Poems by William Ernest Henley
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William Ernest Henley >> Poems by William Ernest Henley
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XXVI--ANTEROTICS
Laughs the happy April morn
Thro' my grimy, little window,
And a shaft of sunshine pushes
Thro' the shadows in the square.
Dogs are tracing thro' the grass,
Crows are cawing round the chimneys,
In and out among the washing
Goes the West at hide-and-seek.
Loud and cheerful clangs the bell.
Here the nurses troop to breakfast.
Handsome, ugly, all are women . . .
O, the Spring--the Spring--the Spring!
XXVII--NOCTURN
At the barren heart of midnight,
When the shadow shuts and opens
As the loud flames pulse and flutter,
I can hear a cistern leaking.
Dripping, dropping, in a rhythm,
Rough, unequal, half-melodious,
Like the measures aped from nature
In the infancy of music;
Like the buzzing of an insect,
Still, irrational, persistent . . .
I must listen, listen, listen
In a passion of attention;
Till it taps upon my heartstrings,
And my very life goes dripping,
Dropping, dripping, drip-drip-dropping,
In the drip-drop of the cistern.
XXVIII--DISCHARGED
Carry me out
Into the wind and the sunshine,
Into the beautiful world.
O, the wonder, the spell of the streets!
The stature and strength of the horses,
The rustle and echo of footfalls,
The flat roar and rattle of wheels!
A swift tram floats huge on us . . .
It's a dream?
The smell of the mud in my nostrils
Blows brave--like a breath of the sea!
As of old,
Ambulant, undulant drapery,
Vaguery and strangely provocative,
Fluttersd and beckons. O, yonder -
Is it?--the gleam of a stocking!
Sudden, a spire
Wedged in the mist! O, the houses,
The long lines of lofty, grey houses,
Cross-hatched with shadow and light!
These are the streets . . .
Each is an avenue leading
Whither I will!
Free . . . !
Dizzy, hysterical, faint,
I sit, and the carriage rolls on with me
Into the wonderful world.
THE OLD INFIRMARY, EDINBURGH, 1873-75
ENVOY--TO CHARLES BAXTER
Do you remember
That afternoon--that Sunday afternoon! -
When, as the kirks were ringing in,
And the grey city teemed
With Sabbath feelings and aspects,
LEWIS--our LEWIS then,
Now the whole world's--and you,
Young, yet in shape most like an elder, came,
Laden with BALZACS
(Big, yellow books, quite impudently French),
The first of many times
To that transformed back-kitchen where I lay
So long, so many centuries -
Or years is it!--ago?
Dear CHARLES, since then
We have been friends, LEWIS and you and I,
(How good it sounds, 'LEWIS and you and I!'):
Such friends, I like to think,
That in us three, LEWIS and me and you,
Is something of that gallant dream
Which old DUMAS--the generous, the humane,
The seven-and-seventy times to be forgiven! -
Dreamed for a blessing to the race,
The immortal Musketeers.
Our ATHOS rests--the wise, the kind,
The liberal and august, his fault atoned,
Rests in the crowded yard
There at the west of Princes Street. We three -
You, I, and LEWIS!--still afoot,
Are still together, and our lives,
In chime so long, may keep
(God bless the thought!)
Unjangled till the end.
W. E. H.
CHISWICK, March 1888
THE SONG OF THE SWORD--TO RUDYARD KIPLING
The Sword
Singing -
The voice of the Sword from the heart of the Sword
Clanging imperious
Forth from Time's battlements
His ancient and triumphing Song.
In the beginning,
Ere God inspired Himself
Into the clay thing
Thumbed to His image,
The vacant, the naked shell
Soon to be Man:
Thoughtful He pondered it,
Prone there and impotent,
Fragile, inviting
Attack and discomfiture;
Then, with a smile -
As He heard in the Thunder
That laughed over Eden
The voice of the Trumpet,
The iron Beneficence,
Calling his dooms
To the Winds of the world -
Stooping, He drew
On the sand with His finger
A shape for a sign
Of his way to the eyes
That in wonder should waken,
For a proof of His will
To the breaking intelligence.
That was the birth of me:
I am the Sword.
Bleak and lean, grey and cruel,
Short-hilted, long shafted,
I froze into steel;
And the blood of my elder,
His hand on the hafts of me,
Sprang like a wave
In the wind, as the sense
Of his strength grew to ecstasy;
Glowed like a coal
In the throat of the furnace;
As he knew me and named me
The War-Thing, the Comrade,
Father of honour
And giver of kingship,
The fame-smith, the song-master,
Bringer of women
On fire at his hands
For the pride of fulfilment,
PRIEST (saith the Lord)
OF HIS MARRIAGE WITH VICTORY
Ho! then, the Trumpet,
Handmaid of heroes,
Calling the peers
To the place of espousals!
Ho! then, the splendour
And glare of my ministry,
Clothing the earth
With a livery of lightnings!
Ho! then, the music
Of battles in onset,
And ruining armours,
And God's gift returning
In fury to God!
Thrilling and keen
As the song of the winter stars,
Ho! then, the sound
Of my voice, the implacable
Angel of Destiny! -
I am the Sword.
Heroes, my children,
Follow, O, follow me!
Follow, exulting
In the great light that breaks
From the sacred Companionship!
Thrust through the fatuous,
Thrust through the fungous brood,
Spawned in my shadow
And gross with my gift!
Thrust through, and hearken
O, hark, to the Trumpet,
The Virgin of Battles,
Calling, still calling you
Into the Presence,
Sons of the Judgment,
Pure wafts of the Will!
Edged to annihilate,
Hilted with government,
Follow, O, follow me,
Till the waste places
All the grey globe over
Ooze, as the honeycomb
Drips, with the sweetness
Distilled of my strength,
And, teeming in peace
Through the wrath of my coming,
They give back in beauty
The dread and the anguish
They had of me visitant!
Follow, O follow, then,
Heroes, my harvesters!
Where the tall grain is ripe
Thrust in your sickles!
Stripped and adust
In a stubble of empire,
Scything and binding
The full sheaves of sovranty:
Thus, O, thus gloriously,
Shall you fulfil yourselves!
Thus, O, thus mightily,
Show yourselves sons of mine -
Yea, and win grace of me:
I am the Sword!
I am the feast-maker:
Hark, through a noise
Of the screaming of eagles,
Hark how the Trumpet,
The mistress of mistresses,
Calls, silver-throated
And stern, where the tables
Are spread, and the meal
Of the Lord is in hand!
Driving the darkness,
Even as the banners
And spears of the Morning;
Sifting the nations,
The slag from the metal,
The waste and the weak
From the fit and the strong;
Fighting the brute,
The abysmal Fecundity;
Checking the gross,
Multitudinous blunders,
The groping, the purblind
Excesses in service
Of the Womb universal,
The absolute drudge;
Firing the charactry
Carved on the World,
The miraculous gem
In the seal-ring that burns
On the hand of the Master -
Yea! and authority
Flames through the dim,
Unappeasable Grisliness
Prone down the nethermost
Chasms of the Void! -
Clear singing, clean slicing;
Sweet spoken, soft finishing;
Making death beautiful,
Life but a coin
To be staked in the pastime
Whose playing is more
Than the transfer of being;
Arch-anarch, chief builder,
Prince and evangelist,
I am the Will of God:
I am the Sword.
The Sword
Singing -
The voice of the Sword from the heart of the Sword
Clanging majestical,
As from the starry-staired
Courts of the primal Supremacy,
His high, irresistible song.
ARABIAN NIGHTS' ENTERTAINMENTS -To Elizabeth Robins Pennell
'O mes cheres Mille et Une Nuits!'--Fantasio.
Once on a time
There was a little boy: a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional! And Powers
Passed with him where he passed. And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere. -
I shut mine eyes . . . And lo!
A flickering snatch of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's: in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk -
Ice-ribbed, fiend-visited, isled in spells and storms -
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!
Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin! Never a Wood but housed
Some morrice of dainty dapperlings. No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents. Every lone Hillside
Might open upon Elf-Land. Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp. And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!
I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows. In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, Puss-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases -
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.
But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white breasts
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black Bitch of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .
I was--how many a time! -
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty. Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might. But there
I met with Merry Ladies. O you three -
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons. And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits). And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness: or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .
Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed. Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring. Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door: and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath. The same, it seemed,
And yet not all the same, I was to find,
As I went up! For afterwards,
Whenas I went my round alone -
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would: still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice! And in a little while
Two tapers burning! And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .
Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew. Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and sucked
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown. All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands! And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring -
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood. And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock! The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives! And far, O, far away,
The Princess of China languished! Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure -
Where the old, brown, friendly river shaped
Like Tigris shore for shore! Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady: she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes -
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian: yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind. -
Thus cried, thus called aloud, to the child heart
The magian East: thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships -
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams) -
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names! That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you: for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills -
The shining, shifting Sovranties of Dream.
BRIC-A-BRAC
'The tune of the time.'--HAMLET, concerning OSRIC
BALLADE OF A TOYOKUNI COLOUR-PRINT--To W. A.
Was I a Samurai renowned,
Two-sworded, fierce, immense of bow?
A histrion angular and profound?
A priest? a porter?--Child, although
I have forgotten clean, I know
That in the shade of Fujisan,
What time the cherry-orchards blow,
I loved you once in old Japan.
As here you loiter, flowing-gowned
And hugely sashed, with pins a-row
Your quaint head as with flamelets crowned,
Demure, inviting--even so,
When merry maids in Miyako
To feel the sweet o' the year began,
And green gardens to overflow,
I loved you once in old Japan.
Clear shine the hills; the rice-fields round
Two cranes are circling; sleepy and slow,
A blue canal the lake's blue bound
Breaks at the bamboo bridge; and lo!
Touched with the sundown's spirit and glow,
I see you turn, with flirted fan,
Against the plum-tree's bloomy snow . . .
I loved you once in old Japan!
Envoy
Dear, 'twas a dozen lives ago;
But that I was a lucky man
The Toyokuni here will show:
I loved you--once--in old Japan.
BALLADE (DOUBLE REFRAIN) OF YOUTH AND AGE--I. M. Thomas Edward Brown
(1829-1896)
Spring at her height on a morn at prime,
Sails that laugh from a flying squall,
Pomp of harmony, rapture of rhyme -
Youth is the sign of them, one and all.
Winter sunsets and leaves that fall,
An empty flagon, a folded page,
A tumble-down wheel, a tattered ball -
These are a type of the world of Age.
Bells that clash in a gaudy chime,
Swords that clatter in onsets tall,
The words that ring and the fames that climb -
Youth is the sign of them, one and all.
Hymnals old in a dusty stall,
A bald, blind bird in a crazy cage,
The scene of a faded festival -
These are a type of the world of Age.
Hours that strut as the heirs of time,
Deeds whose rumour's a clarion-call,
Songs where the singers their souls sublime -
Youth is the sign of them, one and all.
A staff that rests in a nook of wall,
A reeling battle, a rusted gage,
The chant of a nearing funeral -
These are a type of the world of Age.
Envoy
Struggle and turmoil, revel and brawl -
Youth is the sign of them, one and all.
A smouldering hearth and a silent stage -
These are a type of the world of Age.
BALLADE (DOUBLE REFRAIN) OF MIDSUMMER DAYS AND NIGHTS--To W. H.
With a ripple of leaves and a tinkle of streams
The full world rolls in a rhythm of praise,
And the winds are one with the clouds and beams -
Midsummer days! Midsummer days!
The dusk grows vast; in a purple haze,
While the West from a rapture of sunset rights,
Faint stars their exquisite lamps upraise -
Midsummer nights! O midsummer nights!
The wood's green heart is a nest of dreams,
The lush grass thickens and springs and sways,
The rathe wheat rustles, the landscape gleams -
Midsummer days! Midsummer days!
In the stilly fields, in the stilly ways,
All secret shadows and mystic lights,
Late lovers murmur and linger and gaze -
Midsummer nights! O midsummer nights!
There's a music of bells from the trampling teams,
Wild skylarks hover, the gorses blaze,
The rich, ripe rose as with incense steams -
Midsummer days! Midsummer days!
A soul from the honeysuckle strays,
And the nightingale as from prophet heights
Sings to the Earth of her million Mays -
Midsummer nights! O midsummer nights!
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