"Were you thinking about Monte?" she asked diffidently.

Pyne laughed.

"He would scarcely approve, would he?"

"No," replied Rita. "Was that why you were angry when I told you I was
going?"

"This 'anger,' to which you constantly revert, had no existence
outside your own imagination, Rita. But" he hesitated--"you will have
to consider your position, dear, now that you are the future Mrs.
Monte." Rita felt her cheeks flush, and she did not reply immediately.

"I don't understand you, Lucy," she declared at last. "How odd you
are."

"Am I? Well, never mind. We will talk about my eccentricity later.
Here is Cyrus."

Kilfane was standing in the entrance to the stage door of the theatre
at which he was playing. As the car drew up he lifted two leather
grips on to the step, and Mareno, descending, took charge of them.

"Come along, Mollie," said Kilfane, looking back.

Miss Gretna, very excited, ran out and got into the car beside Rita.
Pyne lowered two of the collapsible seats for Kilfane and himself, and
the party set out for Limehouse.

"Oh!" cried the fair-haired Mollie, grasping Rita's hand, "my heart
began palpitating with excitement the moment I woke up this morning!
How calm you are, dear."

"I am only calm outside," laughed Rita.

The joie de vivre and apparently unimpaired vitality, of this woman,
for whom (if half that which rumor whispered were true) vice had no
secrets, astonished Rita. Her physical resources were unusual, no
doubt, because the demand made upon them by her mental activities was
slight.

As the car sped along the Strand, where theatre-goers might still be
seen making for tube, omnibus, and tramcar, and entered Fleet Street,
where the car and taxicab traffic was less, a mutual silence fell upon
the party. Two at least of the travellers were watching the lighted
windows of the great newspaper offices with a vague sense of
foreboding, and thinking how, bound upon a secret purpose, they were
passing along the avenue of publicity. It is well that man lacks
prescience. Neither Rita nor Sir Lucien could divine that a day was
shortly to come when the hidden presses which throbbed about them that
night should be busy with the story of the murder of one and
disappearance of the other.

Around St. Paul's Churchyard whirled the car, its engine running
strongly and almost noiselessly. The great bell of St. Paul's boomed
out the half-hour.

"Oh!" cried Mollie Gretna, "how that made me jump! What a beautifully
gloomy sound!"

Kilfane murmured some inaudible reply, but neither Pyne nor Rita
spoke.

Cornhill and Leadenhall Street, along which presently their route lay,
offered a prospect of lamp-lighted emptiness, but at Aldgate they
found themselves amid East End throngs which afforded a marked
contrast to those crowding theatreland; and from thence through
Whitechapel and the seemingly endless Commercial Road it was a
different world into which they had penetrated.

Rita hitherto had never seen the East End on a Saturday night, and the
spectacle afforded by these busy marts, lighted by naphtha flames, in
whose smoky glare Jews and Jewesses, Poles, Swedes, Easterns, dagoes,
and halfcastes moved feverishly, was a fascinating one. She thought
how utterly alien they were, the men and women of a world unknown to
that society upon whose borders she dwelled; she wondered how they
lived, where they lived, why they lived. The wet pavements were
crowded with nondescript humanity, the night was filled with the
unmusical voices of Hebrew hucksters, and the air laden with the smoky
odor of their lamps. Tramcars and motorbuses were packed unwholesomely
with these children of shadowland drawn together from the seven seas
by the magnet of London.

She glanced at Pyne, but he was seemingly lost in abstraction, and
Kilfane appeared to be asleep. Mollie Gretna was staring eagerly out
on the opposite side of the car at a group of three dago sailors, whom
Mareno had nearly run down, but she turned at that moment and caught
Rita's glance.

"Don't you simply love it!" she cried. "Some of those men were really
handsome, dear. If they would only wash I am sure I could adore them!"

"Even such charms as yours can be bought at too high a price,"
drawled Sir Lucien. "They would gladly do murder for you, but never
wash."

Crossing Limehouse Canal, the car swung to the right into West India
Dock Road. The uproar of the commercial thoroughfare was left far
behind. Dark, narrow streets and sinister-looking alleys lay right and
left of them, and into one of the narrowest and least inviting of all
Mareno turned the car.

In the dimly-lighted doorway of a corner house the figure of a
Chinaman showed as a motionless silhouette.

"Oh!" sighed Mollie Gretna rapturously, "a Chinaman! I begin to feel
deliciously sinful!"

The car came to a standstill.

"We get out here and walk," said Sir Lucien. "It would not be wise to
drive further. Mareno will deliver our baggage by hand presently."

"But we shall all be murdered," cried Mollie, "murdered in cold blood!
I am dreadfully frightened!"

"Something of the kind is quite likely," drawled Sir Lucien, "if you
draw attention to our presence in the neighborhood so deliberately.
Walk ahead, Kilfane, with Mollie. Rita and I will follow at a discreet
distance. Leave the door ajar."

Temporarily subdued by Pyne's icy manner, Miss Gretna became silent,
and went on ahead with Cyrus Kilfane, who had preserved an almost
unbroken silence throughout the journey. Rita and Sir Lucien followed
slowly.

"What a creepy neighborhood," whispered Rita. "Look! Someone is
standing in that doorway over there, watching us."

"Take no notice," he replied. "A cat could not pass along this street
unobserved by the Chinese, but they will not interfere with us
provided we do not interfere with them."

Kilfane had turned to the right into a narrow court, at the entrance
to which stood an iron pillar. As he and his companion passed under
the lamp in a rusty bracket which projected from the wall, they
vanished into a place of shadows. There was a ceaseless chorus of
distant machinery, and above it rose the grinding and rattling solo of
a steam winch. Once a siren hooted apparently quite near them, and
looking upward at a tangled, indeterminable mass which overhung the
street at this point, Rita suddenly recognized it for a ship's
bow-sprit.

"Why," she said, "we are right on the bank of the river!"

"Not quite," answered Pyne. "We are skirting a dock basin. We are
nearly at our destination."

Passing in turn under the lamp, they entered the narrow court, and
from a doorway immediately on the left a faint light shone out upon
the wet pavement. Pyne pushed the door fully open and held it for Rita
to enter. As she did so:

"Hello! hello!" croaked a harsh voice. "Number one p'lice chop, lo!
Sin Sin Wa!"

The uncanny cracked voice proceeded to give an excellent imitation of
a police whistle, and concluded with that of the clicking of
castanets.

"Shut the door, Lucy," came the murmurous tones of Kilfane from the
gloom of the stuffy little room, in the centre of which stood a stove
wherefrom had proceeded the dim light shining out upon the pavement.
"Light up, Sin Sin."

"Sin Sin Wa! Sin Sin Wa!" shrieked the voice, and again came the
rattling of imaginary castanets. "Smartest leg in Buenos Ayres--Buenos
Ayres--p'lice chop--p'lice chop, lo!"

"Oh," whispered Mollie Gretna, in the darkness, "I believe I am going
to scream!"

Pyne closed the door, and a dimly discernible figure on the opposite
side of the room stooped and opened a little cupboard in which was a
lighted ship's lantern. The lantern being lifted out and set upon a
rough table near the stove, it became possible to view the apartment
and its occupants.

It was a small, low-ceiled place, having two doors, one opening upon
the street and the other upon a narrow, uncarpeted passage. The window
was boarded up. The ceiling had once been whitewashed and a few limp,
dark fragments of paper still adhering to the walls proved that some
forgotten decorator had exercised his art upon them in the past. A
piece of well-worn matting lay upon the floor, and there were two
chairs, a table, and a number of empty tea-chests in the room.

Upon one of the tea-chests placed beside the cupboard which had
contained the lantern a Chinaman was seated. His skin was of so light
a yellow color as to approximate to dirty white, and his face was
pock-marked from neck to crown. He wore long, snake-like moustaches,
which hung down below his chin. They grew from the extreme outer edges
of his upper lip, the centre of which, usually the most hirsute, was
hairless as the lip of an infant. He possessed the longest and
thickest pigtail which could possibly grow upon a human scalp, and his
left eye was permanently closed, so that a smile which adorned his
extraordinary countenance seemed to lack the sympathy of his surviving
eye, which, oblique, beady, held no mirth in its glittering depths.

The garments of the one-eyed Chinaman, who sat complacently smiling at
the visitors, consisted of a loose blouse, blue trousers tucked into
grey socks, and a pair of those native, thick-soled slippers which
suggest to a Western critic the acme of discomfort. A raven, black as
a bird of ebony, perched upon the Chinaman's shoulder, head a-tilt,
surveying the newcomers with a beady, glittering left eye which
strangely resembled the beady, glittering right eye of the Chinaman.
For, singular, uncanny circumstance, this was a one-eyed raven which
sat upon the shoulder of his one-eyed master!

Mollie Gretna uttered a stifled cry. "Oh!" she whispered. "I knew I
was going to scream!"

The eye of Sin Sin Wa turned momentarily in her direction, but
otherwise he did not stir a muscle.

"Are you ready for us, Sin?" asked Sir Lucien.

"All ready. Lola hate gotchee topside loom ready," replied the
Chinaman in a soft, crooning voice.

"Go ahead, Kilfane," directed Sir Lucien.

He glanced at Rita, who was standing very near him, surveying the evil
little room and its owner with ill-concealed disgust.

"This is merely the foyer, Rita," he said, smiling slightly. "The
state apartments are upstairs and in the adjoining house."

"Oh," she murmured--and no more.

Kilfane and Mollie Gretna were passing through the inner doorway, and
Mollie turned.

"Isn't it loathsomely delightful?" she cried.

"Smartest leg in Buenos Ayres!" shrieked the raven. "Sin Sin, Sin
Sin!"

Uttering a frightened exclamation, Mollie disappeared along the
passage. Sir Lucien indicated to Rita that she was to follow; and he,
passing through last of the party, closed the door behind him.

Sin Sin Wa never moved, and the raven, settling down upon the
Chinaman's shoulder, closed his serviceable eye.

CHAPTER XVII

THE BLACK SMOKE

Up an uncarpeted stair Cyrus Kilfane led the party, and into a kind of
lumber-room lighted by a tin oil lamp and filled to overflowing with
heterogeneous and unsavory rubbish. Here were garments, male and
female, no less than five dilapidated bowler hats, more tea-chests,
broken lamps, tattered fragments of cocoanut-matting, steel bed-laths
and straw mattresses, ruins of chairs--the whole diffusing an
indescribably unpleasant odor.

Opening a cupboard door, Kilfane revealed a number of pendent, ragged
garments, and two more bowler hats. Holding the garments aside, he
banged upon the back of the cupboard--three blows, a pause, and then
two blows.

Following a brief interval, during which even Mollie Gretna was held
silent by the strangeness of the proceedings,

"Who is it?" inquired a muffled voice.

"Cy and the crowd," answered Kilfane.

Thereupon ensued a grating noise, and hats and garments swung suddenly
backward, revealing a doorway in which Mrs. Sin stood framed. She wore
a Japanese kimona of embroidered green silk and a pair of green and
gold brocaded slippers which possessed higher heels than Rita
remembered to have seen even Mrs. Sin mounted upon before. Her ankles
were bare, and it was impossible to determine in what manner she was
clad beneath the kimona. Undoubtedly she had a certain dark beauty, of
a bold, abandoned type.

"Come right in," she directed. "Mind your head, Lucy."

The quartette filed through into a carpeted corridor, and Mrs. Sin
reclosed the false back of the cupboard, which, viewed from the other
side, proved to be a door fitted into a recess in the corridor of the
adjoining house. This recess ceased to exist when a second and heavier
door was closed upon the first.

"You know," murmured Kilfane, "old Sin Sin has his uses, Lola. Those
doors are perfectly made."

"Pooh!" scoffed the woman, with a flash of her dark eyes; "he is half
a ship's carpenter and half an ape!"

She moved along the passage, her arm linked in that of Sir Lucien. The
others followed, and:

"Is she truly married to that dreadful Chinaman?" whispered Mollie
Gretna.

"Yes, I believe so," murmured Kilfane. "She is known as Mrs. Sin Sin
Wa."

"Oh!" Mollie's eyes opened widely. "I almost envy her! I have read
that Chinamen tie their wives to beams in the roof and lash them with
leather thongs until they swoon. I could die for a man who lashed me
with leather thongs. Englishmen are so ridiculously gentle to women."

Opening a door on the left of the corridor, Mrs. Sin displayed a room
screened off into three sections. One shaded lamp high up near the
ceiling served to light all the cubicles, which were heated by small
charcoal stoves. These cubicles were identical in shape and
appointment, each being draped with quaint Chinese tapestry and
containing rugs, a silken divan, an armchair, and a low, Eastern
table.

"Choose for yourself," said Mrs. Sin, turning to Rita and Mollie
Gretna. "Nobody else come tonight. You two in this room, eh? Next door
each other for company."

She withdrew, leaving the two girls together. Mollie clasped her hands
ecstatically.

"Oh, my dear!" she said. "What do you think of it all?"

"Well," confessed Rita, looking about her, "personally I feel rather
nervous."

"My dear!" cried Mollie. "I am simply quivering with delicious
terror!"

Rita became silent again, looking about her, and listening. The harsh
voice of the Cuban-Jewess could be heard from a neighboring room, but
otherwise a perfect stillness reigned in the house of Sin Sin Wa. She
remembered that Mrs. Sin had said, "It is quiet--so quiet."

"The idea of undressing and reclining on these divans in real oriental
fashion," declared Mollie, giggling, "makes me feel that I am an
odalisque already. I have dreamed that I was an odalisque, dear--after
smoking, you know. It was heavenly. At least, I don't know that
'heavenly' is quite the right word."

And now that evil spirit of abandonment came to Rita--communicated to
her, possibly, by her companion. Dread, together with a certain sense
of moral reluctance, departed, and she began to enjoy the adventure at
last. It was as though something in the faintly perfumed atmosphere of
the place had entered into her blood, driving out reserve and stifling
conscience.

When Sir Lucien reappeared she ran to him excitedly, her charming face
flushed and her eyes sparkling.

"Oh, Lucy," she cried, "how long will our things be? I'm keen to
smoke!"

His jaw hardened, and when he spoke it was with a drawl more marked
than usual.

"Mareno will be here almost immediately," he answered.

The tone constituted a rebuff, and Rita's coquetry deserted her,
leaving her mortified and piqued. She stared at Pyne, biting her lip.

"You don't like me tonight," she declared. "If I look ugly, it's your
fault; you told me to wear this horrid old costume!"

He laughed in a forced, unnatural way.

"You are quite well aware that you could never look otherwise than
maddeningly beautiful," he said harshly. "Do you want me to recall the
fact to you again that you are shortly to be Monte Irvin's wife--or
should you prefer me to remind you that you have declined to be mine?"

Turning slowly, he walked away, but:

"Oh, Lucy!" whispered Rita.

He paused, looking back.

"I know now why you didn't want me to come," she said. "I--I'm sorry."

The hard look left Sir Lucien's face immediately and was replaced by a
curious, indefinable expression, an expression which rarely appeared
there.

"You only know half the reason," he replied softly.

At that moment Mrs. Sin came in, followed by Mareno carrying two
dressing-cases. Mollie Gretna had run off to Kilfane, and could be
heard talking loudly in another room; but, called by Mrs. Sin, she now
returned, wide-eyed with excitement.

Mrs. Sin cast a lightning glance at Sir Lucien, and then addressed
Rita.

"Which of these three rooms you choose?" she asked, revealing her
teeth in one of those rapid smiles which were mirthless as the eternal
smile of Sin Sin Wa.

"Oh," said Rita hurriedly, "I don't know. Which do you want, Mollie?"

"I love this end one!" cried Mollie. "It has cushions which simply
reek of oriental voluptuousness and cruelty. It reminds me of a
delicious book I have been reading called Musk, Hashish, and Blood."

"Hashish!" said Mrs. Sin, and laughed harshly. "One night you shall
eat the hashish, and then--"

She snapped her fingers, glancing from Rita to Pyne.

"Oh, really? Is that a promise?" asked Mollie eagerly.

"No, no!" answered Mrs. Sin. "It is a threat!"

Something in the tone of her voice as she uttered the last four words
in mock dramatic fashion caused Mollie and Rita to stare at one
another questioningly. That suddenly altered tone had awakened an
elusive memory, but neither of them could succeed in identifying it.

Mareno, a lean, swarthy fellow, his foreign cast of countenance
accentuated by close-cut side-whiskers, deposited Miss Gretna's case
in the cubicle which she had selected and, Rita pointing to that
adjoining it, he disposed the second case beside the divan and
departed silently. As the sound of a closing door reached them:

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