A>>B >>C >> D >>E
F>> G >>H>> I>> J
K >>L>> M>> N>> O
P>> R >>S>> T>> U
V >> W >> X >> Z

New Philadelphia Book Publisher Highlights Local Talent
Book and Publishing News from Publishers Newswire(tm)

Looking for Child to be on Cover of a New Book, 'The Model Child'
PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).

Notes on a Journey from Cornhill to Grand Cairo

W >> William Makepeace Thackeray >> Notes on a Journey from Cornhill to Grand Cairo

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15



In the lofty halls and corridors of the Governor's house, some
portraits of the late Grand Masters still remain: a very fine one,
by Caravaggio, of a knight in gilt armour, hangs in the dining-
room, near a full-length of poor Louis XVI., in Royal robes, the
very picture of uneasy impotency. But the portrait of De
Vignacourt is the only one which has a respectable air; the other
chiefs of the famous Society are pompous old gentlemen in black,
with huge periwigs, and crowns round their hats, and a couple of
melancholy pages in yellow and red. But pages and wigs and Grand
Masters have almost faded out of the canvas, and are vanishing into
Hades with a most melancholy indistinctness. The names of most of
these gentlemen, however, live as yet in the forts of the place,
which all seem to have been eager to build and christen: so that
it seems as if, in the Malta mythology, they had been turned into
freestone.

In the armoury is the very suit painted by Caravaggio, by the side
of the armour of the noble old La Valette, whose heroism saved his
island from the efforts of Mustapha and Dragut, and an army quite
as fierce and numerous as that which was baffled before Gibraltar,
by similar courage and resolution. The sword of the last-named
famous corsair (a most truculent little scimitar), thousands of
pikes and halberts, little old cannons and wall-pieces, helmets and
cuirasses, which the knights or their people wore, are trimly
arranged against the wall, and, instead of spiking Turks or arming
warriors, now serve to point morals and adorn tales. And here
likewise are kept many thousand muskets, swords, and boarding-pikes
for daily use, and a couple of ragged old standards of one of the
English regiments, who pursued and conquered in Egypt the remains
of the haughty and famous French republican army, at whose
appearance the last knights of Malta flung open the gates of all
their fortresses, and consented to be extinguished without so much
as a remonstrance, or a kick, or a struggle.

We took a drive into what may be called the country; where the
fields are rocks, and the hedges are stones--passing by the stone
gardens of the Florian, and wondering at the number and
handsomeness of the stone villages and churches rising everywhere
among the stony hills. Handsome villas were passed everywhere, and
we drove for a long distance along the sides of an aqueduct, quite
a Royal work of the Caravaggio in gold armour, the Grand Master De
Vignacourt. A most agreeable contrast to the arid rocks of the
general scenery was the garden at the Governor's country-house;
with the orange-trees and water, its beautiful golden grapes,
luxuriant flowers, and thick cool shrubberies. The eye longs for
this sort of refreshment, after being seared with the hot glare of
the general country; and St. Antonio was as pleasant after Malta as
Malta was after the sea.

We paid the island a subsequent visit in November, passing
seventeen days at an establishment called Fort Manuel there, and by
punsters the Manuel des Voyageurs; where Government accommodates
you with quarters; where the authorities are so attentive as to
scent your letters with aromatic vinegar before you receive them,
and so careful of your health as to lock you up in your room every
night lest you should walk in your sleep, and so over the
battlements into the sea--if you escaped drowning in the sea, the
sentries on the opposite shore would fire at you, hence the nature
of the precaution. To drop, however, this satirical strain: those
who know what quarantine is, may fancy that the place somehow
becomes unbearable in which it has been endured. And though the
November climate of Malta is like the most delicious May in
England, and though there is every gaiety and amusement in the
town, a comfortable little opera, a good old library filled full of
good old books (none of your works of modern science, travel, and
history, but good old USELESS books of the last two centuries), and
nobody to trouble you in reading them, and though the society of
Valetta is most hospitable, varied, and agreeable, yet somehow one
did not feel SAFE in the island, with perpetual glimpses of Fort
Manuel from the opposite shore; and, lest the quarantine
authorities should have a fancy to fetch one back again, on a
pretext of posthumous plague, we made our way to Naples by the very
first opportunity--those who remained, that is, of the little
Eastern Expedition. They were not all there. The Giver of life
and death had removed two of our company: one was left behind to
die in Egypt, with a mother to bewail his loss, another we buried
in the dismal lazaretto cemetery.

* * *

One is bound to look at this, too, as a part of our journey.
Disease and death are knocking perhaps at your next cabin door.
Your kind and cheery companion has ridden his last ride and emptied
his last glass beside you. And while fond hearts are yearning for
him far away, and his own mind, if conscious, is turning eagerly
towards the spot of the world whither affection or interest calls
it--the Great Father summons the anxious spirit from earth to
himself, and ordains that the nearest and dearest shall meet here
no more.

Such an occurrence as a death in a lazaretto, mere selfishness
renders striking. We were walking with him but two days ago on
deck. One has a sketch of him, another his card, with the address
written yesterday, and given with an invitation to come and see him
at home in the country, where his children are looking for him. He
is dead in a day, and buried in the walls of the prison. A doctor
felt his pulse by deputy--a clergyman comes from the town to read
the last service over him--and the friends, who attend his funeral,
are marshalled by lazaretto-guardians, so as not to touch each
other. Every man goes back to his room and applies the lesson to
himself. One would not so depart without seeing again the dear
dear faces. We reckon up those we love: they are but very few,
but I think one loves them better than ever now. Should it be your
turn next?--and why not? Is it pity or comfort to think of that
affection which watches and survives you?

The Maker has linked together the whole race of man with this chain
of love. I like to think that there is no man but has had kindly
feelings for some other, and he for his neighbour, until we bind
together the whole family of Adam. Nor does it end here. It joins
heaven and earth together. For my friend or my child of past days
is still my friend or my child to me here, or in the home prepared
for us by the Father of all. If identity survives the grave, as
our faith tells us, is it not a consolation to think that there may
be one or two souls among the purified and just, whose affection
watches us invisible, and follows the poor sinner on earth?



CHAPTER V: ATHENS



Not feeling any enthusiasm myself about Athens, my bounden duty of
course is clear, to sneer and laugh heartily at all who have. In
fact, what business has a lawyer, who was in Pump Court this day
three weeks, and whose common reading is law reports or the
newspaper, to pretend to fall in love for the long vacation with
mere poetry, of which I swear a great deal is very doubtful, and to
get up an enthusiasm quite foreign to his nature and usual calling
in life? What call have ladies to consider Greece "romantic," they
who get their notions of mythology from the well-known pages of
"Tooke's Pantheon"? What is the reason that blundering Yorkshire
squires, young dandies from Corfu regiments, jolly sailors from
ships in the harbour, and yellow old Indians returning from
Bundelcund, should think proper to be enthusiastic about a country
of which they know nothing; the mere physical beauty of which they
cannot, for the most part, comprehend; and because certain
characters lived in it two thousand four hundred years ago? What
have these people in common with Pericles, what have these ladies
in common with Aspasia (O fie)? Of the race of Englishmen who come
wandering about the tomb of Socrates, do you think the majority
would not have voted to hemlock him? Yes: for the very same
superstition which leads men by the nose now, drove them onward in
the days when the lowly husband of Xantippe died for daring to
think simply and to speak the truth. I know of no quality more
magnificent in fools than their faith: that perfect consciousness
they have, that they are doing virtuous and meritorious actions,
when they are performing acts of folly, murdering Socrates, or
pelting Aristides with holy oyster-shells--all for Virtue's sake;
and a "History of Dulness in all Ages of the World," is a book
which a philosopher would surely be hanged, but as certainly
blessed, for writing.

If papa and mamma (honour be to them!) had not followed the faith
of their fathers, and thought proper to send away their only
beloved son (afterwards to be celebrated under the name of
Titmarsh) into ten years' banishment of infernal misery, tyranny,
annoyance; to give over the fresh feelings of the heart of the
little Michael Angelo to the discipline of vulgar bullies, who, in
order to lead tender young children to the Temple of Learning (as
they do in the spelling-books), drive them on with clenched fists
and low abuse; if they fainted, revive them with a thump, or
assailed them with a curse; if they were miserable, consoled them
with a brutal jeer--if, I say, my dear parents, instead of giving
me the inestimable benefit of a ten years' classical education, had
kept me at home with my dear thirteen sisters, it is probable I
should have liked this country of Attica, in sight of the blue
shores of which the present pathetic letter is written; but I was
made so miserable in youth by a classical education, that all
connected with it is disagreeable in my eyes; and I have the same
recollection of Greek in youth that I have of castor-oil.

So in coming in sight of the promontory of Sunium, where the Greek
Muse, in an awful vision, came to me, and said in a patronising
way, "Why, my dear" (she always, the old spinster, adopts this high
and mighty tone)--"Why, my dear, are you not charmed to be in this
famous neighbourhood, in this land of poets and heroes, of whose
history your classical education ought to have made you a master?
if it did not, you have wofully neglected your opportunities, and
your dear parents have wasted their money in sending you to
school." I replied, "Madam, your company in youth was made so
laboriously disagreeable to me, that I can't at present reconcile
myself to you in age. I read your poets, but it was in fear and
trembling; and a cold sweat is but an ill accompaniment to poetry.
I blundered through your histories; but history is so dull (saving
your presence) of herself, that when the brutal dulness of a
schoolmaster is superadded to her own slow conversation, the union
becomes intolerable: hence I have not the slightest pleasure in
renewing my acquaintance with a lady who has been the source of so
much bodily and mental discomfort to me." To make a long story
short, I am anxious to apologise for a want of enthusiasm in the
classical line, and to excuse an ignorance which is of the most
undeniable sort.

This is an improper frame of mind for a person visiting the land of
AEschylus and Euripides; add to which, we have been abominably
overcharged at the inn: and what are the blue hills of Attica, the
silver calm basin of Piraeus, the heathery heights of Pentelicus,
and yonder rocks crowned by the Doric columns of the Parthenon, and
the thin Ionic shafts of the Erechtheum, to a man who has had
little rest, and is bitten all over by bugs? Was Alcibiades bitten
by bugs, I wonder; and did the brutes crawl over him as he lay in
the rosy arms of Phryne? I wished all night for Socrates's hammock
or basket, as it is described in the "Clouds;" in which resting-
place, no doubt, the abominable animals kept perforce clear of him.

A French man-of-war, lying in the silvery little harbour, sternly
eyeing out of its stern portholes a saucy little English corvette
beside, began playing sounding marches as a crowd of boats came
paddling up to the steamer's side to convey us travellers to shore.
There were Russian schooners and Greek brigs lying in this little
bay; dumpy little windmills whirling round on the sunburnt heights
round about it; an improvised town of quays and marine taverns has
sprung up on the shore; a host of jingling barouches, more
miserable than any to be seen even in Germany, were collected at
the landing-place; and the Greek drivers (how queer they looked in
skull-caps, shabby jackets with profuse embroidery of worsted, and
endless petticoats of dirty calico!) began, in a generous ardour
for securing passengers, to abuse each other's horses and carriages
in the regular London fashion. Satire could certainly hardly
caricature the vehicle in which we were made to journey to Athens;
and it was only by thinking that, bad as they were, these coaches
were much more comfortable contrivances than any Alcibiades or
Cimon ever had, that we consoled ourselves along the road. It was
flat for six miles along the plain to the city: and you see for
the greater part of the way the purple mount on which the Acropolis
rises, and the gleaming houses of the town spread beneath. Round
this wide, yellow, barren plain,--a stunted district of olive-trees
is almost the only vegetation visible--there rises, as it were, a
sort of chorus of the most beautiful mountains; the most elegant,
gracious, and noble the eye ever looked on. These hills did not
appear at all lofty or terrible, but superbly rich and
aristocratic. The clouds were dancing round about them; you could
see their rosy purple shadows sweeping round the clear serene
summits of the hill. To call a hill aristocratic seems affected or
absurd; but the difference between these hills and the others, is
the difference between Newgate Prison and the Travellers' Club, for
instance: both are buildings; but the one stern, dark, and coarse;
the other rich, elegant, and festive. At least, so I thought.
With such a stately palace as munificent Nature had built for these
people, what could they be themselves but lordly, beautiful,
brilliant, brave, and wise? We saw four Greeks on donkeys on the
road (which is a dust-whirlwind where it is not a puddle); and
other four were playing with a dirty pack of cards, at a barrack
that English poets have christened the "Half-way House." Does
external nature and beauty influence the soul to good? You go
about Warwickshire, and fancy that from merely being born and
wandering in those sweet sunny plains and fresh woodlands
Shakspeare must have drunk in a portion of that frank artless sense
of beauty which lies about his works like a bloom or dew; but a
Coventry ribbon-maker, or a slang Leamington squire, are looking on
those very same landscapes too, and what do they profit? You
theorise about the influence which the climate and appearance of
Attica must have had in ennobling those who were born there:
yonder dirty, swindling, ragged blackguards, lolling over greasy
cards three hours before noon, quarrelling and shrieking, armed to
the teeth and afraid to fight, are bred out of the same land which
begot the philosophers and heroes. But the "Half-way House" is
passed by this time, and behold! we are in the capital of King
Otho.

I swear solemnly that I would rather have two hundred a year in
Fleet Street, than be King of the Greeks, with Basileus written
before my name round their beggarly coin; with the bother of
perpetual revolutions in my huge plaster-of-Paris palace, with no
amusement but a drive in the afternoon over a wretched arid
country, where roads are not made, with ambassadors (the deuce
knows why, for what good can the English, or the French, or the
Russian party get out of such a bankrupt alliance as this?)
perpetually pulling and tugging at me, away from honest Germany,
where there is beer and aesthetic conversation, and operas at a
small cost. The shabbiness of this place actually beats Ireland,
and that is a strong word. The palace of the Basileus is an
enormous edifice of plaster, in a square containing six houses,
three donkeys, no roads, no fountains (except in the picture of the
inn); backwards it seems to look straight to the mountain--on one
side is a beggarly garden--the King goes out to drive (revolutions
permitting) at five--some four-and-twenty blackguards saunter up to
the huge sandhill of a terrace, as His Majesty passes by in a gilt
barouche and an absurd fancy dress; the gilt barouche goes plunging
down the sandhills; the two dozen soldiers, who have been
presenting arms, slouch off to their quarters; the vast barrack of
a palace remains entirely white, ghastly, and lonely; and, save the
braying of a donkey now and then (which long-eared minstrels are
more active and sonorous in Athens than in any place I know), all
is entirely silent round Basileus's palace. How could people who
knew Leopold fancy he would be so "jolly green" as to take such a
berth? It was only a gobemouche of a Bavarian that could ever have
been induced to accept it.

I beseech you to believe that it was not the bill and the bugs at
the inn which induced the writer hereof to speak so slightingly of
the residence of Basileus. These evils are now cured and
forgotten. This is written off the leaden flats and mounds which
they call the Troad. It is stern justice alone which pronounces
this excruciating sentence. It was a farce to make this place into
a kingly capital; and I make no manner of doubt that King Otho, the
very day he can get away unperceived, and get together the passage-
money, will be off for dear old Deutschland, Fatherland, Beerland!

I have never seen a town in England which may be compared to this;
for though Herne Bay is a ruin now, money was once spent upon it
and houses built; here, beyond a few score of mansions comfortably
laid out, the town is little better than a rickety agglomeration of
larger and smaller huts, tricked out here and there with the most
absurd cracked ornaments and cheap attempts at elegance. But
neatness is the elegance of poverty, and these people despise such
a homely ornament. I have got a map with squares, fountains,
theatres, public gardens, and Places d'Othon marked out; but they
only exist in the paper capital--the wretched tumble-down wooden
one boasts of none.

One is obliged to come back to the old disagreeable comparison of
Ireland. Athens may be about as wealthy a place as Carlow or
Killarney--the streets swarm with idle crowds, the innumerable
little lanes flow over with dirty little children, they are playing
and puddling about in the dirt everywhere, with great big eyes,
yellow faces, and the queerest little gowns and skull-caps. But in
the outer man, the Greek has far the advantage of the Irishman:
most of them are well and decently dressed (if five-and-twenty
yards of petticoat may not be called decent, what may?), they
swagger to and fro with huge knives in their girdles. Almost all
the men are handsome, but live hard, it is said, in order to
decorate their backs with those fine clothes of theirs. I have
seen but two or three handsome women, and these had the great
drawback which is common to the race--I mean, a sallow, greasy,
coarse complexion, at which it was not advisable to look too
closely.

And on this score I think we English may pride ourselves on
possessing an advantage (by WE, I mean the lovely ladies to whom
this is addressed with the most respectful compliments) over the
most classical country in the world. I don't care for beauty which
will only bear to be looked at from a distance, like a scene in a
theatre. What is the most beautiful nose in the world, if it be
covered with a skin of the texture and colour of coarse whitey-
brown paper; and if Nature has made it as slippery and shining as
though it had been anointed with pomatum? They may talk about
beauty, but would you wear a flower that had been dipped in a
grease-pot? No; give me a fresh, dewy, healthy rose out of
Somersetshire; not one of those superb, tawdry, unwholesome
exotics, which are only good to make poems about. Lord Byron wrote
more cant of this sort than any poet I know of. Think of "the
peasant girls with dark blue eyes" of the Rhine--the brown-faced,
flat-nosed, thick-lipped, dirty wenches! Think of "filling high a
cup of Samian wine;" small beer is nectar compared to it, and Byron
himself always drank gin. That man never wrote from his heart. He
got up rapture and enthusiasm with an eye to the public; but this
is dangerous ground, even more dangerous than to look Athens full
in the face, and say that your eyes are not dazzled by its beauty.
The Great Public admires Greece and Byron: the public knows best.
Murray's "Guide-book" calls the latter "our native bard." Our
native bard! Mon Dieu! HE Shakspeare's, Milton's, Keats's,
Scott's native bard! Well, woe be to the man who denies the public
gods!

The truth is, then, that Athens is a disappointment; and I am angry
that it should be so. To a skilled antiquarian, or an enthusiastic
Greek scholar, the feelings created by a sight of the place of
course will be different; but you who would be inspired by it must
undergo a long preparation of reading, and possess, too, a
particular feeling; both of which, I suspect, are uncommon in our
busy commercial newspaper-reading country. Men only say they are
enthusiastic about the Greek and Roman authors and history, because
it is considered proper and respectable. And we know how gentlemen
in Baker Street have editions of the classics handsomely bound in
the library, and how they use them. Of course they don't retire to
read the newspaper; it is to look over a favourite ode of Pindar,
or to discuss an obscure passage in Athenaeus! Of course country
magistrates and Members of Parliament are always studying
Demosthenes and Cicero; we know it from their continual habit of
quoting the Latin grammar in Parliament. But it is agreed that the
classics are respectable; therefore we are to be enthusiastic about
them. Also let us admit that Byron is to be held up as "our native
bard."

I am not so entire a heathen as to be insensible to the beauty of
those relics of Greek art, of which men much more learned and
enthusiastic have written such piles of descriptions. I thought I
could recognise the towering beauty of the prodigious columns of
the Temple of Jupiter; and admire the astonishing grace, severity,
elegance, completeness of the Parthenon. The little Temple of
Victory, with its fluted Corinthian shafts, blazed under the sun
almost as fresh as it must have appeared to the eyes of its
founders; I saw nothing more charming and brilliant, more graceful,
festive, and aristocratic than this sumptuous little building. The
Roman remains which lie in the town below look like the works of
barbarians beside these perfect structures. They jar strangely on
the eye, after it has been accustoming itself to perfect harmony
and proportions. If, as the schoolmaster tells us, the Greek
writing is as complete as the Greek art; if an ode of Pindar is as
glittering and pure as the Temple of Victory; or a discourse of
Plato as polished and calm as yonder mystical portico of the
Erechtheum: what treasures of the senses and delights of the
imagination have those lost to whom the Greek books are as good as
sealed!

And yet one meets with very dull first-class men. Genius won't
transplant from one brain to another, or is ruined in the carriage,
like fine Burgundy. Sir Robert Peel and Sir John Hobhouse are both
good scholars; but their poetry in Parliament does not strike one
as fine. Muzzle, the schoolmaster, who is bullying poor trembling
little boys, was a fine scholar when he was a sizar, and a ruffian
then and ever since. Where is the great poet, since the days of
Milton, who has improved the natural offshoots of his brain by
grafting it from the Athenian tree?

I had a volume of Tennyson in my pocket, which somehow settled that
question, and ended the querulous dispute between me and
Conscience, under the shape of the neglected and irritated Greek
muse, which had been going on ever since I had commenced my walk
about Athens. The old spinster saw me wince at the idea of the
author of Dora and Ulysses, and tried to follow up her advantage by
farther hints of time lost, and precious opportunities thrown away.
"You might have written poems like them," said she; "or, no, not
like them perhaps, but you might have done a neat prize poem, and
pleased your papa and mamma. You might have translated Jack and
Jill into Greek iambics, and been a credit to your college." I
turned testily away from her. "Madam," says I, "because an eagle
houses on a mountain, or soars to the sun, don't you be angry with
a sparrow that perches on a garret window, or twitters on a twig.
Leave me to myself: look, my beak is not aquiline by any means."

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15
Copyright (c) 2007. fullstories.net. All rights reserved.