Night and Day

V >> Virginia Woolf >> Night and Day

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"Oh, Katharine," she exclaimed, "how you've made me think of Mamma and
the old days in Russell Square! I can see the chandeliers, and the
green silk of the piano, and Mamma sitting in her cashmere shawl by
the window, singing till the little ragamuffin boys outside stopped to
listen. Papa sent me in with a bunch of violets while he waited round
the corner. It must have been a summer evening. That was before things
were hopeless. . . ."

As she spoke an expression of regret, which must have come frequently
to cause the lines which now grew deep round the lips and eyes,
settled on her face. The poet's marriage had not been a happy one. He
had left his wife, and after some years of a rather reckless
existence, she had died, before her time. This disaster had led to
great irregularities of education, and, indeed, Mrs. Hilbery might be
said to have escaped education altogether. But she had been her
father's companion at the season when he wrote the finest of his
poems. She had sat on his knee in taverns and other haunts of drunken
poets, and it was for her sake, so people said, that he had cured
himself of his dissipation, and become the irreproachable literary
character that the world knows, whose inspiration had deserted him. As
Mrs. Hilbery grew old she thought more and more of the past, and this
ancient disaster seemed at times almost to prey upon her mind, as if
she could not pass out of life herself without laying the ghost of her
parent's sorrow to rest.

Katharine wished to comfort her mother, but it was difficult to do
this satisfactorily when the facts themselves were so much of a
legend. The house in Russell Square, for example, with its noble
rooms, and the magnolia-tree in the garden, and the sweet-voiced
piano, and the sound of feet coming down the corridors, and other
properties of size and romance--had they any existence? Yet why should
Mrs. Alardyce live all alone in this gigantic mansion, and, if she did
not live alone, with whom did she live? For its own sake, Katharine
rather liked this tragic story, and would have been glad to hear the
details of it, and to have been able to discuss them frankly. But this
it became less and less possible to do, for though Mrs. Hilbery was
constantly reverting to the story, it was always in this tentative and
restless fashion, as though by a touch here and there she could set
things straight which had been crooked these sixty years. Perhaps,
indeed, she no longer knew what the truth was.

"If they'd lived now," she concluded, "I feel it wouldn't have
happened. People aren't so set upon tragedy as they were then. If my
father had been able to go round the world, or if she'd had a rest
cure, everything would have come right. But what could I do? And then
they had bad friends, both of them, who made mischief. Ah, Katharine,
when you marry, be quite, quite sure that you love your husband!"

The tears stood in Mrs. Hilbery's eyes.

While comforting her, Katharine thought to herself, "Now this is what
Mary Datchet and Mr. Denham don't understand. This is the sort of
position I'm always getting into. How simple it must be to live as
they do!" for all the evening she had been comparing her home and her
father and mother with the Suffrage office and the people there.

"But, Katharine," Mrs. Hilbery continued, with one of her sudden
changes of mood, "though, Heaven knows, I don't want to see you
married, surely if ever a man loved a woman, William loves you. And
it's a nice, rich-sounding name too--Katharine Rodney, which,
unfortunately, doesn't mean that he's got any money, because he
hasn't."

The alteration of her name annoyed Katharine, and she observed, rather
sharply, that she didn't want to marry any one.

"It's very dull that you can only marry one husband, certainly," Mrs.
Hilbery reflected. "I always wish that you could marry everybody who
wants to marry you. Perhaps they'll come to that in time, but
meanwhile I confess that dear William--" But here Mr. Hilbery came in,
and the more solid part of the evening began. This consisted in the
reading aloud by Katharine from some prose work or other, while her
mother knitted scarves intermittently on a little circular frame, and
her father read the newspaper, not so attentively but that he could
comment humorously now and again upon the fortunes of the hero and the
heroine. The Hilberys subscribed to a library, which delivered books
on Tuesdays and Fridays, and Katharine did her best to interest her
parents in the works of living and highly respectable authors; but
Mrs. Hilbery was perturbed by the very look of the light, gold-
wreathed volumes, and would make little faces as if she tasted
something bitter as the reading went on; while Mr. Hilbery would treat
the moderns with a curious elaborate banter such as one might apply to
the antics of a promising child. So this evening, after five pages or
so of one of these masters, Mrs. Hilbery protested that it was all too
clever and cheap and nasty for words.

"Please, Katharine, read us something REAL."

Katharine had to go to the bookcase and choose a portly volume in
sleek, yellow calf, which had directly a sedative effect upon both her
parents. But the delivery of the evening post broke in upon the
periods of Henry Fielding, and Katharine found that her letters needed
all her attention.

CHAPTER VIII

She took her letters up to her room with her, having persuaded her
mother to go to bed directly Mr. Hilbery left them, for so long as she
sat in the same room as her mother, Mrs. Hilbery might, at any moment,
ask for a sight of the post. A very hasty glance through many sheets
had shown Katharine that, by some coincidence, her attention had to be
directed to many different anxieties simultaneously. In the first
place, Rodney had written a very full account of his state of mind,
which was illustrated by a sonnet, and he demanded a reconsideration
of their position, which agitated Katharine more than she liked. Then
there were two letters which had to be laid side by side and compared
before she could make out the truth of their story, and even when she
knew the facts she could not decide what to make of them; and finally
she had to reflect upon a great many pages from a cousin who found
himself in financial difficulties, which forced him to the uncongenial
occupation of teaching the young ladies of Bungay to play upon the
violin.

But the two letters which each told the same story differently were
the chief source of her perplexity. She was really rather shocked to
find it definitely established that her own second cousin, Cyril
Alardyce, had lived for the last four years with a woman who was not
his wife, who had borne him two children, and was now about to bear
him another. This state of things had been discovered by Mrs. Milvain,
her aunt Celia, a zealous inquirer into such matters, whose letter was
also under consideration. Cyril, she said, must be made to marry the
woman at once; and Cyril, rightly or wrongly, was indignant with such
interference with his affairs, and would not own that he had any cause
to be ashamed of himself. Had he any cause to be ashamed of himself,
Katharine wondered; and she turned to her aunt again.

"Remember," she wrote, in her profuse, emphatic statement, "that he
bears your grandfather's name, and so will the child that is to be
born. The poor boy is not so much to blame as the woman who deluded
him, thinking him a gentleman, which he IS, and having money, which he
has NOT."

"What would Ralph Denham say to this?" thought Katharine, beginning to
pace up and down her bedroom. She twitched aside the curtains, so
that, on turning, she was faced by darkness, and looking out, could
just distinguish the branches of a plane-tree and the yellow lights of
some one else's windows.

"What would Mary Datchet and Ralph Denham say?" she reflected, pausing
by the window, which, as the night was warm, she raised, in order to
feel the air upon her face, and to lose herself in the nothingness of
night. But with the air the distant humming sound of far-off crowded
thoroughfares was admitted to the room. The incessant and tumultuous
hum of the distant traffic seemed, as she stood there, to represent
the thick texture of her life, for her life was so hemmed in with the
progress of other lives that the sound of its own advance was
inaudible. People like Ralph and Mary, she thought, had it all their
own way, and an empty space before them, and, as she envied them, she
cast her mind out to imagine an empty land where all this petty
intercourse of men and women, this life made up of the dense crossings
and entanglements of men and women, had no existence whatever. Even
now, alone, at night, looking out into the shapeless mass of London,
she was forced to remember that there was one point and here another
with which she had some connection. William Rodney, at this very
moment, was seated in a minute speck of light somewhere to the east of
her, and his mind was occupied, not with his book, but with her. She
wished that no one in the whole world would think of her. However,
there was no way of escaping from one's fellow-beings, she concluded,
and shut the window with a sigh, and returned once more to her
letters.

She could not doubt but that William's letter was the most genuine she
had yet received from him. He had come to the conclusion that he could
not live without her, he wrote. He believed that he knew her, and
could give her happiness, and that their marriage would be unlike
other marriages. Nor was the sonnet, in spite of its accomplishment,
lacking in passion, and Katharine, as she read the pages through
again, could see in what direction her feelings ought to flow,
supposing they revealed themselves. She would come to feel a humorous
sort of tenderness for him, a zealous care for his susceptibilities,
and, after all, she considered, thinking of her father and mother,
what is love?

Naturally, with her face, position, and background, she had experience
of young men who wished to marry her, and made protestations of love,
but, perhaps because she did not return the feeling, it remained
something of a pageant to her. Not having experience of it herself,
her mind had unconsciously occupied itself for some years in dressing
up an image of love, and the marriage that was the outcome of love,
and the man who inspired love, which naturally dwarfed any examples
that came her way. Easily, and without correction by reason, her
imagination made pictures, superb backgrounds casting a rich though
phantom light upon the facts in the foreground. Splendid as the waters
that drop with resounding thunder from high ledges of rock, and plunge
downwards into the blue depths of night, was the presence of love she
dreamt, drawing into it every drop of the force of life, and dashing
them all asunder in the superb catastrophe in which everything was
surrendered, and nothing might be reclaimed. The man, too, was some
magnanimous hero, riding a great horse by the shore of the sea. They
rode through forests together, they galloped by the rim of the sea.
But waking, she was able to contemplate a perfectly loveless marriage,
as the thing one did actually in real life, for possibly the people
who dream thus are those who do the most prosaic things.

At this moment she was much inclined to sit on into the night,
spinning her light fabric of thoughts until she tired of their
futility, and went to her mathematics; but, as she knew very well, it
was necessary that she should see her father before he went to bed.
The case of Cyril Alardyce must be discussed, her mother's illusions
and the rights of the family attended to. Being vague herself as to
what all this amounted to, she had to take counsel with her father.
She took her letters in her hand and went downstairs. It was past
eleven, and the clocks had come into their reign, the grandfather's
clock in the hall ticking in competition with the small clock on the
landing. Mr. Hilbery's study ran out behind the rest of the house, on
the ground floor, and was a very silent, subterranean place, the sun
in daytime casting a mere abstract of light through a skylight upon
his books and the large table, with its spread of white papers, now
illumined by a green reading-lamp. Here Mr. Hilbery sat editing his
review, or placing together documents by means of which it could be
proved that Shelley had written "of" instead of "and," or that the inn
in which Byron had slept was called the "Nag's Head" and not the
"Turkish Knight," or that the Christian name of Keats's uncle had been
John rather than Richard, for he knew more minute details about these
poets than any man in England, probably, and was preparing an edition
of Shelley which scrupulously observed the poet's system of
punctuation. He saw the humor of these researches, but that did not
prevent him from carrying them out with the utmost scrupulosity.

He was lying back comfortably in a deep arm-chair smoking a cigar, and
ruminating the fruitful question as to whether Coleridge had wished to
marry Dorothy Wordsworth, and what, if he had done so, would have been
the consequences to him in particular, and to literature in general.
When Katharine came in he reflected that he knew what she had come
for, and he made a pencil note before he spoke to her. Having done
this, he saw that she was reading, and he watched her for a moment
without saying anything. She was reading "Isabella and the Pot of
Basil," and her mind was full of the Italian hills and the blue
daylight, and the hedges set with little rosettes of red and white
roses. Feeling that her father waited for her, she sighed and said,
shutting her book:

"I've had a letter from Aunt Celia about Cyril, father. . . . It seems
to be true--about his marriage. What are we to do?"

"Cyril seems to have been behaving in a very foolish manner," said Mr.
Hilbery, in his pleasant and deliberate tones.

Katharine found some difficulty in carrying on the conversation, while
her father balanced his finger-tips so judiciously, and seemed to
reserve so many of his thoughts for himself.

"He's about done for himself, I should say," he continued. Without
saying anything, he took Katharine's letters out of her hand, adjusted
his eyeglasses, and read them through.

At length he said "Humph!" and gave the letters back to her.

"Mother knows nothing about it," Katharine remarked. "Will you tell
her?"

"I shall tell your mother. But I shall tell her that there is nothing
whatever for us to do."

"But the marriage?" Katharine asked, with some diffidence.

Mr. Hilbery said nothing, and stared into the fire.

"What in the name of conscience did he do it for?" he speculated at
last, rather to himself than to her.

Katharine had begun to read her aunt's letter over again, and she now
quoted a sentence. "Ibsen and Butler. . . . He has sent me a letter
full of quotations--nonsense, though clever nonsense."

"Well, if the younger generation want to carry on its life on those
lines, it's none of our affair," he remarked.

"But isn't it our affair, perhaps, to make them get married?"
Katharine asked rather wearily.

"Why the dickens should they apply to me?" her father demanded with
sudden irritation.

"Only as the head of the family--"

"But I'm not the head of the family. Alfred's the head of the family.
Let them apply to Alfred," said Mr. Hilbery, relapsing again into his
arm-chair. Katharine was aware that she had touched a sensitive spot,
however, in mentioning the family.

"I think, perhaps, the best thing would be for me to go and see them,"
she observed.

"I won't have you going anywhere near them," Mr. Hilbery replied with
unwonted decision and authority. "Indeed, I don't understand why
they've dragged you into the business at all--I don't see that it's
got anything to do with you."

"I've always been friends with Cyril," Katharine observed.

"But did he ever tell you anything about this?" Mr. Hilbery asked
rather sharply.

Katharine shook her head. She was, indeed, a good deal hurt that Cyril
had not confided in her--did he think, as Ralph Denham or Mary Datchet
might think, that she was, for some reason, unsympathetic--hostile
even?

"As to your mother," said Mr. Hilbery, after a pause, in which he
seemed to be considering the color of the flames, "you had better tell
her the facts. She'd better know the facts before every one begins to
talk about it, though why Aunt Celia thinks it necessary to come, I'm
sure I don't know. And the less talk there is the better."

Granting the assumption that gentlemen of sixty who are highly
cultivated, and have had much experience of life, probably think of
many things which they do not say, Katharine could not help feeling
rather puzzled by her father's attitude, as she went back to her room.
What a distance he was from it all! How superficially he smoothed
these events into a semblance of decency which harmonized with his own
view of life! He never wondered what Cyril had felt, nor did the
hidden aspects of the case tempt him to examine into them. He merely
seemed to realize, rather languidly, that Cyril had behaved in a way
which was foolish, because other people did not behave in that way. He
seemed to be looking through a telescope at little figures hundreds of
miles in the distance.

Her selfish anxiety not to have to tell Mrs. Hilbery what had happened
made her follow her father into the hall after breakfast the next
morning in order to question him.

"Have you told mother?" she asked. Her manner to her father was almost
stern, and she seemed to hold endless depths of reflection in the dark
of her eyes.

Mr. Hilbery sighed.

"My dear child, it went out of my head." He smoothed his silk hat
energetically, and at once affected an air of hurry. "I'll send a note
round from the office. . . . I'm late this morning, and I've any
amount of proofs to get through."

"That wouldn't do at all," Katharine said decidedly. "She must be told
--you or I must tell her. We ought to have told her at first."

Mr. Hilbery had now placed his hat on his head, and his hand was on
the door-knob. An expression which Katharine knew well from her
childhood, when he asked her to shield him in some neglect of duty,
came into his eyes; malice, humor, and irresponsibility were blended
in it. He nodded his head to and fro significantly, opened the door
with an adroit movement, and stepped out with a lightness unexpected
at his age. He waved his hand once to his daughter, and was gone. Left
alone, Katharine could not help laughing to find herself cheated as
usual in domestic bargainings with her father, and left to do the
disagreeable work which belonged, by rights, to him.

CHAPTER IX

Katharine disliked telling her mother about Cyril's misbehavior quite
as much as her father did, and for much the same reasons. They both
shrank, nervously, as people fear the report of a gun on the stage,
from all that would have to be said on this occasion. Katharine,
moreover, was unable to decide what she thought of Cyril's
misbehavior. As usual, she saw something which her father and mother
did not see, and the effect of that something was to suspend Cyril's
behavior in her mind without any qualification at all. They would
think whether it was good or bad; to her it was merely a thing that
had happened.

When Katharine reached the study, Mrs. Hilbery had already dipped her
pen in the ink.

"Katharine," she said, lifting it in the air, "I've just made out such
a queer, strange thing about your grandfather. I'm three years and six
months older than he was when he died. I couldn't very well have been
his mother, but I might have been his elder sister, and that seems to
me such a pleasant fancy. I'm going to start quite fresh this morning,
and get a lot done."

She began her sentence, at any rate, and Katharine sat down at her own
table, untied the bundle of old letters upon which she was working,
smoothed them out absent-mindedly, and began to decipher the faded
script. In a minute she looked across at her mother, to judge her
mood. Peace and happiness had relaxed every muscle in her face; her
lips were parted very slightly, and her breath came in smooth,
controlled inspirations like those of a child who is surrounding
itself with a building of bricks, and increasing in ecstasy as each
brick is placed in position. So Mrs. Hilbery was raising round her the
skies and trees of the past with every stroke of her pen, and
recalling the voices of the dead. Quiet as the room was, and
undisturbed by the sounds of the present moment, Katharine could fancy
that here was a deep pool of past time, and that she and her mother
were bathed in the light of sixty years ago. What could the present
give, she wondered, to compare with the rich crowd of gifts bestowed
by the past? Here was a Thursday morning in process of manufacture;
each second was minted fresh by the clock upon the mantelpiece. She
strained her ears and could just hear, far off, the hoot of a
motor-car and the rush of wheels coming nearer and dying away again,
and the voices of men crying old iron and vegetables in one of the
poorer streets at the back of the house. Rooms, of course, accumulate
their suggestions, and any room in which one has been used to carry on
any particular occupation gives off memories of moods, of ideas, of
postures that have been seen in it; so that to attempt any different
kind of work there is almost impossible.

Katharine was unconsciously affected, each time she entered her
mother's room, by all these influences, which had had their birth
years ago, when she was a child, and had something sweet and solemn
about them, and connected themselves with early memories of the
cavernous glooms and sonorous echoes of the Abbey where her
grandfather lay buried. All the books and pictures, even the chairs
and tables, had belonged to him, or had reference to him; even the
china dogs on the mantelpiece and the little shepherdesses with their
sheep had been bought by him for a penny a piece from a man who used
to stand with a tray of toys in Kensington High Street, as Katharine
had often heard her mother tell. Often she had sat in this room, with
her mind fixed so firmly on those vanished figures that she could
almost see the muscles round their eyes and lips, and had given to
each his own voice, with its tricks of accent, and his coat and his
cravat. Often she had seemed to herself to be moving among them, an
invisible ghost among the living, better acquainted with them than
with her own friends, because she knew their secrets and possessed a
divine foreknowledge of their destiny. They had been so unhappy, such
muddlers, so wrong-headed, it seemed to her. She could have told them
what to do, and what not to do. It was a melancholy fact that they
would pay no heed to her, and were bound to come to grief in their own
antiquated way. Their behavior was often grotesquely irrational; their
conventions monstrously absurd; and yet, as she brooded upon them, she
felt so closely attached to them that it was useless to try to pass
judgment upon them. She very nearly lost consciousness that she was a
separate being, with a future of her own. On a morning of slight
depression, such as this, she would try to find some sort of clue to
the muddle which their old letters presented; some reason which seemed
to make it worth while to them; some aim which they kept steadily in
view--but she was interrupted.

Mrs. Hilbery had risen from her table, and was standing looking out of
the window at a string of barges swimming up the river.

Katharine watched her. Suddenly Mrs. Hilbery turned abruptly, and
exclaimed:

"I really believe I'm bewitched! I only want three sentences, you see,
something quite straightforward and commonplace, and I can't find
'em."

She began to pace up and down the room, snatching up her duster; but
she was too much annoyed to find any relief, as yet, in polishing the
backs of books.

"Besides," she said, giving the sheet she had written to Katharine, "I
don't believe this'll do. Did your grandfather ever visit the
Hebrides, Katharine?" She looked in a strangely beseeching way at her
daughter. "My mind got running on the Hebrides, and I couldn't help
writing a little description of them. Perhaps it would do at the
beginning of a chapter. Chapters often begin quite differently from
the way they go on, you know." Katharine read what her mother had
written. She might have been a schoolmaster criticizing a child's
essay. Her face gave Mrs. Hilbery, who watched it anxiously, no ground
for hope.

"It's very beautiful," she stated, "but, you see, mother, we ought to
go from point to point--"

"Oh, I know," Mrs. Hilbery exclaimed. "And that's just what I can't
do. Things keep coming into my head. It isn't that I don't know
everything and feel everything (who did know him, if I didn't?), but I
can't put it down, you see. There's a kind of blind spot," she said,
touching her forehead, "there. And when I can't sleep o' nights, I
fancy I shall die without having done it."

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