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New Philadelphia Book Publisher Highlights Local Talent
Book and Publishing News from Publishers Newswire(tm)

Looking for Child to be on Cover of a New Book, 'The Model Child'
PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).

The Complete Plays of Gilbert and Sullivan

W >> William Schwenk Gilbert and Arthur Sullivan >> The Complete Plays of Gilbert and Sullivan

Pages:
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MERYLL Leonard! my brave boy! I'm right glad to see thee, and
so is Phoebe!

PHOEBE Aye-- hast thou brought Colonel Fairfax's reprieve?

LEONARD Nay, I have here a despatch for the Lieutenant, but no
reprieve for the Colonel!

PHOEBE Poor gentleman! poor gentleman!

LEONARD Aye, I would I had brought better news. I'd give my
right hand-- nay, my body-- my life, to save his!

MERYLL Dost thou speak in earnest, my lad?

LEONARD Aye, father-- I'm no braggart. Did he not save thy
life? and am I not his foster-brother?

MERYLL Then hearken to me. Thou hast come to join the Yeomen
of the Guard!

LEONARD Well?

MERYLL None has seen thee but ourselves?

LEONARD And a sentry, who took scant notice of me.

MERYLL Now to prove thy words. Give me the despatch and get
thee hence at once! Here is money, and I'll send thee
more. Lie hidden for a space, and let no one know.
I'll convey a suit of Yeoman's uniform to the
Colonel's cell-- he shall shave off his beard, so that
none shall know him, and I'll own him as my son, the
brave Leonard Meryll, who saved his flag and cut his
way through fifty foes who thirsted for his life. He
will be welcomed without question by my brother-
Yeomen, I'll warrant that. Now, how to get access to
the Colonel's cell? [To PHOEBE] The key is with they
sour-faced admirer, Wilfred Shadbolt.

PHOEBE [demurely] I think-- I say, I think-- I can get anything
I want from Wilfred. I think-- mind I say, I think-- you
may leave that to me.

MERYLL Then get thee hence at once, lad-- and bless thee for
this sacrifice.

PHOEBE And take my blessing, too, dear, dear Leonard!

LEONARD And thine. eh? Humph! Thy love is newborn; wrap it up
carefully, lest it take cold and die.

No. 4. Alas! I waver to and fro
(TRIO)
Phoebe, Leonard, and Meryll

PHOEBE Alas! I waver to and fro!
Dark danger hangs upon the deed!

ALL Dark danger hangs upon the deed!

LEONARD The scheme is rash and well may fail;
But ours are not the hearts that quail,
The hands that shrink, the cheeks that pale
In hours of need!

ALL No, ours are not the hearts that quail,
The hands that shrink, the cheeks that pale
The hands that shrink, the cheeks that pale
In hours of need!

MERYLL The air I breathe to him I owe:
My life is his-- I count it naught!

PHOEBE
and LEONARD That life is his-- so count it naught!

MERYLL And shall I reckon risks I run
When services are to be done
To save the life of such an one?
Unworthy thought! Unworthy thought!

PHOEBE
and LEONARD And shall we reckon risks we run
To save the life of such an one?

ALL Unworthy thought! Unworthy thought!
We may succeed-- who can foretell?
May heav'n help our hope--
May heav'n help our hope,
farewell!
May heav'n help our hope,
Help our hope,
farewell!

[LEONARD embraces MERYLL and PHOEBE, and then exits. PHOEBE
weeping.

MERYLL [goes up to PHOEBE] Nay, lass, be of good cheer, we
may save him yet.

PHOEBE Oh! see, after-- they bring the poor gentleman from the
Beauchamp! [pronounced Bee'cham] Oh, father! his hour
is not yet come?

MERYLL No, no-- they lead him to the Cold Harbour Tower to
await his end in solitude. But softly-- the Lieutenant
approaches! He should not see thee weep.

[Enter FAIRFAX, guarded by YEOMEN. The LIEUTENANT enters,
meeting him.

LIEUT. Halt! Colonel Fairfax, my old friend, we meet but
sadly.

FAIRFAX Sir, I greet you with all good-will; and I thank you
for the zealous acre with which you have guarded me
from the pestilent dangers which threaten human life
outside. In this happy little community, Death, when
he comes, doth so in punctual and business-like
fashion; and, like a courtly gentleman, giveth due
notice of his advent, that one may not be taken
unawares.

LIEUT. Sir, you bear this bravely, as a brave man should.

FAIRFAX Why, sir, it is no light boon to die swiftly and
surely at a given hour and in a given fashion! Truth
to tell, I would gladly have my life; but if that may
not be, I have the next best thing to it, which is
death. Believe me, sir, my lot is not so much amiss!

PHOEBE [aside to MERYLL] Oh, father, father, I cannot bear
it!

MERYLL My poor lass!

FAIRFAX Nay, pretty one, why weepest thou? Come, be comforted.
Such a life as mine is not worth weeping for. [sees
MERYLL] Sergeant Meryll, is it not? [to LIEUTENANT]
May I greet my old friend? [Shakes MERYLL's hand;
MERYLL begins to weep] Why, man, what's all this? Thou
and I have faced the grim old king a dozen times, and
never has his majesty come to me in such goodly
fashion. Keep a stout heart, good fellow-- we are
soldiers, and we know how to die, thou and I. Take my
word for it, it is easier to die well than to live
well-- for, in sooth, I have tried both.

No. 5. Is life a boon?
(BALLAD)
Fairfax

FAIRFAX Is life a boon?
If so, it must befall
That Death, whene'er he call,
Must call too soon.
Though fourscore years he give,
Yet one would pray to live
Another moon!
What kind of plaint have I,
Who perish in July,
who perish in July?
I might have had to die,
Perchance, in June!
I might have had to die,
Perchance, in June!

Is life a thorn?
Then count it not a whit!
Nay, count it not a whit!
Man is well done with it;
Soon as he's born
He should all means essay
To put the plague away;
And I, war-worn,
Poor captured fugitive,
My life most gladly give--
I might have had to live,
Another morn!
I might have had to live,
Another morn!

[At the end, PHOEBE is led off, weeping, by MERYLL.

FAIRFAX And now, Sir Richard, I have a boon to beg. I am in
this strait for no better reason than because my
kinsman, Sir Clarence Poltwhistle, one of the
Secretaries of State, has charged me with sorcery, in
order that he may succeed in my estate, which devolves
to him provided I die unmarried.

LIEUT. As thou wilt most surely do.

FAIRFAX Nay, as I will most surely not do, by your worship's
grace! I have a mind to thwart this good cousin of
mine.

LIEUT. How?

FAIRFAX By marrying forthwith, to be sure!

LIEUT. But heaven ha' mercy, whom wouldst thou marry?

FAIRFAX Nay, I am indifferent on that score. Coming Death hath
made of me a true and chivalrous knight, who holds all
womankind in such esteem that the oldest, and the
meanest, and the worst-favoured of them is good enough
for him. So, my good Lieutenant, if thou wouldst serve
a poor soldier who has but an hour to live, find me
the first that comes-- my confessor shall marry us, and
her dower shall be my dishonoured name and a hundred
crowns to boot. No such poor dower for an hour of
matrimony!

LIEUT. A strange request. I doubt that I should be warranted
in granting it.

FAIRFAX There never was a marriage fraught with so little of
evil to the contracting parties. In an hour she'll be
a widow, and I-- a bachelor again for aught I know!

LIEUT. Well, I will see what can be done, for I hold thy
kinsman in abhorrence for the scurvy trick he has
played thee.

FAIRFAX A thousand thanks, good sir; we meet again in this
spot in an hour or so. I shall be a bridegroom then,
and your worship will wish me joy. Till then,
farewell. [To GUARD] I am ready, good fellows.

[Exit with GUARD into Cold Harbour Tower]

LIEUT. He is a brave fellow, and it is a pity that he should
die. Now, how to find him a bride at such short
notice? Well, the task should be easy! [Exit]

[Enter JACK POINT and ELSIE MAYNARD, pursued by a CROWD of
men and women. POINT and ELSIE are much terrified; POINT,
however, assuming an appearance of self-possession.


No. 6. Here's a man of jollity
(CHORUS)
People, Elsie, and Jack Point

CHORUS Here's a man of jollity,
Jibe, joke, jollify!
Give us of your quality,
Come, fool, follify!

If you vapour vapidly,
River runneth rapidly,
Into it we fling
Bird who doesn't sing!

Give us an experiment
In the art of merriment;
Into it we throw
Cock who doesn't crow!

Banish your timidity,
And with all rapidity
Give us quip and quiddity--
Willy-nilly, O!

River none can mollify;
Into it we throw
Fool who doesn't follify,
Cock who doesn't crow!

Banish your timidity,
And with all rapidity
Give us quip and quiddity--
Willy-nilly, O!

POINT [alarmed] My masters, I pray you bear with us, and we
will satisfy you, for we are merry folk who would make
all merry as ourselves. For, look you, there is humour
in all things, and the truest philosophy is that which
teaches us to find it and to make the most of it.

ELSIE [struggling with 1ST CITIZEN] Hands off, I say,
unmannerly fellow! [she boxes his ears]

POINT [to 1ST CITIZEN] Ha! Didst thou hear her say, "Hands
off"?

1ST
CITIZEN Aye, I heard her say it, and I felt her do it! What
then?

POINT Thou dost not see the humour of that?

1ST
CITIZEN Nay, if I do, hang me!

POINT Thou dost not? Now, observe. She said, "Hands off!
"Whose hands? Thine. Off whom? Off her. Why? Because
she is a woman. Now, had she not been a woman, thine
hands had not been set upon her at all. So the reason
for the laying on of hands is the reason for the
taking off of hands, and herein is contradiction
contradicted! It is the very marriage of pro with con;
and no such lopsided union either, as times go, for
pro is not more unlike con than man is unlike woman--
yet men and women marry every day with none to say,
"Oh, the pity of it!" but I and fools like me! Now
wherewithal shall we please you? We can rhyme you
couplet, triolet, quatrain, sonnet,rondolet, ballade,
what you will. Or we can dance you saraband, gondolet,
carole, pimpernel, or Jumping Joan.

ELSIE Let us give them the singing farce of the Merryman and
his Maid-- therein is song and dance too.

ALL Aye, the Merryman and his Maid!


No. 7. I have a song to sing, O!
(DUET)
Elsie and Point

POINT I have a song to sing, O!

ELSIE Sing me your song, O!

POINT It is sung to the moon
By a love-lorn loon,
Who fled from the mocking throng, O!
It's a song of a merryman, moping mum,
Whose soul was sad, and whose glance was glum,
Who sipped no sup, and who craved no crumb,
As he sighed for the love of a ladye.
Heighdy! heighdy!
Misery me--lack-a-day-dee!
He sipped no sup, and he craved no crumb,
As he sighed for the love of a ladye!

ELSIE I have a song to sing, O!

POINT Sing me your song, O!

ELSIE It is sung with the ring
Of the songs maids sing
Who love with a love life-long, O!
It's the song of a merrymaid, peerly proud,
Who loved a lord, and who laughed aloud
At the moan of the merryman, moping mum,
Whose soul was sad, and whose glance was glum,
Who sipped no sup, and who craved no crumb,
As he sighed for the love of a ladye!
Heighdy! heighdy!
Misery me--lack-a-day-dee!
He sipped no sup, and he craved no crumb,
As he sighed for the love of a ladye!

POINT I have a song to sing, O!

ELSIE Sing me your song, O!

POINT It is sung to the knell
Of a churchyard bell,
And a doleful dirge, ding dong, O!
It's a song of a popinjay, bravely born,
Who turned up his noble nose with scorn
At the humble merrymaid, peerly proud,
Who loved a lord, and who laughed aloud
At the moan of the merryman, moping mum,
Whose soul was sad, and whose glance was glum,
Who sipped no sup, and who craved no crumb,
As he sighed for the love of a ladye!
Heighdy! heighdy!
Misery me--lack-a-day-dee!
He sipped no sup, and he craved no crumb,
As he sighed for the love of a ladye!

ELSIE I have a song to sing, O!

POINT Sing me your song, O!

ELSIE It is sung with a sigh
And a tear in the eye,
For it tells of a righted wrong, O!
It's a song of the merrymaid, once so gay,
Who turned on her heel and tripped away
From the peacock popinjay, bravely born,
Who turned up his noble nose with scorn
At the humble heart that he did not prize:
So she begged on her knees, with downcast eyes,
For the love of the merryman, moping mum,
Whose soul was sad, and whose glance was glum,
Who sipped no sup, and who craved no crumb,
As he sighed for the love of a ladye!

BOTH Heighdy! heighdy!
Misery me--lack-a-day-dee!
His pains were o'er, and he sighed no more,
For he lived in the love of a ladye!

Heighdy! heighdy!
Misery me--lack-a-day-dee!
His pains were o'er, and he sighed no more,
For he lived in the love of a ladye!

1ST
CITIZEN Well sung and well danced!

2ND
CITIZEN A kiss for that, pretty maid!

ALL Aye, a kiss all round. [CROWD gathers around her]

ELSIE [drawing dagger] Best beware! I am armed!

POINT Back, sirs-- back! This is going too far.

2ND
CITIZEN Thou dost not see the humour of it, eh? Yet there is
humour in all things-- even in this. [Trying to kiss
her]

ELSIE Help! Help!

[Enter LIEUTENANT with GUARD. CROWD falls back

LIEUT. What is the pother?

ELSIE Sir, we sang to these folk, and they would have repaid
us with gross courtesy, but for your honour's coming.

LIEUT. [to CROWD] Away with ye! Clear the rabble.

[GUARDS push CROWD off, and go off with them]

Now, my girl, who are you, and what do you here?

ELSIE May it please you, sir, we are two strolling players,
Jack Point and I, Elsie Maynard, at your worship's
service. We go from fair to fair, singing, and
dancing, and playing brief interludes; and so we make
a poor living.

LIEUT. You two, eh? Are ye man and wife?

POINT No, sir; for though I'm a fool, there is a limit to my
folly. Her mother, old Bridget Maynard, travels with
us (for Elsie is a good girl), but the old woman is a-
bed with fever, and we have come here to pick up some
silver to buy an electuary for her.

LIEUT. Hark ye, my girl! Your mother is ill?

ELSIE Sorely ill, sir.

LIEUT. And needs good food, and many things that thou canst
not buy?

ELSIE Alas! sir, it is too true.

LIEUT. Wouldst thou earn an hundred crowns?

ELSIE An hundred crowns! They might save her life!

LIEUT. Then listen! A worthy but unhappy gentleman is to be
beheaded in an hour on this very spot. For sufficient
reasons, he desires to marry before he dies, and he
hath asked me to find him a wife. Wilt thou be that
wife?

ELSIE The wife of a man I have never seen!

POINT Why, sir, look you, I am concerned in this; for though
I am not yet wedded to Elsie Maynard, time works
wonders, and there's no knowing what may be in store
for us. Have we your worship's word for it that this
gentleman will die to-day?

LIEUT. Nothing is more certain, I grieve to say.

POINT And that the maiden will be allowed to depart the very
instant the ceremony is at an end?

LIEUT. The very instant. I pledge my honour that it shall be
so.

POINT An hundred crowns?

LIEUT. An hundred crowns!

POINT For my part, I consent. It is for Elsie to speak.


No. 8. How say you, maiden, will you wed
(TRIO)
Elsie, Point, and Lieutenant

LIEUT. How say you, maiden, will you wed
A man about to lose his head?
For half an hour
You'll be his wife,
And then the dower
Is your for life.
A headless bridegroom why refuse?
If truth the poets tell,
Most bridegrooms, 'ere they marry,
Lose both head and heart as well!

ELSIE A strange proposal you reveal,
It almost makes my senses reel.
Alas! I'm very poor indeed,
And such a sum I sorely need.
My mother, sir, is like to die.
This money life may bring.
Bear this in mind, I pray,
If I consent to do this thing!

POINT Though as a general rule of life
I don't allow my promised wife,
My lovely bride that is to be,
To marry anyone but me,
Yet if the fee is promptly paid,
And he, in well-earned grave,
Within the hour is duly laid,
Objection I will waive!
Yes, objection I will waive!

ALL Temptation, oh, temptation,
Were we, I pray, intended
To shun, what e'er our station,
Your fascinations splendid;
Or fall, whene'er we view you,
Head over heels into you?
Head over heels, Head over heels,
Head over heels into you!
Head over heels, Head over heels,
Head over heels, Right into you!
Head over heels, Head over heels, etc.
Temptation, oh, temptation!

[During this, the LIEUTENANT has whispered to WILFRED
(who has entered). WILFRED binds ELSIE's eyes with a
kerchief, and leads her into the Cold Harbour Tower

LIEUT. And so, good fellow, you are a jester?

POINT Aye, sir, and like some of my jests, out of place.

LIEUT. I have a vacancy for such an one. Tell me, what are
your qualifications for such a post?

POINT Marry, sir, I have a pretty wit. I can rhyme you
extempore; I can convulse you with quip and
conundrum;I have the lighter philosophies at my
tongue's tip; I can be merry, wise, quaint, grim, and
sardonic, one by one, or all at once; I have a pretty
turn for anecdote; I know all the jests-- ancient and
modern-- past, present, and to come; I can riddle you
from dawn of day to set of sun, and, if that content
you not, well on to midnight and the small hours. Oh,
sir, a pretty wit, I warrant you-- a pretty, pretty
wit!


No. 9. I've jibe and joke
(SONG)
Point

POINT I've jibe and joke
And quip and crank
For lowly folk
And men of rank.
I ply my craft
And know no fear.
But aim my shaft
At prince or peer.
At peer or prince-- at prince or peer,
I aim my shaft and know no fear!

I've wisdom from the East and from the West,
That's subject to no academic rule;
You may find it in the jeering of a jest,
Or distil it from the folly of a fool.
I can teach you with a quip, if I've a mind;
I can trick you into learning with a laugh;
Oh, winnow all my folly, folly, folly, and
you'll find
A grain or two of truth among the chaff!
Oh, winnow all my folly, folly, folly, and
you'll find
A grain or two of truth among the chaff!

I can set a braggart quailing with a quip,
The upstart I can wither with a whim;
He may wear a merry laugh upon his lip,
But his laughter has an echo that is grim.
When they're offered to the world in merry
guise,
Unpleasant truths are swallowed with a will,
For he who'd make his fellow,
fellow, fellow creatures wise
Should always gild the philosophic pill!
For he who'd make his fellow,
fellow, fellow creatures wise
Should always gild the philosophic pill!

LIEUT. And how came you to leave your last employ?

POINT Why, sir, it was in this wise. My Lord was the
Archbishop of Canterbury, and it was considered that
one of my jokes was unsuited to His Grace's family
circle. In truth, I ventured to ask a poor riddle,
sir-- Wherein lay the difference between His Grace and
poor Jack Point? His Grace was pleased to give it up,
sir. And thereupon I told him that whereas His Grace
was paid 10,000 a year for being good, poor Jack Point
was good-- for nothing. 'Twas but a harmless jest, but
it offended His Grace, who whipped me and set me in
the stocks for a scurril rogue, and so we parted. I
had as lief not take post again with the dignified
clergy.

LIEUT. But I trust you are very careful not to give offence.
I have daughters.

POINT Sir, my jests are most carefully selected, and
anything objectionable is expunged. If your honour
pleases, I will try then first on your honour's
chaplain.

LIEUT. Can you give me an example? Say that I had sat me down
hurriedly on something sharp?

POINT Sir, I should say that you had sat down on the spur of
the moment.

LIEUT. Humph! I don't think much of that. Is that the best
you can do?

POINT It has always been much admired, sir, but we will try
again.

LIEUT. Well, then, I am at dinner, and the joint of meat is
but half cooked.

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